Horror

The Birds (1963)

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I’d like to talk today about one of my favourite Hitchcock films, the nature horror, The Birds. The film is based on the novel by Daphne Du Maurier (whose work had been adapted for the screen by Hitch before)with the story setting changed from Cornwall to a coastal American town.

When this film was released in 1963, Alfred Hitchcock had been the master of suspense for decades, but he had never before made a film that could really be classed as a horror film. Psycho released in 1960, certainly has some horror elements, but it is still essentially a suspense thriller. The Birds however is certainly an all out horror film.

From its opening titles, which feature no music, only the squawking of birds; we know we are in for a very different experience than we are used to from this director. The film makes us afraid of something we share our lives with everyday, the birds we see eating off the floor, flying through the air, and sitting on trees, buildings etc, it makes us think what would we do if they ever decided to attack us all the time. When I first saw this, I have to confess to being wary of birds for a while after viewing.

I like how the ordered lives of the characters are completely destroyed, they find themselves out of control and pursued by something they would never have thought could hurt them.

Wealthy Melanie Daniels(Tippi Hedren)meets lawyer Mitch Brenner(Rod Taylor)in a bird shop. He is trying to find some love birds to give to his younger sister Cathy(Veronica Cartwright), when he recognises Melanie as the woman who is always in the news for practical jokes, and scandals; Mitch decides to have a bit of fun at her expense, and give her a dose of her own medicine. Mitch pretends that he thinks she works in the shop and asks her to show him some birds, this leads to some very amusing scenes until he tells the truth(much to her annoyance).

There is an instant attraction between the two, and Melanie buys a pair of lovebirds, and finds Mitch’s weekend address(family home)out in Bodega Bay. Melanie drives up to leave them for Cathy, she takes a boat over to the house(to arrive unnoticed) as she is trying to leave without being noticed Mitch catches sight of her and drives over to the dock to await her return, as she comes closer to the dock she is attacked by a seagull. From this moment on there are more bird attacks, and large groups of birds congregate in public places. Mitch, Cathy, their mother Lydia(Jessica Tandy), Melanie and schoolteacher(and former girlfriend of Mitch)Annie(Suzanne Pleshette)try and figure out what is causing these attacks, and find a way to survive.

The more I’ve watched this, I’ve picked up on something that I haven’t seen anyone else mention when discussing this. The majority of the bird attacks happen at moments of increasing intimacy between Mitch and Melanie, they increase as Mitch and Melanie’s feelings for one another grow. Hitchcock was a perfectionist and everything in his films was there for a reason, I would find it difficult to believe that the bird attacks coinciding with emotional moments/sexual tension were not intentionally included. If you pick up on this I think it adds another layer to the film. I also love the way Rod and Tippi play these scenes, I love the sexual tension/banter between their characters.

Rod Taylor is superb as the strong, playful Mitch devoted to his family and trying to protect those he loves from these attacks; his performance in this is what made me a fan, I love him in this.

Tippi Hedren makes a strong debut as Melanie, and does a good job of portraying a strong woman becoming vulnerable and falling in love. It is a real shame she didn’t go on to become a bigger star, her performance here and in Hitchcock’s  Marnie are very good indeed.

Suzanne Pleshette steals every scene she is in as the knowing Annie, she can see Mitch and Melanie are falling in love, even if they themselves might not be aware of it.

Jessica Tandy is moving as the widowed mother of Mitch, desperate not to lose her son and being cold towards any woman he loves.

A very young Veronica Cartwright is good as Cathy Brenner, terrified by what she is seeing but still loving towards her lovebirds.

The ending is bleak and we are left hoping the best for these characters, but it doesn’t look likely that there will be a happy ending. The original scripted ending was even bleaker, and I do wish it had been filmed as it shows how far the attacks had spread; they drive through the town to find utter devastation, dead bodies and thousands of birds as far as the eye can see.

My favourite scenes are the following. Mitch and Melanie talking about her mother up on the hill. The banter between Mitch and Melanie when he is treating Melanie’s cut. The attack where Melanie is trapped in the phonebox. Melanie and Annie discussing Mitch and Lydia before the bid hits their door. Lydia finding the dead farmer. The birds gathering behind Melanie at the school, and the scene with the bird expert lady talking about the attacks.

I also love the scene where Melanie is driving, her body leans left and right when she turns corners, on the seat next to her, the lovebirds are leaning left and right too. That scene always makes me laugh whenever I watch this. A brief moment of humour in a very chilling film.

One of Hitchcock’s best films, and a very good horror film in it’s own right. If you’re a fan please leave your thoughts. If you’ve never seen it, I hope you’ll check it out.

 

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12 thoughts on “The Birds (1963)”

      1. Yes, that’s right. I’m not much of a fan of that screen adaptation. I much prefer the novel, DuMaurier was such a vivid writer, her words convey such strong images. I love her work so much, my favourites among her novels are Julius, Hungry Hill, The Parasites, Jamaica Inn and Rebecca.

        Liked by 2 people

  1. I am a big fan of this film. It is special in every way, and you right to point that there is indeed some erotic, sexual tension between the characters. Tippi is very seductive, but I do believe it is not her fault that she did not become a bigger star. Hitchcock was too protective around her, and when she was finally free of the “clutches” of the strict contractual agreements, it was way too late for her.

    Liked by 1 person

  2. I don’t know, Psycho does seem more like a horror film to me and it did invent a horror sub-genre, the slasher film.

    You’re right that there’s a relationship between what’s happening between the humans and what’s happening with the birds. It’s her following him back to Bodega Bay and intruding on their lives and community that upsets the natural order. And presumably, so does her sexual assertiveness in pursuing him. (And doesn’t he live there with his mother? – Over to you, Dr Freud!)

    It does make me a bit uncomfortable watching some of it, because the birds are clearly in distress at the way they’re being treated at some points, as is poor old Tippi, who Hitch obviously put through the mill.

    It’s a good film though, thematically more sophisticated than Psycho I think, and the latter has that clunky ending where everything is explained. In The Birds nothing is explained, and its effectiveness comes partly from its uncertainty and ambiguity.

    Liked by 1 person

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