Eva over at Classicsandcraziness is hosting this blogathon all about Alfred Hitchcock. Be sure to visit her site to read all the other entries. I can’t wait to read them all myself.
I’ve recently just finished hosting my own Hitchcock blogathon, and when I saw that Eva was also hosting one, well I just couldn’t pass up on the opportunity to carry on writing about Hitch’s films.
I’m writing this time about The Lady Vanishes, which is one of Hitch’s British films, and was actually the last film that he made here in the UK until he returned here in the 1970’s to make Frenzy.
The Lady Vanishes is a Hitch film that I love a great deal. It is an excellent mystery thriller, has a nice blend of genres within it, and has lots of humour thrown into the mix as well.
There’s also lots of fun to be had in watching a romantic relationship slowly develop between a couple who at first can’t stand each other one bit. This is also a film in which you should never take the characters at face value, more than a few of them will surprise you as the film goes on.I also really like how this film doesn’t waste a single moment, and it really manages to pack quite a bit into an hour and a half of running time.
Fans of the comic, cricket obsessed characters Charters and Caldicott are also in for a treat. The duo feature here in fairly major roles, in what was to be the first screen outing for them. These characters popped up in many British films throughout the 1940’s.
The lead actors of the film are Margaret Lockwood and Michael Redgrave, they would both soon go on to become very popular stars in British cinema. Here though they are both in the very early stages of their respective careers, you’d never guess that this was only Michael’s first screen appearance, or that Margaret had only been acting on screen herself for only around five years. They are both excellent and come across very natural in their performances.
Iris (Margaret Lockwood)is on a walking holiday in Europe with two of her friends. Iris is returning home to the UK before her friends do. When she gets home she will soon be getting married. About to board her homebound train, Iris is hit on the head by a heavy plant pot that falls from a window above her. Iris has a very sore head but seems to be fine otherwise.
Iris is befriended by Miss Froy (Dame May Whitty), an elderly governess who is also returning home to the UK. During the journey Miss Froy looks after the injured Iris, who falls asleep and when she wakes up Miss Froy is missing. Fellow passengers and train staff claim she was never on the train!
Fellow passenger, Dr. Hartz (Paul Lukas)is concerned that Iris’s head injury could be causing her to hallucinate, but Iris is adamant that she is telling the truth and that Miss Froy was no hallucination.
The only one who believes her is the witty musician, Gilbert (Michael Redgrave)who had met and annoyed Iris the night before at her hotel (he was playing music loudly and this disturbed her sleep.)
Can Gilbert and Iris stop bickering long enough to get to the bottom of what is going on? Just what has happened to the little old lady dressed all in tweed?
Margaret is excellent as the woman who is thrown into danger and adventure, but who won’t back down in her search for her friend. She makes you really feel her mounting confusion and desperation, particularly as it seems more and more likely that she imagined the missing old lady.
Michael steals every scene he is in as the dashing, heroic and witty Gilbert. I love how he conveys to us by the way he looks at Iris that he is falling hard for her. Michael looks at Margaret with such tenderness (I’m swooning just writing this 🙂 ) and you just know these two should get together. I’m really impressed by how good Michael is here considering this is his film debut. He acts like he has been in front of a camera for years before this.
Paul Lukas is excellent as the respectable surgeon who may or may not be hiding a secret. Paul has your attention in every scene he is in. Is his character one to be trusted?
Dame May Whitty is perfect casting as the little old lady, who as it later turns out has quite a few surprises up her sleeve.
Naunton Wayne and Basil Radford are hysterical as Charters and Caldicott, the friends to whom nothing else matters apart from getting home to watch a cricket match. They are a riot, and it’s not difficult to see why they went on to appear in many films over the next few years.
Cecil Parker and Linden Travers are also both excellent as a couple who are having an affair. They may have seen Miss Froy, but refuse to get involved as they don’t want to draw attention to themselves.
Googie Withers who(like Margaret Lockwood)would soon go on to become a popular leading lady of British cinema, has a small role in this as one of Iris’s friends.
My favourite scenes are the following. Gilbert and Iris’s first meeting at the hotel. Gilbert climbing out of the train window as another train comes by on the opposite track. Gilbert and Iris meeting again on the train. All the scenes featuring Charters and Caldicott. The shootout finale. Gilbert and Iris finding the magicians box in the luggage compartment. Gilbert getting all worried about Iris after she faints.
In this film, a whistled tune turns out to be of vital international importance, major head trauma is somehow avoided when a heavy plant pot falls on a human head, and a packet of tea proves to be a vital clue to the whereabouts of a missing woman. There’s romance, arguments, secrets and dangers galore. You really don’t want to avoid boarding this train!
Any other fans of this film? Please leave your comments below.