Drama, Films I Love, Horror

Alfred Hitchcock’s Vertigo At 60

This year is the 60th anniversary of the release of an Alfred Hitchcock film called Vertigo. This dark and powerful film wasn’t all that well received upon its release back in 1958, but over the following decades it has been reassessed and it is now considered to be one of Hitchcock’s greatest film achievements.

The film has since been showered with many accolades. It has even been called the greatest film ever made by some film critics. It is a film that I have come to love a great deal. I was entranced by its story of mystery, sadness, love, horror and tragedy the first time that I saw it. It has since become a firm favourite. 

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Scottie and Madeleine kiss. Screenshot by me.

This film is really several types of film all rolled into one, it is part Film Noir, part horror, part mystery, part romance and part tragedy. It is a film about obsession, mystery, death, love, longing, desire, fear and guilt. I consider this film to be Hitchcock’s most fascinating, haunting, dark and unforgettable film.It is a film that really gets under my skin.

The film was based upon the 1954 novel The Living And The Dead, which was written by Pierre Boileau and Pierre Ayraud. In my opinion this was the darkest film that Hitchcock had made up to this point in his career.

The obsession that James Stewart’s character has for the woman he fixates on makes for some very uncomfortable viewing,his behaviour really borders on stalker behaviour. Hitchcock takes his characters and the viewer on a very dark and unsettling journey in this film. It may be a difficult viewing experience to endure at times, but it is one which is well worth seeing through to the end. 

The film was shot out on location in San Francisco and the history and beauty of that city ended up being the perfect backdrop for the film. The city almost becomes another character in the film, with the city streets and iconic locations featuring heavily in the vast majority of scenes. 

At the heart of Vertigo is the growing bond between Scottie (James Stewart)and the mysterious and troubled Madeleine (Kim Novak). Scottie is a former Police Detective who has quit the force after developing vertigo and acrophobia. He develops these conditions after nearly falling from a building during a police chase. Scottie also blames himself after a colleague died while trying to save Scottie from falling from the roof. He is wracked with guilt and fear following this incident.  

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Midge comforts Scottie. Screenshot by me.

Scottie is aided in his recovery from this incident by his friend and former fiancé, Midge (Barbara Bel Geddes). Midge is the woman for him, she is a real woman and she adores him and is there for him no matter what. Scottie ends up ignoring her though in his pursuit of a femme fatale (typical Noir guy there then 😉 ).

Scottie is hired by an old friend, Gavin Elster (Tom Helmore)to work as a private detective to keep an eye on Elster’s wife, Madeleine (Kim Novak).Elster tells Scottie that he is very worried about his wife, he fears that she may be possessed by the spirit of a dead ancestor. She is acting very strangely and he fears she may also be suicidal.

Scottie follows Madeleine, he soon becomes convinced that something is not right with her at all. He also comes to accept that as odd as it may seem, Elster may well be correct when he suspects that Madeleine could be possessed.

Scottie ends up falling in love with this mysterious woman. He is left wracked with guilt and despair once again, after he fails to prevent her from jumping to her death. Some time after her death, Scottie meets Judy (Kim Novak), a young woman who bears an uncanny resemblance to the dead Madeleine. Scottie soon learns that all may not have been as it had initially seemed to him. So he sets out to do some investigating. 

Scottie and Madeleine are two troubled and sad souls clinging to one another, they remind me of the way a drowning person clings to a lifebelt or piece of wood to try and stay afloat. Scottie feels protective of Madeleine, he is drawn to this gentle and shy woman of mystery. Scottie can’t see that all may not be as it seems with Madeleine’s situation at all, he is so blinkered by love and desire, that he ignores the reality before him. In his attitudes he is the typical Noir detective, slowly being drawn to his doom by the femme fatale that he desires above all else in his life.

The irony is that the woman he loves isn’t real in any sense of the word. The woman that Scottie sees before him isn’t even the real Madeleine. Her actions and personality are not even those of the real woman pretending to be Madeleine.

Scottie is basically in love with a woman who doesn’t exist. The woman he loves and longs to have is nothing more than a phantom. Madeleine is the ultimate Noir femme fatale, she leads Scottie on and is forever unattainable. 

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Scottie and Madeleine in a rare happy moment. Screenshot by me.

Madeleine likes Scottie very much and she can’t deny her feelings for him in return, but she never lets him too close to her. She feels safe with him and yet she runs from him, never allowing herself to stay with him for long periods of time.

Madeleine always runs away from Scottie or pushes him away from her. They want to be together but can’t. We in the audience want a happy ending for them but we know that it is highly improbable they will get one.  This is Noir and Horror territory that we are in after all. 

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James Stewart as a traumatised Scottie. Screenshot by me.

James Stewart and Kim Novak deliver career best performances here. James in particular goes places we have never seen him go before.

This is one of the darkest roles that James ever had in his entire career, and I think he does a superb job in playing this very troubled character. He really makes us feel Scottie’s obsession, lust, love, grief and longing.

I think that James also does a superb job of conveying the crippling fear when Scottie has an attack of vertigo and is left helpless and paralysed in terror, shaking and sweating and desperate to get away from wherever he may be at the time. 

                                 Kim Novak as both Madeleine and Judy. Screenshot by me.

Kim is superb in the dual role of the ethereal, glacial, refined and regal Madeleine, and the fun loving, independent and sexy Judy. She does a terrific job of conveying Madeleine’s fear and vulnerability. 

Kim also excels at conveying Judy’s longing and fear much later in the film. Kim’s role was originally going to have been performed by Vera Miles, she unfortunately had to give up the role after becoming pregnant. I really wish we could have seen how Vera would have played this dual role, but I’m convinced that she wouldn’t have been able to match what Kim did with these two roles. 

Hitchcock made three films in his career that I think can be considered to be horror films, Psycho, The Birds and Frenzy. Vertigo is the closest he ever came though to making a ghost story. The first half of the film plays out like a ghost story. It appears that Madeleine is possessed by the spirit of a dead ancestor who went mad and committed suicide aged 26.   

Kim gives Madeleine an otherworldly and ethereal air in these sequences, she really makes you believe that this woman is torn between the realm of the dead and the world of the living. There is a far and away look in Kim’s eyes during the scenes where Madeleine is possessed.

When I watch the character in these scenes I believe that she is someone else and is a deeply troubled woman. Some of the scenes in the first half are very eerie. Look at the sequence in the forest for example, that scene is very eerie and would not be out of place in a horror film. Don’t forget the scenes where she visits the graveyard and the old hotel too. Seeing these scenes makes me wish that Hitchcock had tried his hand at making a ghost film.

Madeleine throws herself to her death from the roof of a bell tower. Scottie tries to save her from jumping but he is prevented from doing so by a vertigo attack. In the second half of the film, we see Scottie haunted by the memory of the dead Madeleine. He has a breakdown brought on by his guilt at being unable to save her, and his deep grief and pain at losing her.

When Scottie recovers from his breakdown he wanders the city streets and constantly runs into women and places who remind him of Madeleine and their time together. Scottie then meets Judy (Kim Novak) and we see another type of horror as a living woman is remoulded into the image of a dead one, and we see a dead woman resurrected.

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Judy becomes Madeleine. Screenshot by me.

This second section of the film plays out to me like My Fair Lady meets Frankenstein. I find this part even more disturbing and sad than the first half to be honest.

In this half of the film Scottie changes Judy into Madeleine, and thus he permanently erases Judy from his life so that he can be with Madeleine again.

This final half also plays out to me like a Greek or Shakespearean tragedy. There is no happiness to be found in this film from this point on.

We see Scottie learn that his breakdown, guilt and grief were all for nothing because the woman he loved wasn’t even the woman who died. We also see him destroy Judy (the real woman he loved, he just didn’t realise that at the time)and recreate her in the image of the dead fantasy he so desired. We also see Scottie inadvertently cause the death (once and for all, no bringing her back from the dead now)of Judy/Madeleine by taking her back to the scene of the crime at the end of the film.  It’s dark, disturbing and bleak stuff for sure, but also incredibly sad too. 

I also like how the film gets us to change who we sympathise with and also why we sympathise with them as the film goes along. At first we sympathise with Scottie and Madeleine for being troubled and lonely souls who want to be together. We then sympathise with Scottie when he loses the woman he loves and blames himself for it. We then sympathise with him when we learn he was used, manipulated and lied to. We then sympathise with Judy when we see how Scottie treats her and uses her. We then hate Judy when we learn what she did and what she agreed to be a part of. We still feel sorry for though because she was used by Elster and is being used by Scottie to get what he wants. We then sympathise with Scottie again during that tragic ending.

There are no black and white characters in this (apart from Elster who is a clear cut villain, and Midge who is the good girl left on the sidelines by the man she loves)only grey characters. Personalities change through out the film, and we like and loathe certain characters at certain times during the film. Nothing about this film is simple and uncomplicated. This is precisely why I love this film so much.

I have to praise the photography by Robert Burks. His work makes the film look so vibrant and beautiful. I think that he deserves high praise indeed for what he managed to achieve here. I love the lighting in the film and I’ve also noted the recurring use of green clothes and green lighting when Madeleine/Judy are around.

We have Madeleine wearing the green and black evening dress, driving a green car, being surrounded often by green trees, lawns and plants. We have Judy wearing a green dress, green skirts and green jackets. We also see her being bathed in an eerie green light (shining through her window from the neon light outside). Green symbolises jealously and life. So perhaps this colour was used to show that Scottie is jealous that Madeleine is Elster’s and she isn’t free to be his?

                           A few shots featuring the key colour of green. Screenshot by me.

Perhaps green was also used to show Madeleine and Judy as offering Scottie life and freshness, and an escape from his troubled life? Perhaps it represents Madeleine/Judy as being the object most desired by Scottie, yet also ending up being the one thing that he can never end up having? What do you think about the use of green in the film? 

The music is very important in the film. Bernard Herrmann’s score for this could well be his best work. It is beautiful, romantic, sweeping, spooky, sinister and thrilling. At times the music also sounds like it is swirling; I really like that because it represents Scottie’s feeling of vertigo. The music adds so much atmosphere to the film. 

This is a film where Scottie and Judy deserved a happy ending. Of course if they had got a happy ending I highly doubt we would be talking about this one so much sixty years on. Plus a happy ending isn’t what Noir and tragedy are all about. There was an alternative  happy ending that Hitchcock was made to film to keep the production code people happy.

This alternative ending is included as an extra on many DVD and Blu-ray releases, it shows Scottie and Midge back together again and a radio report indicating that Elster has been brought to justice for his crimes.  The trouble is that this ending just lacks the shock and emotional impact of the bell tower finale.

The bleak ending also implies that Elster has completely got away with his crimes, and this to me makes that ending all the more dark and disturbing than it already is thanks to that final shot.This is a film that offers plenty for audiences to discuss and ponder over once the film has finished. I think that is why I love this one so much. This film makes you think and feel and draws us in, just like Madeleine and her problems draw Scottie in. 

The only issues I have with the film are the following points. I don’t find it plausible that Elster would have left Judy alive, she knew what they had done and she could have gone to the Police or blackmailed him. If Elster wanted no trace left back to him of the crime,  why leave Judy alive afterwards?

I also don’t get why Judy didn’t just run away once Scottie found her and invited her out for dinner. I also don’t get why the reveal to what had happened in the bell tower was shown so early in the film. I think it would have been more impactful if the truth had been learnt by us and Scottie jointly during the scene where Judy puts on the necklace. 

I’d like to say happy 60th birthday to one of Hitchcock’s greatest achievements. Well done to James Stewart and Kim Novak for so perfectly conveying tragedy, love, desire, pain, fear and obsession to us. Thanks to all the cast and crew for their hard work to help make this film. 

What do you think of this film? Please share your thoughts and views below. 

 

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20 thoughts on “Alfred Hitchcock’s Vertigo At 60”

    1. Hey Rachel. I’d love to see this on the big screen. I’m not aware of this being shown over here in the UK though. If I find it being shown somewhere here I will certainly try and go though. I envy anyone who has been able to see this one at the cinema.

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  1. A big favorite when I’m talking Hitchcock. It’s just soooo hard to pick a favorite from him. This one ranks very high if I’m pushed to pick just one or two. I find his best period the fifties overall with all respect to those films before and after.

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  2. Wow! Already 60 years! Your love for Vertigo is obvious Maddy thanks to this awesome article! Vertigo is a fascinating film that I like more and more on each viewings! The only thing I don’t like so much is the casting of Kim Novak as Judy/Madeleine (sorry!). You mentionned some eerie scenes. Another one I can think about is the dream sequence! It’s very weird. I remember watching the film for the first time with my mother and my sister arrived in the living room at the moment and just said “Ah! That is scary!” And left lol. 3 years ago I went to San Francisco and visited many locations where Vertigo was shot. I loved it! I share my photos in a blog article: https://thewonderfulworldofcinema.wordpress.com/2015/12/23/a-vertigo-trip/
    And I also translated an analysis of the film I wrote for school a few years ago. https://thewonderfulworldofcinema.wordpress.com/2015/12/23/a-vertigo-analysis/

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    1. Thanks for reading. It is a film that you can have so much fun studying and analysing as you watch. We’ll agree to disagree about Kim. 🙂
      That dream sequence is so messed up and captures the weirdness of dreams and nightmares.

      I can’t wait to read your posts on this film!

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  3. I agree that Elster’s leaving Judy alive is problematic, in light of the fact that he murdered his own wife. But, so be it.

    Great analysis, Maddy. I was lucky enough to see this on the big screen a few months ago and it is GORGEOUS and dreamy and disturbing.

    James Stewart is fabulous here, of course, but so is Kim Novak. Her performance is everything you say it is; I think she was the perfect casting choice.

    And, for what it’s worth, I like to think Midge later meets Someone Else and lives a wonderful and passionate life.

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    1. Glad that’s not just me, Ruth! Thank you so much, glad you enjoyed reading it. I am so envious of you for getting to see this at the cinema. I bet that was quite an experience.
      Kim was fab wasn’t she? I love the other worldly quality she brings to the role.

      I hope Midge finds happiness later (whether it is with Scottie or someone else).

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  4. Vertigo is a film that haunts me and I’ve been fascinated by it ever since I first saw it. It’s my favourite Hitchcock film and my favourite Stewart performance in a Hitchcock film. In terms of film-making, I think it’s one of cinema’s finest examples of where the key components coming together to near perfection and even if there are some flaws, I feel they don’t matter to the overall experience of the film. There is such pathos in the film and I also love your description of Novak’s performance as ‘ethereal’. Always enjoy your writing Maddy – a fantastic review. Thanks so much!

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    1. Thank you so much, Paul. It means so much to me. I think you’re right about the flaws in the film, overall it is so good that these things don’t detract from the excellent whole. James Stewart is excellent and does a great job of conveying Scottie’s growing obsession.

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