Blogathons, Drama, Films I Love

The Doris Day Blogathon: The Man Who Knew Too Much (1956)

Doris Day BannerMichaela over at Love Letters To Old Hollywood is hosting this blogathon in celebration of the actress and singer Doris Day. Be sure to visit her site to read all of the entries. I can’t wait to read them all myself. When I saw that Michaela was hosting this blogathon, I knew that I just had to sign up to take part right away. I am a big fan of Doris Day. I first became aware of her through her singing. I often heard her songs on the radio growing up. My mum and dad both like her a lot too and they have recommended more of her songs to me over the years. I didn’t see any of Doris’s films though until I was in my late teens. 

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Doris as Jo McKenna. Screenshot by

The first film of Doris’s that I ever saw is the one that I’ve chosen to write about for this blogathon. Her performance in this film is what made me a fan of her work. I’m only sorry that she didn’t get to star in many more serious films during her long career. I’m writing about her performance in the Alfred Hitchcock film, The Man Who Knew Too Much. 

This 1956 thriller is a remake of Hitchcock’s earlier film The Man Who Knew Too Much(1934). Hitchcock much preferred his remake to his earlier version of the film. The remake is also quite popular with many of Hitchcock’s fans too.  

I personally much prefer this remake to his earlier version. I think that this remake is much more exciting and suspenseful than the original is. I also think that it makes you really care for the characters and what they are going through. I’ve chosen this particular film, not only because it is a film which I love a great deal, but also because it offered Doris a rare opportunity to star in a much more serious and darker film than she usually would have appeared in at this time. Her performance in this film highlighted the fact that she was a very good dramatic actress and that she could more than handle darker screen material.  

Doris Day was mostly known at this point in her career for her bubbly, energetic and bright screen persona. She usually acted in romantic comedies and those films are still what she really remains most well known for today (besides her singing of course). Doris Day’s smile and laugh were infectious, and her warm and powerful singing voice ensured she also found her way into the hearts of music fans around the world.

In 1956, Doris Day starred alongside James Stewart in The Man Who Knew Too Much. This film is a thriller about a married couple who must try and find their son after he is kidnapped. You may think that this material doesn’t sound like the right fit for Doris Day to appear in. But you see there in lies the genius of the director Alfred Hitchcock.  

Alfred Hitchcock had a real knack for picking actors to work with him and for giving these actors roles which changed the way they would be perceived by audiences and critics alike. For example, Hitchcock gave Grace Kelly roles in his films which allowed her to come across as cool and sexy, as opposed to the other film characters she had played before working with him. He gave James Stewart, Cary Grant and Joseph Cotton much darker roles than they had ever had before in their careers. 

Hitchcock gave Doris a much more serious role than she’d really had before. The material he gave her to work with really lets her show off her dramatic acting skills. In this film she goes from a happy and outgoing woman to a desperate, worried, worn out, and very scared woman. She plays a woman whose grief about her boy being taken from her is tearing her apart inside. I think it is one of the best performances that Doris has ever given on screen. 

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Jo singing. Screenshot by me.

Doris also gets to sing in this film. The song she sings would go on to win the Academy Award for Best Song. The song has become the song that she is best known for. The song is Que Sera, Sera.

The song first appears during a cute duet scene between Jo and Hank, this version she sings in a fun and happy way. The second time that this song is sung, Doris sings it in a very different way indeed. She sings as though her life depended on it and she fills the words with real emotion and strength. The later use of the song is an attempt by Jo to try and let Hank know that she and his dad have found him where he is being held hostage.    

Dr. Ben McKenna(James Stewart), his wife Jo( Doris Day)who is a retired world renowned singer, and their young son, Hank (Christopher Olsen) are on holiday in Morocco. The family are having a lovely time and they are enjoying seeing a different culture to what they know back in the States.

The family are befriended by the charming Frenchman, Louis Bernard (Daniel Gelin). Ben likes him right away, but Jo is suspicious of him because he asks them a lot of questions and is obviously prying into their lives for some reason.

The following day Louis Bernard is stabbed and he dies in Ben’s arms in the market place. Before he dies, Louis tells Ben about an assassination being arranged in order to kill a politician in London. Ben later learns that Louis was a French Intelligence Agent and that he was tailing a couple involved in the plot. Hank is then kidnapped by the middle aged couple who Louis initially mistook the McKenna’s to be. Hank is kidnapped to ensure the McKenna’s silence about the plot. Jo and Ben must race against time to get their son back and try and stop the assassination attempt.  

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Ben and Jo share a happy moment. Screenshot by me.

I really like that the heart of the film is the relationship between Ben and Jo. They clearly adore one another and there are lots of scenes where we see their playful banter. They are a fun and happy couple. These two are simply an ordinary couple who are thrown into an extraordinary situation.  

I like seeing how they try and help each other deal with their fears, shock and grief over Hank being taken from them.  You can see them struggling with their worry in every scene, yet you can also see them trying to restrain their feelings in order to stay focused on finding him. I also quite like watching them trying to track their boy down in London. Investigating is something totally alien to this couple. I really like how despite that, they really waste no time in turning private eyes to look for Hank.  

I think that Doris and James totally convince as a married couple. They both convey a genuine love and affection for one another. I really wish that they had acted together again playing a couple. I think that both Doris and James also both do a terrific job of conveying their desperation and fear following their Hank’s kidnapping. The scene in this film that always stays with me is when Ben has to break the news to Jo that their boy has been kidnapped. 

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Ben delivers some bad news to Jo. Screenshot by me.

Ben gives Jo two sedatives before he will tell her the news about the kidnapping. He does this to stop her from getting overly hysterical and trying to run out after he tells her. I always find that scene very moving. I also think that James is very good in this scene because he lets you see how upset Ben is and how he is struggling to hide his emotions before Jo takes the pills. 

I also find this scene a bit weird if I’m being honest. I mean who actually takes two pills just because their spouse or partner says they think it would be a good idea if they did in exchange for some news? Anyway, when Ben tells Jo the news, Doris just breaks my heart with her emotional reaction. It is one of the most powerful scenes in the entire film.  

The most memorable sequence in the entire film is the Albert Hall assassination attempt. I strongly believe that this sequence inspired the makers of the film Mission Impossible: Rogue Nation for their concert hall set sequence of suspense. 

                                      Ben and Jo see the assassin. Screenshot by me.

In the Albert Hall sequence, Jo and Ben discover that the politician who is going to be killed is attending a concert at the hall. The pair, along with the Police ,try and find the assassin and save the politicians life. The assassin plans to fire his kill shot at the exact moment that the cymbals crash near the end of the concert. Can Ben and Jo stop him before he takes aim? It is a real tense sequence and is edited together perfectly. 

During the Albert Hall sequence, Bernard Herrmann, the regular composer for many of  Hitchcock’s films, conducts (he is seen on screen in person)the choir and the orchestra performing the Storm Clouds Cantata. This choral piece had been written by composer Arthur Benjamin and it had been written specifically to be used in the 1934 version of this film. The music really sets the mood and adds a great deal to an already dramatic, suspenseful and epic sequence. It is one of my favourite sequences in any Hitchcock film.

This is a very thrilling film. It will have you on the edge of your seat for sure. It’s filled with excellent performances, some memorable locations and a likeable lead couple. I consider this to be one of Hitchcock’s best films. Both James and Doris deliver performances here that rank among their best screen work in my opinion.  

Doris more than proves here what a good actress she was. I think it is a real shame that she ended up receiving so few serious and dramatic roles in her career. As much as I enjoy the fun films she made, I for one would really have liked to have seen her in more serious films like this one. 

What are your thoughts on this film?  What do you think of Doris Day’s performance?

If you’re after more serious performances from Doris Day, then do check out the following films: Love Me Or Leave Me. Storm Warning. Midnight Lace

My favourite Doris Day films are the following: Pillow Talk. The Man Who Knew Too Much. Young At Heart. Teacher’s Pet. Love Me Or Leave Me.

Doris is celebrating her 96th birthday on Tuesday. Happy Birthday Doris. Have a lovely day. 

 

 

 

 

 

 

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19 thoughts on “The Doris Day Blogathon: The Man Who Knew Too Much (1956)”

  1. Like you, I became a fan of Doris Day as a singer before seeing her movies. I think she is a supremely talented actress. Her talent in comedic roles and equally matched by her dramatic performances. She truly is the heart of this version of The Man Who Knew Too Much, and you wrote expertly about the movie.

    You mentioned Storm Warning, and that is my selection which will be posted on the 3rd.

    Liked by 1 person

  2. I’m a Doris Day fan too, and I think she was so often unfairly maligned as the “eternal virgin”. She was a very good dramatic actress besides being a singer and comedienne. A favorite of mine is Love Me or Leave Me.

    Can’t wait to read the other entries into the blogathon.

    Liked by 1 person

  3. Great post! I agree that this is one of Day’s best. That scene you pointed out is my favorite, too. So heartbreaking!

    I’m with you and Hitch — I like this version better than the original, although it is a tad long. Still, you can’t go wrong with Day and Stewart!

    Thanks for contributing to my blogathon!

    Liked by 1 person

  4. Definitely time to see this again! I’ve only seen it once, oddly enough. I agree; it really seems a shame that she did not receive more dramatic roles.

    I remember thinking, during this film and Midnight Lace, that she was almost too convincing at portraying her terror, fear, and anxiety. That it almost makes one uncomfortable for how real it feels, which is not a usual sensation when watching films. Like she reaches down into some real terror that is not made up.

    Great review!

    Liked by 1 person

  5. I agree. This is definitely one of Doris’ best performances, and she and Stewart are utterly convincing as a married couple. And that scene where he tells her about the kidnapping! She’s incredible in this scene. I think it’s one of my fave Doris scenes.

    You’ve made me want to watch this again, Maddy. It’s been far too long!

    Liked by 1 person

  6. Great review! I enjoy this film a lot, even though sometimes I find the little boy annoying. My favorite part of it was seeing Bernard Herrmann in person on the screen!
    Cheers!

    Liked by 1 person

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