Monthly Archives: October 2018

Maddy Answers Your Classic Film Questions Part 1

Recently I asked you all to send me any classic film related questions that you wanted me to answer. I have been overwhelmed by questions. I really didn’t expect to receive so many! I have had so much fun answering these. Because I have received quite a few questions, I am going to respond to the questions across two posts. I hope you all enjoy reading the questions and my answers to them.

I want to begin by telling you a little bit about how I became a classic film fan in the first place. Films were one of my earliest passions. Films were right up there with reading for me. I have never been happier than when I am reading or watching films. When I was much younger, I went through a phase where I was obsessed with musicals and dancing. If a film had singing or dancing in it, then you could guarantee that I would be watching it.

As my love for musicals grew, I soon found myself watching more and more classic era musicals.I loved the acting, the costumes, the songs and the dance sequences found in these old films. I was swept away into a time that I had not been a part of until now. Top Hat, Singin’ In The Rain and White Christmas were three musicals that I just couldn’t get enough of. My love for these films then led me to check out classic era films from other genres.

                 Left to right: Singin’ In The Rain, Top Hat and White Christmas. Screenshots by me.

I really loved the modern films I was watching at the time too(A Little Princess and The Secret Garden were two great 1990’s favourites), but I kept finding myself being drawn back much more to the classic era films that I was watching.

                  A few of the films responsible for me falling in love with classic era cinema. Top left to right: Late Spring, A Night To Remember, The Ten Commandments. Bottom left to right: Forbidden Planet, The Red Shoes, Rear Window and Brief Encounter. Screenshots by me.

I soon started to check out more work from the actors in the classic films that I was loving so much. This then led me to discover new names, new films, new eras etc. It also never seemed odd to me in the slightest that I was watching films made decades before I was even born. These films were new to me and because of that their age didn’t matter to me at all.

                     A few more classics that got me hooked. Left top to bottom: The Passionate Friends, Heaven Knows, Mr. Allison, Pickup On South Street. Right: Rashomon. Screenshots by me.

I started to get into Foreign Language and Silent films in my late teens and early twenties, it really annoys me that so many classic film fans tend to focus primarily on American classic era films, rather than those which were made outside of Hollywood. There are so many classics that came from other countries: Rashomon, The Apu Trilogy, Les Diabolique, Brighton Rock, The Virgin Spring, The Seventh Seal, Late Spring, La Belle et le Bete, The Life Of Oharu, Rome: Open City, Ice Cold In Alex, Le Jour se Leve, Charulata, The Red Shoes, Battleship Potemkin, A Matter Of Life And Death etc. 

I got into classic cinema because of my curiosity and taste. I wasn’t encouraged in my viewing by anyone. I wasn’t even aware of things like film recommendation lists or film reviews at the time I began my classic film journey. I was simply watching these films and their stars because I was drawn to them.  I am still loving my journey into the classic film era. I still have so many new discoveries to make and I can’t wait to watch even more classics.

Moving onto your questions now.

                     MovieMovieBlogBlog asks me what I like about Film Noir. 

Everything! Most of my regular followers know of my love and admiration for all things Film Noir. I think I am drawn to these films for several reasons.

Firstly, I love that these films offered such strong and memorable roles for actresses of the time. There are many other strong female performances and characters in other films/genres in the classic era, but there is something different about the female characters in Noir films. Noir women are not afraid to say and show what they want, they are often dominating and independent individuals. 

                       Three strong and memorable Noir women. Phyllis in Double Indemnity(left) Candy(top right) in Pickup On South Street and Mrs. Neall (bottom right)in The Narrow Margin. Screenshots by me. 

Noir women don’t sit around waiting to be rescued by the male hero, and they also really don’t care what society thinks about them for making certain choices, or for behaving in a certain way. In some ways Noir women(you can definitely say the same about many female characters in 1930’s Pre-Code films too)are the forerunners of the modern screen woman.


One of the Noir greats. Double Indemnity. Screenshot by me.

I also love Noir films for their visual look. The cinematography, lighting and mood in these films are incredible(influenced somewhat by German Expressionism). I also love that these films reflect the truth of humanity back at us. We are all filled with darkness and light, the world is a dark and harsh place,and very few things and people are actually what they seem. Noir films offer no escapism from reality because they show reality to us. 


Dick Powell and Claire Trevor in Murder My Sweet. Screenshot by me.

Noir films may well also be the best type of films to show to a classic film newbie. Noir films have a very modern feel to them. Noir films are gritty and serious, they also often contain lots of thrills, suspense and action. Modern audiences who have never watched these films before, will often be very surprised at how suggestive these films are, especially when it comes to their depictions of sex and violence. It always surprises me just what Noir directors managed to get away with on screen during the infamous film Code era. 

              Brandon Talks Movies asks me about my favourite classic horror film.

I love The Black Cat. I love Dead Of Night. I love the 1940’s horror films of Val Lewton. I love Hammer Horror films. I love the Universal Monster films. However, there has long been only one classic horror film that I consider to be my all time favourite from this genre. 


Deborah Kerr in The Innocents.

That film is The Innocents(1961). This gothic horror has an unmatched eerie atmosphere. It features some very creepy and unsettling moments. In my opinion this is the best ghost story and the best haunted house film ever made. It also features a career best performance from Deborah Kerr. Perfect viewing for a dark night, or on a stormy afternoon. You can read my thoughts on this one in more detail here. 

             Movie Rob asks me to name my favourite year or favourite film era for classic film.

My favourite decades for film are the 1940’s, 1920’s and the 1930’s. I think that some of the best, most imaginative, most stunning and most memorable films ever made can be found in those particular decades. I am most drawn to the films of the 1940’s and 1920’s. 

                     Shooting Stars(1928), The Wizard Of Oz(1939)and The Ghost And Mrs.Muir(1947). Three films to represent my three favourite film decades. Screenshots by me.

If I had to pick one single year of film as my favourite, then I think that I would have to go with either 1940 or 1939. Both of these years have some incredible films and performances in them. So many of these films and performances are still enjoyed and discussed today by fans of classic cinema. 

The Old Hollywood Garden asks what I think of Detour(1945)

I love its realism and grit. It may very well be a low budget Noir, but it is one of the best films in the entire Noir genre!


Ann Savage in Detour. Screenshot by me.

I also think that the casting of relatively unknown actors adds a great deal of authenticity to the film. Ann Savage in particular steals every scene she is in with just a look. Ann also more than convinces as a tough woman who you wouldn’t want to mess with. When I watch Detour, I feel as though I’m right there with these people and am witnessing real events unfold before my eyes. 

The Humpo Show asks me to name some classic films that I have never seen. 

There are definitely still quite a few on my to watch list. Some notable films that I need to see include Duck Soup, Napoleon(1927),Vampyr, Birth Of A NationChildren Of Paradise and Little Caesar

Movies Ala Mark asks me to share some acclaimed classic films that I don’t love. He also asks me to share some disliked/underappreciated films that I do love. 

I am a massive fan of David Lean, but his acclaimed classic Doctor Zhivago leaves me cold. The film is visually very beautiful and stunning, the score by Maurice Jarre is one for the ages.


Doctor Zhivago. Screenshot by me.

The performances on the other hand always strike me as being incredibly wooden, this is so strange considering the actors who are starring in this. The other issue for me is that I don’t for one minute care about any of the characters. I have never understood what all the fuss about this one was.

A film I love that nobody else seems to is Paris When It Sizzles. This film didn’t do very well at the time of its release. Nobody thought much of it at it the time and it has become an extremely underrated and little known film. Such a shame as it is very good. I love it so much because it is a fun film and because it gives you a peek at how the screenwriting process works.

      Paris When It Sizzles. Screenshots by me.

The imaginary scenes where William Holden and Audrey Hepburn act out the various storylines for the film are terrific. William Holden and Audrey Hepburn are adorable together. There is an hilarious cameo by Tony Curtis as a narcissistic method actor. 

Movie Rob asks whether or not I consider Citizen Kane to be the

greatest film ever made.

No. I have never understood how one film can be considered as the greatest of all time. People who say that have clearly never seen many films in my opinion. Film is also so subjective, one person’s masterpiece is another’s rubbish. This is my problem with the Academy Awards, how can you pick one performance or film and claim them as the best of the year? It’s all very silly in my opinion.

Citizen Kane is certainly one of the greatest films ever made, but I do not consider it to be the greatest film ever made. It is a very well crafted film. It is also certainly one to study on a technical level if you want to get into filmmaking. It is a film that I like and admire a great deal. Orson Welles knew what he was doing and this film stands as a testament to his skills as a filmmaker.  

Palewriter asks me to name my favourite Noir films. 

Murder My Sweet(1944), Daybreak(1948),Pickup On South Street, Cry Of The City, The Long Memory, Kiss Me Deadly, The Narrow Margin, Double Indemnity, Stray Dog, The T-Men, The Big Heat, Out Of The Past, Woman On The Run, The Postman Always Rings Twice(1946), Brighton Rock, The Big Sleep, On Dangerous Ground,The Lady From Shanghai, Vertigo, The Dark Corner, Laura, Body Heat, Riffi, The Big Combo, This Gun For Hire. 

No Nonsense With Nuwansen asks me to pick my favourite film from his list of five favourite films. His films are Roman Holiday, Call Me By Your Name, Rebecca,Gone With The Wind and Casablanca.

I think it will have to be a tie between Gone With The Wind and Roman Holiday!


Vivien Leigh in Gone With The Wind. Screenshot by me.

Gone With The Wind is one of the greatest screen epics with so much to enjoy in it. Vivien Leigh’s performance as the determined Scarlett is one for the ages. It’s a film that I love to watch for the characters, I find that the film really captures the change they go through due to the events that happen to them. The costumes, the scope of the film, the use of Technicolor and the music are all stunning.


Audrey Hepburn and Gregory Peck in Roman Holiday. Screenshot by me.

Roman Holiday is an enchanting and uplifting romantic comedy. Audrey Hepburn and Gregory Peck’s natural and moving performances help me to really connect with their characters. We can feel their growing emotional bond and desire for one another as the film goes on. If I am in need of cheering up this is often a film that I will watch. 

                 Movie Rob asks me to name my all time favourite Frank Capra film.

As much as I love the rest of Frank Capra’s work, my all time favourite film of his will always be It Happened One Night. I love it so much because it is so funny and romantic. The film has some hilarious dialogue, many memorable characters and so many unforgettable moments.


Ellie and Peter snuggle up. Screenshot by me.

I’ve always been a sucker for a well told opposites attract story, and It Happened One Night is one of the very best films telling that sort of love story. This has become a real comfort film for me and it is one I watch when I need to escape to a happy place for a couple of hours. 

            Pfeiffer Films And Meg Movies asks how I define what a classic film is.

To me a film is a classic if it can be enjoyed and admired throughout the generations. There is a reason that so many of the films made in the classic era are described as being classics. These films have stood the test of time and contain stories and characters that resonate with audiences decades after they were made.

              Three timeless classics: Gone With The Wind, Sunset Blvd and Rebecca. Screenshots by me.

I think that classic films are films which transcend the time and place that they were made in. A film which continues to delight, scare, surprise and impress audiences decades after it was first released is a classic in my book. Although the majority of classic films are to be found in the classic film era(1920’s-1970’s in my opinion)there are classic films to be found in every decade. 

Canterbury Tale asks me to name some of the films and books found on my shelves.

Some of the films which can be found on my shelves include: Singin’ In The Rain, In The Heat Of The Night, North By Northwest, Brief Encounter, Rashomon, Ikiru, All About Eve, The Blues Brothers, Only Angels Have Wings, The Philadelphia Story, Carmen Jones, Pickup On South Street, Woman On The Run, Double Indemnity, Kiss Me Deadly, The Passionate Friends, Lawrence Of Arabia, La Belle et le Bete, Went The Day Well, Black Narcissus, The Red Shoes, A Matter Of Life And Death, How Green Was My Valley, Shooting Stars, Bridget Jones’s Diary, To Kill A Mockingbird, Citizen Kane, True Grit, Sabotage, Man Of The West, Charade, The Ghost And Mrs. Muir,House Of Flying Daggers, The Hustler, The Music Room, Dead Of Night, The Innocents, Quatermass And The Pit, Buster Keaton boxset, The Human Condition Trilogy, The Godfather Trilogy, The Back To The Future Trilogy, Little Women(1994), Labyrinth, Dark Crystal, Jurassic Park, Zodiac, Some Like It Hot, Niagara, M, South Pacific, The Sound Of Music, Hello Dolly!, White Christmas, Finding Neverland, Chocolat, The Right Stuff, The Lord Of The Rings Trilogy.

Some of the film books found on my shelves include: Ever, Dirk: The Bogarde Letters, Ava: A Life In Movies, Barry Norman’s Movie Greats,  Audrey: Her Real Story, Loitering With Intent. 

Thank you so much for all these thought provoking questions. I have had lots of fun answering you. I hope you have enjoyed reading my responses.  Stay tuned for part 2 of my answers!

Ask Maddy Anything Classic Film Related

Hello everyone. I’ve thought of something that I think will be quite fun.  I’ve decided to write a post where I respond to your classic film questions.

Ever wondered what I think about a certain classic? Wondering what my favourite films are in different genres? Are you a classic film newbie who is looking for recommendations of classic era films, directors and actors?

Whatever the classic film question is, you go right ahead and ask me!

I will put together another post answering all your questions. I thought this would be a fun way for you all to get to know a bit more about my classic film tastes and opinions. 

Looking forward to reading those questions. 



The Remains Of The Day Reimagined As A Classic Era Film

A few months ago I did a post where I reimagined Blade Runner as a 1940’s Noir film. One of my readers said that they would love to see me reimagine some other films. 

One of my favourite films is The Remains Of The Day (1993). I have always thought this would have made a terrific 1940’s/1950’s romantic drama. I have decided to pick this film to reimagine next. 

The film takes place in a British mansion. We follow the lives of the servants and master living in that house. The film focuses mainly on the unspoken love and attraction developing between the repressed butler, Mr. Stevens, and the younger housekeeper, Miss Kenton. It is a deeply moving and frustrating portrayal of love, longing, repression, class division and the horrors of war. 

The Director 

I would choose Anthony Asquith as the director. He was one of the most gifted British directors working during the classic film era.  He directed several British classics including The Browning Version, The Winslow Boy and Pygmalion. His debut film was Shooting Stars, which is my favourite Silent film. 

I picked Asquith because he really knew how to focus on the characters. His films also just let the actors do their thing on screen, which is precisely what is needed with this particular story. 

The Cast

I thought of Michael Redgrave for the role of Mr. Stevens. In The Browning Version he more than proved that he could do emotional repression so well. I think he would have been perfect as the repressed man who desperately wants to acknowledge his love, but who doesn’t know how to even begin to do so.


Michael Redgrave. Screenshot by me.

Michael Redgrave was a commanding screen presence, and I’ve no doubt that he would have convinced as the butler in charge of his staff, and would also have convinced as a dignified and distant man struggling with his emotions and desires. 


Greer Garson was my first and only choice for the role of the housekeeper, Miss Sarah Kenton. I think that Greer would have been perfect in this role because she could play outgoing, strong, capable and bubbly characters so well. I can imagine no other actress from this era in this role. 


Greer Garson. Screenshot by me.

I think she would have been terrific in scenes just featuring Miss Kenton and Mr. Stevens (such as the book scene, the scene where she is crying, or the scene in the garden where she teases him about his guilty smile). 


I thought of the seriously underrated Eric Portman for the role of Mr. Benn, a former colleague of Miss Kenton’s, who falls in love with her when he meets her again some years after they worked together.


Eric Portman. Screenshot by me.

Eric always convinced as down to earth, worldly, and blunt screen characters. I think he would have been terrific in the role of the man who is able to express his feelings and desires to the woman he loves. 


I thought of Felix Aylmer for the role of Mr. Steven’s father. Felix did stern and dignified so well.


Felix Aylmer. Screenshot by me.

I think he would have been perfect as the old butler, whose devotion to his duty means that he doesn’t think of himself at all, even when he is seriously ill. I also think he and Michael would have worked very well together in the scenes where Stevens and his father talk with each other, and in the moments where we see how complicated and strained their relationship is.


I thought of Robert Donat for the role of Lord Darlington. I think he would have been able to convey that his character is a decent man who does what he does to try and prevent another war, but who is also terribly naive and misled in believing that the Nazis can be trusted.


Robert Donat. Screenshot by me.

Robert was someone who oozed decency, and I think that could have been used to good effect here. I think he would also have been good in the scenes where Lord Darlington becomes introspective and filled with regret and doubt. 


What do you think of these casting choices? Which actors would you have loved to have seen play these characters?

The Rita Hayworth Centenary Blogathon: My Tribute To Rita

Rita_Trinidad banner

Michaela over at Love Letters To Old Hollywood is hosting this blogathon to mark the centenary of Rita Hayworth’s birth. Be sure to visit her site to read all of the entries, I can’t wait to read them all myself. I was so happy when I saw Michaela announce this blogathon. I am such a huge fan of Rita Hayworth, and I was absolutely delighted to see her being honoured by a blogathon.

Rita Hayworth 8

Rita. Image source IMDb. 

I am in awe at how talented Rita was. I think it’s great that she was able to get the opportunity to show off her acting and dancing skills in her films. Seeing Rita on screen makes me smile and feel happy. She has such a positive aura about her and you can detect it. She always seemed so bubbly, energetic and happy.    

I first became a fan of Rita when I saw her in the film Gilda. Her performance in that totally blew me away. She stole every single second of the film that she appeared in. I loved how she played the character and made her so much more than a mere object of male desire. Gilda is a complicated and multi-faceted woman and Rita conveys that personality so well to us. 

Rita Hayworth 2

Rita in Gilda. Image source IMDb. 

Rita was such a talented, vibrant, beautiful and funny woman. She was also someone who was full of life and that clearly shows on screen. When Rita comes on that screen she draws you in, this means that you can’t take your eyes off her for even a second when she is in a scene. Rita had that mystical and enchanting glow about her, the very same glow that the likes of Clara Bow, Audrey Hepburn, Marilyn Monroe and Louise Brooks also all had. 


Rita dancing with Fred in You’ll Never Get Rich. Screenshot by me.

Not only was Rita a very talented film actress, but she was also one of the most amazing dancers too.

In my opinion she is also the only female dance partner who was ever able to match the speed and dance ability of the great Fred Astaire on screen.

Fred worked alongside many talented female dancers throughout his career, but I firmly believe that in Rita Hayworth he found his perfect dancing partner. Rita would star alongside Fred in You’ll Never Get Rich, and in You Were Never Lovelier. I think it’s a real shame that the pair didn’t make more films together. 

I also feel a connection to Rita for a personal reason. Rita was sadly diagnosed with Alzheimer’s Disease in the 1980’s, with the disease eventually taking her life in 1987. A few years ago my gran was diagnosed with mixed Dementia, which is a combination of Alzheimer’s and another type of Dementia. My gran has since died from this disease.  

This is very difficult and upsetting for me to talk about. I know only too well from my personal experience how scared and confused Rita would have been when she was sadly struck down by this evil disease. I also know how distressing, frightening and disgusting it would have been for her family and friends to see her suffer with that horror. It breaks my heart to know how Rita’s life ended. Some good came of Rita’s terrible diagnosis though, due to the huge level of publicity around her diagnosis. Rita’s high profile case drew a great deal of international attention to the disease and also led to a huge increase in funding for Alzheimer’s research. In 1985, Rita’s daughter, Princess Yasmin Aga Khan, set up The Rita Hayworth Gala, this is an Alzheimer’s benefit which is still held annually to this day. I like to think that Rita would have been very proud and moved to see how much good has been done in her name to try and help others suffering from this horrific disease.

Left to right: Rita and her lifelong friend Glenn Ford, Rita with Fred Astaire, and Rita with James Cagney. Image source IMDb. 

Rita Hayworth was born in New York, on October 17th, 1918. Rita was of Spanish-American descent and she was the oldest of three children. Her birth name was Margarita Carmen Cansino. Her parents were the dancer Eduardo Cansino, and his wife, Volga Hayworth.

Rita’s parents had met when they were both working in the Ziegfeld Follies. Dancing and acting were in Rita’s blood, so it is really no surprise that she went right out and followed in her parents footsteps. Rita had equal amounts of talent as both an actress and a dancer, and she got to show us all just how talented she was in the many films that she made. 

I think that the best way to honour Rita on her centenary is for us to discuss and recommend her film performances. I’ve picked a few films which I think highlight Rita’s talents as an actress and dancer. The following films are also all great favourites of mine, and I highly recommend them to anyone who hasn’t seen Rita in a film before.

Gilda (1946)


Rita in Gilda. Screenshot by me.

Once I had seen Rita in this film, I just knew that I would have to try and see as many of her other films as I possibly could.

From her first scene (where she does that famous hair flip)to her last, Rita steals every second of film that she appears in. I think that she is sorely missed when she isn’t in a scene in this film.

Rita makes Gilda sexy, confident, strong, vulnerable, passionate and tender. I cannot imagine another actress having been able to have played this character the way that Rita did. It isn’t hard to see why this one has become the iconic Rita Hayworth film and performance.


Down To Earth (1947)

This extremely underrated gem is my favourite Rita Hayworth film. This is such a fun and dazzling musical.  I also like this film because Rita looks like she having so much fun in it. Rita also gets to show off her dancing skills here.


Rita in Down To Earth. Screenshot by me.

The film is a sequel to Here Comes Mr. JordanRita plays Terpsichore, the Greek Goddess of music and dance.

Terpsichore is appalled when she learns about a new stage musical depicting herself and the other Greek muses as man hungry women, who are all vying for the attention of two American pilots. 

Terpsichore gets the permission of heavenly messenger Mr. Jordan to go down to earth and sort out the musical. She works hard to make its depiction of the muses more accurate, and to also improve the song and dance routines. 

Rita seems ethereal in this film, so much so that you totally buy her as a goddess descended from the heavens. I also really love how energetic she is in her dance scenes in this. This is a lovely and entertaining film, of which Rita is the heart and soul. You can’t go wrong with this one if you are in the mood for an uplifting and entertaining film. It’s also great to see Rita filmed in colour for a change too.


The Lady From Shanghai (1947)


Rita in Lady From Shanghai. Screenshot by me.

Playing against type(and with her famous red hair dyed blonde and cut short)Rita enters Film Noir territory. She is very much at home in this world of dark shadows, betrayal, and schemes.

Rita plays Elsa, a cold-hearted woman with a clever plan up her sleeve. Elsa’s mistake is believing that the man she uses for her own ends(played by Orson Welles) will love her no matter what she does. 

Her new image in this film makes her seem harder, cooler and sexier than she ever had been before on the screen. I don’t know about anyone else, but I get some serious Lana Turner and Claire Trevor vibes from Rita’s performance and look in this film. Her excellent performance here also makes me wonder why she was never again cast as a femme fatale like the one she plays here


Not all that familiar with Rita and her films? In that case then I highly recommend that you check her out in the following films: Lady From Shanghai, Miss Sadie Thompson, Down To Earth, Cover Girl, You Were Never Lovelier, Gilda, Affair In Trinidad, They Came To Cordura, Separate Tables and You’ll Never Get Rich.  

It is now one hundred years since Rita’s birth. This hugely talented woman is still bringing joy to classic film fans around the world. Rita was one of the brightest stars in the classic film night sky, and I think that her star still shines as brightly today as it did back in the classic film era.  

Happy 100th to you Rita. Thanks for sharing your talent with us. R.I.P.

Are you a fan of Rita Hayworth? Which of Rita’s films are your favourites?



The Neil Simon Blogathon: California Suite (1978)


Paddy over at Caftan Woman, and Rich over at Wide Screen World, have teamed up to co-host this blogathon celebrating Neil Simon. Be sure to visit their sites to read all of the entries, I can’t wait to read them all myself. 

Neil Simon was a master of comic dialogue. He was also involved with so many great films over the years, that it took me a while to decide which film to cover for this blogathon. After giving it much thought, I’ve decided to write about California Suite.

The film is directed by Herbert Ross. The film is based upon Neil Simon’s 1976 stage play of the same name. The film has four separate storylines. Each story focuses on different characters who are all staying at the same luxury hotel in Beverly Hills. Some of Neil’s funniest and sharpest dialogue can be found in this film. The first of the four stories focuses on two couples from Chicago. The four are all close friends and they are on a long planned holiday to Los Angeles, where they are booked in to stay at the luxury hotel which is featured in all four stories.


The four friends arrive at the hotel. Screenshot by me.

The group consists of Dr. Chauncey Gump(Richard Pryor) and his wife, Lola (Gloria Gifford), Dr. Willis Panama(Bill Cosby) and his wife, Bettina(Sheila Frazier). 

This story is very funny because everything that could possibly go wrong on a holiday does so for this group. On their special trip the friends end up enduring car trouble, major arguments over silly things, food poisoning, bad room locations and much more. 


Richard Pryor as Chauncey. Screenshot by me.

Cosby, Gifford and Frazier are good enough, but I don’t think that there is anything they do that makes their performances particularly memorable.

It is Richard Pryor’s dead pan delivery and reactions to the various things his character endures which really make this story work as well as it does in my opinion. I really don’t think that this story would work as well as it does if another actor had been cast in Richard’s role.

This story veers into slapstick comedy territory, and to me it often feels like I am watching scenes from a completely different film. This particular story seems to me to be quite similar to the film National Lampoon’s Vacation. 


Diana and Sidney prepare for the Oscars. Screenshot by me.

The second story focuses on the famous British actress, Diana Barry(Maggie Smith)who is in Los Angeles to attend the Academy Awards. Diana is a first time nominee for the Best Actress Oscar.

Diana is joined by her loving husband, Sidney Cochrane(Michael Caine). Diana is highly anxious about the Academy Awards, and she is also very worried about her marriage.

While Diana and Sidney love each other very much, Sidney happens to be Bisexual. Although Diana accepts that fact about him, she can’t stand that he keeps having affairs instead of just being with her. Diana and Sidney must take a long hard look at their marriage and decide whether to stay together or not. 


Sidney and Diana mid argument. Screenshot by me.

This is my personal favourite out of the four stories. Maggie and Michael work so well together and they get many of the funniest and best scenes and lines in the entire film. 

I love how they are warm and tender one minute, and then seriously bitchy with each other the next. Their bickering and arguments are hilarious. I especially love the fight they have after returning to their hotel room after the Academy Awards.

This story also cracks me up because it highlights the hypocrisy of the awards where the nominees all get fawned over on the way in, but if they lose out, nobody wants to know them when they leave the awards ceremony. I love Sidney’s rant about how everyone else got their cars before Diana and Sidney got theirs at the end of awards ceremony.

I think that all four of the stories had the potential to be a feature length film in their own right, but in my opinion the story of Diana and Sidney could definitely have been made into a feature film. 


Marvin tries to wake Bunny. Screenshot by me.

The third story focuses on middle-aged businessman, Marvin Michaels(Walter Matthau), who has to try and conceal a prostitute called Bunny (Denise Galick)who his brother(Herb Edelman)smuggled into his hotel suite as an early birthday present.

Things get complicated when Marvin’s wife, Millie(Elaine May)arrives at the hotel to join him when the prostitute is still in his room. 

While this does have some funny moments in it, I think this is the weakest of the four stories. None of the characters in this one come across as being remotely likable.


Walter Matthau as Marvin. Screenshot by me.

I also don’t like how Marvin doesn’t seem the least bit concerned for the health of Bunny in the scene where she won’t wake up, he could have at least phoned down for some help. He is just concerned for himself if she is discovered in his room.

If he didn’t want anyone to know she had been his room, then surely he could have taken her out into the corridor, pretended that he found her out there and got some help?

The only positive thing in this segment is Walter Matthau, he was always a very good physical comic and he gets to really do his thing here. I always fast forward through scenes from this story when I watch the film. 


Hannah and Bill have a talk at the beach. Screenshot by me.

The fourth story focuses on Hannah Warren(Jane Fonda) who is staying at the hotel for one day to meet with her ex husband, Bill(Alan Alda).

They are meeting to discuss which of them their teenage daughter, Jenny(played by the troubled child actress, Dana Plato) will stay with for the majority of the year.

As they discuss their daughter, the pair quickly fall back into their old arguments and sniping. I think that Jane Fonda delivers one of her best performances here, as the strong woman trying desperately hard to hide how scared and worried she really is.


Jane Fonda as Hannah. Screenshot by me.

Watch her face during the arguments with Alan Alda, she says so much with her expressions alone and conveys to us how she can’t afford to let her tough mask slip for a second.

I think this story is the most poignant and relatable out of the four. I can imagine anyone who has been through a divorce,especially one where children have been involved, will be able to relate to at least some moments in this one. 

The dialogue in this story is very funny and sharp. The trouble is though that much of the dialogue is the sort that you just never hear in real life. I think that the use of such dialogue ends up taking you out of the film, because it comes across as contrived, even if it is very funny and clever.

The good performances by Alan Alda and Jane Fonda keep me interested and invested in this story. There are also some beautiful locations featured in this story that I really enjoy looking at.  

While I do like the film quite a bit, I do think that it is one which is a bit hit and miss. Neil Simon’s dialogue is hilarious throughout, but some of the dialogue does come across as being very contrived. Most of the characters aren’t very well developed either, which means that we don’t really care about them that much. The performances in all of the four stories more than make up for these issues though.

A few fun facts about the film. 

  • Maggie Smith would ironically end up winning the Best Supporting Actress Oscar for her performance here as an insecure actress. While I do like her performance here, it is far from one of her very best screen performances. Is her performance really Oscar worthy? It’s good, but I don’t think it was Oscar worthy at all.


  • Eagle eyed viewers will spot James Coburn. He is playing Diana’s co-star in the film she is up for an Oscar for. A clip featuring James and Maggie plays in the scene on the plane at the beginning of the film. 


  • The scene where Diana and Sidney arrive at the Oscars was actually filmed at the real 50th Oscars ceremony, which was held in April,1978. 


  • The hotel featured in the film is the Beverly Hills Hotel. Large numbers of celebrities have stayed at the hotel over the years. The actor Peter Finch suffered a fatal heart attack in the lobby of the hotel, in January, 1977.


What do you think of the film? Which of the stories is your favourite?


The James Mason Blogathon Concludes

James Mason 3

A massive belated thank you to everyone who took part in this blogathon last weekend. It is lovely to see so much love for James Mason and his films.

Apologies for not being very present on the blogathon days, and for not having been able to comment on your posts yet. I have a chronic health condition, and unfortunately I have been quite ill because of it over the last few weeks.

I am looking forward to reading all your articles and commenting on them. I hope you all had fun on the blogathon days and enjoyed writing and reading articles.

Thanks again.

The James Mason Blogathon Begins

James Mason 2

The big event has finally arrived! Over the next two days, some truly wonderful classic film bloggers will be submitting their articles and reviews about the life and career of James Mason.

Keep checking back to this post over the next couple of days. I’ll be updating this post as the entries come in.

Day 2 Entries


Critica Retro tells us about the time James starred alongside Barbara Bel Geddes in Caught.


Musings Of A Classic Film Addict writes about a little known film called The Seventh Veil.


Retro Movie Buff writes about the beautiful film Pandora And The Flying Dutchman.


Diary Of A Movie Maniac discusses James’s creepy performance in the miniseries Salem’s Lot.


MovieRob tells us about the second time that James played Rommel on screen, in the film The Desert Rats.


Dubism shares his thoughts on Odd Man Out.


Poppity Talks Classic Films discusses the controversial film Lolita.


Reelweegiemidgetreviews shares her thoughts on James’s performance in Heaven Can Wait.


James Mason 1

Day 1 Entries

Silver Screenings is the first to the party, and she shares her review of The Reckless Moment with us all.


Phyllis Loves Classic Movies tells us about the time that James starred alongside Moira Shearer in A Story Of Three Loves.


The Stop Button shares his thoughts on the James Mason film Bigger Than Life.


Caftan Woman tells us all about Five Fingers, a film inspired by real events.


The Midnite Drive -In discusses The Boys From Brazil.


Dubism shares the hidden sports analogies of A Star Is Born with us. 


Palewriter tells us about the time James played a Highwayman in The Wicked Lady.


MovieRob takes a look at James’s portrayal of Field Marshal Rommel in The Desert Fox: The Story Of Rommel.


Wide Screen World reviews Heaven Can Wait.


Silver Scenes writes about the beautiful and haunting film Pandora And The Flying Dutchman.


I write about my three favourite James Mason film performances.


The James Mason Blogathon: My Three Favourite James Mason Performances

James Mason 3

James Mason was one of the finest actors of his generation. He could play chilling villains, decent and gentle heroes, and complex and intriguing characters. His brooding and intense expressions coupled with that voice of his made him quite the screen presence indeed. 

I would like to share my three favourite screen performances from James Mason. The films are all excellent too, and I recommend them all to anyone who hasn’t seen them before. 20,000 Leagues Under The Sea and Pandora And The Flying Dutchman are two of my favourite films of all time. 


Pandora And The Flying Dutchman(1951)

In this haunting and poetic love story, James plays Hendrick van der Zee, a cursed man who is doomed to live in the world for all eternity. He must live onboard the vessel known as the Flying Dutchman. He can break free of his curse, but only if he finds a woman who loves him so much that she will willingly die for him.

Pandora And The Flying Dutchman

James with co-star Ava Gardner. Image source IMDb.

James is terrific in this role. He conveys the tenderness and longing his character feels for the woman he loves, and also the fear of getting too close to her, as he doesn’t want her to die if she is the woman who could break his curse. He also convinces in the scene where we see the moment of jealousy and madness that led him to be cursed in the first place.

James has this otherworldly air about him in this, and this aura really helps us buy into him being a man who has walked the earth for centuries. He and Ava Gardner manage to convince us that their characters souls are calling out to one another. 

The monologue James delivers during the flashback sequence is truly a performance for the ages. This is a film that I return to again, and again, and again. James Mason’s performance plays a major part in my love for this one.


20,000 Leagues Under The Sea (1954)

This was the first film that I ever saw James Mason in. Every single time I watch this film, I am always struck most by how complex and intriguing James managed to make Captain Nemo.

Twenty Thousand Leagues Under The Sea

James as Captain Nemo. Image source IMDb.

At times James makes Nemo frightening and intense. At other moments he allows us to see this man’s inner torment and hopes, and we really sympathise with him and admire him .

I have never seen any other actor play this character quite like James Mason did. James really managed to capture the varied facets of Nemo’s tormented soul. It is a remarkable performance, and it is one that is still highly fascinating and powerful when viewed today. The film is cracking too!


Bigger Than Life (1956)

James plays Ed Avery, a middle aged teacher who becomes addicted to some prescribed medication. His entire personality changes due to the effects of the drug. He goes from being a loving, warm and gentle husband and father, to becoming a tyrannical brute. His family become afraid of him and he won’t listen to the advice from anyone around him. 

Bigger than Life

If you want to see what a good actor James Mason was, then this film is one that you should check out. His performance here really is extraordinary. At times he makes us  despise Ed for his actions brought on by the medication, and yet at other times he makes our hearts break with his plight.

James does a terrific job of conveying Ed’s pain, fear and uncontrollable behaviour to us. It’s one of his best screen performances as far as I’m concerned. I never get tired of watching this film and enjoying James Mason’s magnificent performance in it.


What do you think of James Mason’s performances in these films? What are your favourite performances from him?

The Deborah Kerr Blogathon Concludes + Another Post

Deborah banner 3

Thank you so much for joining me to celebrate this fabulous actress. Your reviews and articles have made it very clear just how much Deborah is still loved and admired today.

Please stop by and read Pop Culture Reverie’s post on Tea And Sympathy. This post was published just a few hours ago.

Thank you to everyone who took part. 

James Mason 3


I look forward to seeing as many of you as possible this Friday and Saturday, as I host my next blogathon to celebrate James Mason.

You can learn more and sign up here.