How Woodfall Films Changed British Cinema Forever

I want to pay tribute to a film company that helped to change the direction and look of British film forever. Sixty years ago in Britain a film production company called Woodfall Films was formed. Between 1958 and 1984, Woodfall would produce several films which would not only go on to become classics, but which would also have a huge impact on the look and future of British cinema.

The Woodfall films would also see the arrival of several young actors who would go on to become major stars. Albert Finney, Rita Tushingham, and Tom Courtney all became household names thanks to their performances in a Woodfall film. 


Rita Tushingham. One of the new faces of British cinema. Screenshot by me from A Taste Of Honey.

The production company was co-founded by director Tony Richardson(husband of Vanessa Redgrave, and father to Joely and Natasha Richardson), producer Harry Saltzman (producer of the Bond films)and playwright John Osborne(Look Back In Anger). Woodfall Films ushered in a new and exciting era for British cinema. The films were daring and groundbreaking in so many ways. Woodfall films tackled real life issues such as life as a working class member of society, sex, abortion, people wanting to better themselves, female independence and sexuality, marital problems, race, and youth versus the older generation.

Tony Richardson not only wanted to make films in a new way, but he wanted to make films that reflected life as he knew it. He certainly succeeded in both areas in my opinion. The films certainly look different from a visual perspective, and they also have a much more realistic and gritty tone than many other British films. The directors shot on location which added to the overall realism. The actors look and behave like people you could run into in your own lives. There’s no glamour or escapism to be found in these films.

            The famous shot in Girl With Green Eyes where a door is opened onto a real street. Screenshots by me.   

The Woodfall directors, producers, cameramen and actors were all trailblazers in helping to bring more realistic, unique and grittier stories and characters to the screen.  Woodfall made films which focused on the British working class.

There had been earlier films such as It Always Rains On Sunday, This Happy Breed, Woman In A Dressing GownMillions Like Us and Waterloo Road which had been realistic and focused on working and lower middle class characters, but the Woodfall films made such characters and realism their primary focus. 

Not all of the Woodfall films would become classics, but eight of them did and they are the reason why the name Woodfall is remembered today – Look Back In Anger, The Entertainer, Saturday Night And Sunday Morning, A Taste Of Honey, The Loneliness Of The Long Distance Runner, Tom Jones(a cheeky and funny period romp), Girl With Green Eyes and Kes are all among the best of the so called Kitchen Sink films. 


What’s all this? A couple sharing a bed? Shocking and daring stuff for this era. Screenshot by me from Saturday Night And Sunday Morning.

Thanks to Woodfall, ordinary people finally got the chance to see characters and events on screen that mirrored their own lives and experiences.Without Woodfall films, I also highly doubt that we would have gotten the likes of Ken Loach or Mike Leigh making films. I also doubt that films like Room At The Top, This Sporting Life, A Kind Of Loving and The L Shaped Room would have ended up being made either. Woodfall films helped inspire future generations of directors and writers to make films that reflect their own lives and experiences. 

The first Woodfall film to be made was the 1959 adaptation of John Osborne’s play Look Back In Anger. Tony Richardson directed the film. 


Richard Burton as Jimmy Porter, channeling all that rage into his jazz music. Screenshot by me from Look Back In Anger.

Look Back In Anger features Richard Burton delivering one of his most powerful performances as the first angry young man, Jimmy Porter. Passionate, complicated, angry and misunderstood, Jimmy must surely have been someone that many young men in the audience could identify with. This film focuses on a lower class man who is justifiably angry at the way his life has turned out, and also at how he is held back from bettering himself.

Both the film and the play shock due to the violent and complex relationship between Jimmy and his wife(played by Mary Ure in the film), and also because of the love hate relationship between Jimmy and Helena(Claire Bloom in the film). 

The third film, Saturday Night And Sunday Morning, would go on to become the most acclaimed and famous of all of the Woodfall films. A fresh faced Albert Finney delivers a remarkable performance in the lead role of the rebellious and angry Arthur Seaton. Arthur works in a factory and he hates it, he takes every opportunity he can to stick it to the establishment and the upper classes. Arthur also doesn’t care much for rules and traditions. The film is also rather daring in showing an affair between Arthur and a much older woman who is married (Rachel Roberts). 


Albert Finney as Arthur Seaton. Screenshot by me from Saturday Night And Sunday Morning.

Saturday Night And Sunday Morning is also perhaps the ultimate working class film, as it so accurately manages to capture the life endured by millions here in the UK at this time and for a long time before.

It’s also through this film in particular that I am able to get a better sense of the way of life my parents and grandparents had before I was born. Both my mum and dad grew up in the 1950’s and 1960’s, and they have both commented on the accuracy of the characters, the streets, homes, attitudes etc seen in this film and others.  

The fourth Woodfall film is A Taste Of Honey, and it is this film which I think is the most daring of the lot. This film focuses on Jo(Rita Tushingham) a teenage schoolgirl who is in a relationship with a black sailor(Paul Danquah)by whom she becomes pregnant. The rest of the film focuses on her dealing with the pregnancy with the help of her gay friend Geoffrey(Murray Melvin).


Jo arguing with her mum’s latest man(Robert Stephens)in A Taste Of Honey. Screenshot by me.

This film also shows us that the younger generation(so often depicted in this time as bad or lacking responsibility)have more sense and decency than the older ones. Jo’s mum(Dora Bryan)is someone who should know better and should be being a good mum, but instead she leaves her daughter to her own devices and is sleeping around and thinking of herself. In many ways Jo is the adult and her mother is the teenager. 

This film shows us that adults are not perfect and don’t always do the right or moral thing(the opposite of what we are so often told is the case when we are kids). The film also depicts a homosexual character who becomes in many ways the hero of the story and a very likeable character, this was quite daring due to homosexuals being largely vilified in society at the time. I like how this film depicts Geoffrey as simply being the normal man that he is, and that it just so happens that his sexual orientation is different to that of other people. It is his personality rather than his sexuality what is focused upon in the film. 

My favourite of all the Woodfall films is Girl With Green Eyes. Based on the trilogy of novels by Edna O’Brien, this film focuses on the love affair between the young Kate(Rita Tushingham)and the middle aged Eugene(Peter Finch).


Eugene and Kate have a talk. Screenshot by me.

It’s a daring film, based on a daring book. The film is set in Ireland and focuses on a girl who is having sex outside of marriage and going against convention and the dictates of religion in so many ways. I like it because it focuses on sex and relationships from a female perspective. The film is also very moving and features terrific lead performances from Rita and Peter. A young Lynn Redgrave lends solid support as Baba, the outgoing friend and flatmate of Kate. 

Many of the Woodfall films have become very well known here in the UK. I’m very aware that they may not be all that famous in other parts of the world. I highly recommend them all to you, not only because they are good films, but because they visually capture a time,place and a way of life that is just starting to disappear over here.

I hope anyone who has never seen any of these films will seek them out. Remember as well that these films ushered in a new way of filmmaking, Woodfall helped to make it acceptable to make more films like the ones they were making. 

Have you seen any of the Woodfall films? What do you think of the films? 

17 thoughts on “How Woodfall Films Changed British Cinema Forever

  1. mistermuse

    Thank you for this very interesting post.

    It’s noteworthy that you reference the period 1958-84, because 1957 was the last year of production for Ealing Studios (“one of the best loved and best known of all British cinema institutions” according to Stephanie Muir in her book STUDYING EALING STUDIOS). Ealing’s films include such classics as DEAD OF NIGHT, IT ALWAYS RAINS ON SUNDAY (which you mentioned), PASSPORT TO PIMLICO, THE LAVENDER HILL MOB, and THE LADYKILLERS.

    Liked by 1 person

  2. Wolfman's Cult Film Club

    Happy NY Maddy and what a great read with my eggs and soldiers this morning whilst nursing my foggy head! Ashamed to say I didn’t know of Woodfall films, so thank you for enlightening me. Though I know of some of the films I didn’t realise they were out of the same production group. Kes has always been a big fav especially as I adore John Cameron soundtrack. The ones I have earmark on my to watch list are The Entertainer, …. Long Distance Runner and The Charge Of The Light Brigade….. Where as I’d seen Anger and Sat Night years ago I know for a fact I would appreciate them so much more now. And I really need to see Green Eyes and Honey. Rita has such an iconic face….. Right thanks Maddy. That’s my homework sorted for the new year 🙂

    Liked by 1 person

    1. maddylovesherclassicfilms Post author

      Then my work here is done. 🙂 Glad you enjoyed it. Happy New Year to you and yours, Mikey. Enjoy the Woodfall films. Rita Tushingham is terrific and so expressive, have you seen her in The Trap with Oliver Reed? Kes is amazing, pretty grim and sad but a brilliant flick.

      Liked by 1 person

      1. Wolfman's Cult Film Club

        Haha a good job it was too. You know what I haven’t seen The Trap yet but have been on the look for it for sometime. It sounded like a very interesting film. I will get back on the case to seeing it. Thank you for reminding me, hopefully I’ll see it soon.



    Hi Maddy

    Happy New Year to you.

    This is a very interesting write-up on Woodfall. Most people would choose to write about the British New Wave and so include all those other films, A Kind of Loving, This Sporting Life, etc, so I’m intrigued that you focused only on this company. A lot of the early Woodfall and British New Wave films are still very impressive but you have to admit, they are kind of depressing. It’s also so strange and unexpected that the co-founder and producer of their early films was Harry Saltzman. He got fed up with kitchen sink realism pretty quickly!

    The one I’ve seen most recently is The Entertainer (thanks Talking Pictures!), but it seemed a bit too much of its time to feel like a great film now. I can see why it would have worked in 1960 though, especially in the theatre. Pretty great cast of soon-to-be-famous actors too (Finney, Bates, Massey, Davenport), and I thought Roger Livesey was even better than Olivier.

    I haven’t seen Girl with the Green Eyes or Taste of Honey, but Rita Tushingham is a very interesting actress and I’d like to see more of her 1960s stuff. I’m also always there for anything with Robert Stephens in it. (Since you mentioned Peter Finch, did you see No Love for Johnnie when it was on TV recently? He was really good in that, one of the best I’ve seen from him.

    One later film you didn’t mention is the 1968 Charge of the Light Brigade. A bit of a forgotten film but I really like it. It’s very late 1960s but also manages to be a mostly accurate historical film, much better than the 1930s one (and no legion of slaughtered horses either). I don’t think it’s ever been popular with critics, they were probably too wedded to the Hollywood hokum version and some of the reality probably seems too absurd to be true. Like the whole “black bottle” business and even the British General who keeps forgetting that they’re meant to be fighting the Russians and not the French! Great animation by Richard Williams too. An unsung classic IMO.

    Liked by 1 person

    1. maddylovesherclassicfilms Post author

      Happy New Year to you too mate. Glad you enjoyed reading this. I chose to write about Woodfall because their films really started off the whole kitchen sink/new wave era and style of filmmaking. So I wanted to bring attention to what they did and talk about some of the films.

      The Entertainer isn’t a favourite. I do think that it certainly manages to capture a time and place well, plus the performances are great too. I’ve never quite got all the fuss about Olivier. He was a good actor but I think he is quite overrated(controversial opinion or what? LOL)

      I still need to see Charge Of The Light Brigade, I’ve heard nothing but good things about it.

      I love No Love For Johnnie and agree that Peter Finch is terrific in that.

      Liked by 1 person


        I think Olivier’s reputation is based as much (probably more) on his stage work than his film stuff. I read Philip Ziegler’s biography on him last year, and most of it was about the theatre, only a few major films got more than a mention. I like Olivier a lot, but there is often an element of theatricality in his performances, He is good in The Entertainer, for example, but it does feel like a great stage performance transferred to film, and that doesn’t always completely work.

        Liked by 1 person

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