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The Fourth Annual Bette Davis Blogathon: Now, Voyager(1942)

Bette.jpgCrystal over at In The Good Old Days Of Classic Hollywood is holding this blogathon to honour the legendary Bette Davis. Be sure to visit her site to read all of the entries, I can’t wait to read them all myself.

For this blogathon I’ve decided to write about Bette’s most iconic film, the 1942 classic Now, Voyager. Her remarkable performance in this film would go on to earn Bette her sixth nomination for the Best Actress Oscar. 

Bette starts off totally convincing us that her character, Charlotte Vale, is a deeply damaged and introverted woman. Bette makes us feel great sympathy towards Charlotte. She makes us want to stand up to Charlotte’s mother on her behalf and tell her to leave her daughter alone. Bette looks so vulnerable, so on edge, so worn out, and so worn down at the start of this film. We feel for this character because of how well Bette conveys her pain to us.

In the next half of the film, Bette slowly begins to change before our very eyes into a far more strong and confident woman. She makes us believe that Charlotte is now comfortable being herself, and that she is also finally breaking free of her mother’s control. We know that Charlotte is going to be okay as her life goes on. Bette put a lot of effort into this performance and it shows. Bette also worked quite closely with the makeup artist and costume designer to decide what Charlotte should look like in the first half of the film. 

                                   The two faces of Charlotte Vale. Screenshots by me. 

The film is described as a romantic drama and is best remembered today for the love story at the very heart of its plot. This film is so much more than just a love story though. It is quite an unusual and bold film in many ways, and that is a major reason why I love this one so much. The film focuses upon the rights of the individual; on mental illness; on mental health; and upon dominating and abusive parents. The ending of the film is also about as far away from the typical romantic ending as it is possible to get. The film is really about Charlotte learning to love herself, as well as being about her realising that not every human being out there is cruel and bad. 

I especially love how this film depicts mental illness. In an era when mental health had a great stigma attached to it, this film and its attitudes towards mental health come across as being quite enlightened and modern in my opinion. Mentally ill people are all too often depicted as being incurable and frightening individuals who have to be thrown into asylums to keep them away from the rest of society. So many mental health patients have been treated appallingly in asylums and hospitals throughout the centuries. Is it any wonder then that mental illness became something frightening that people hated to admit they were suffering from?

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Charlotte and Dr. Jaquith talk during her treatment. Screenshot by me.

Now, Voyager shows us that mental illness is nothing to be ashamed of or afraid of; it’s just that sometimes our minds need a little rest and some help.

Receiving help with your mental health doesn’t mean you are weak or dangerous. The film also shows us that there are kind and compassionate staff out there supporting those who are mentally ill.  

Charlotte isn’t locked away and subjected to shock therapy or drugs. Charlotte is placed into a relaxing and quiet environment, an environment where she isn’t treated like a leper by those looking after her.

Just a few years after this film came out The Snake Pit was released. This later film has become one of the most famous films about mental illness, but it is also a film which once again depicts mental illness as a terrifying and alarming thing. The lead character in The Snake Pit is treated very distressingly. If you were struggling with your mental health and saw that film, then I doubt it would make you very eager to go and seek help for what you were going through. It’s a far cry from the more enlightened treatments and attitudes we see in Now, Voyager. Thankfully attitudes toward mental illness have become much more positive. Treatments for mental illness have become much more humane too. 

Now, Voyager is based upon the 1941 novel of the same name, which was written by the American author Olive Higgins Prouty. Now, Voyager is the third in a series of five novels written by Prouty, all of which focus upon the Vale family. The events of the third novel are inspired by Prouty’s experiences of therapy following her own breakdown. The film adaptation of the novel was originally going to be directed by Edmund Goulding(Dark Victory, Nightmare Alley). Goulding had the actress Irene Dunne in mind for the role of Charlotte Vale, but unfortunately Goulding fell ill and had to withdraw from the project.

Now, Voyager
Bette Davis and Paul Henreid take direction from Irving Rapper (seated in the middle) on the set of Now, Voyager. Image source IMDb.

Michael Curtiz(The Adventures Of Robin Hood, Mildred Pierce) was then assigned to the film as the new director. Curtiz considered both Norma Shearer and Ginger Rogers for the role of Charlotte Vale. Bette Davis really wanted the role, and she managed to persuade producer Hal B. Wallis that she should be the one to play Charlotte. Bette was eventually given the role. Michael Curtiz and Bette sadly didn’t get along that well, and so he soon left the project. Michael Curtiz was out of the directors chair and Irving Rapper(Deception, Marjorie Morningstar) was quickly sitting in his place as the new (and final) director of the film. 

Joining Bette in the cast were the Austrian born Paul Henreid (absolutely superb in his first major Hollywood film role) as Jerry; the ever brilliant Claude Rains as Jaquith(accepting the role after the part had been rewritten); Gladys Cooper(ice cold and despicable) as Mrs. Vale, the ultimate mother from Hell. 

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The damaged Charlotte. Screenshot by me.

Now, Voyager is all about Charlotte Vale(Bette Davis), a repressed, overweight and deeply unhappy heiress who is emotionally abused and dominated by her cold mother(Gladys Cooper). Her mother’s bullying and excessive control leads Charlotte to edge ever closer to a nervous breakdown.

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The cruel Mrs. Vale. Screenshot by me.

Charlotte is teased and neglected by all her family, all except her kind sister-in-law Lisa( Ilka Chase).Lisa is really worried about Charlotte and can see that she is becoming quite ill. Lisa asks her psychiatrist friend Dr. Jaquith(Claude Rains)to come and see Charlotte and make a judgement about her state of mental health.

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Jaquith is delighted by Charlotte’s hobby of making ivory boxes. Screenshot by me.

Jaquith meets with Charlotte and is very worried about her. He tells Mrs.Vale that her daughter is having a nervous breakdown. We also see that Jaquith is appalled by Mrs. Vales treatment of her daughter. I love the scene where he has a go at Mrs. Vale for her terrible treatment of Charlotte. I find that scene to be very unusual for the time, because Jaquith is calling out and acknowledging parental abuse/excessive control. In a time when parents word was law, here is Jaquith telling audiences that children shouldn’t be controlled because they have rights and are individuals. Jaquith makes it very clear that Charlotte has been damaged so much by her mother’s treatment of her. Jaquith arranges for Charlotte to come and stay at his sanitarium called Cascade. Under his care, and away from her mother, Charlotte slowly gets well and begins to come out of her shell and gain new confidence.  

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Jaquith tells Mrs. Vale that she is to blame for Charlotte’s illness. Screenshot by me.

When she is well enough to leave Cascade, Charlotte goes off on a cruise. She is still a little fragile, but Jaquith and Lisa both hope that Charlotte can enjoy her independence on the cruise and that her confidence will increase while she travels. 

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The new Charlotte. Screenshot by me.

When we next see Charlotte Vale, she is emerging from a doorway on the cruise ship. Charlotte looks beautiful and glamorous. Thanks to her new found self confidence, and a significant makeover, Charlotte looks like a completely different woman when we see her on the ship.

Charlotte has a lovely time on the cruise. She makes loads of friends on board the ship. Charlotte is still quite shy and hesitant at times, but she slowly comes out of her shell even more than she has done before. Charlotte enjoys a passionate love affair with the charming architect, Jerry Durrance(Paul Henreid), a fellow passenger who she befriends when they go ashore on a day trip together.

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Jerry and Charlotte. Screenshot by me.

Jerry is a very kind man who is genuinely interested in Charlotte. The pair emotionally connect and quickly develop a strong romantic desire for one another too. I love how Paul Henreid plays the role of Jerry. He makes the character so gentle, so fun, so attentive and kind. Paul also lets us see that Jerry is slowly starting to fall in love with Charlotte due to the way he is looking at her when they are together; it’s clear to me that he falls for Charlotte before she falls for him. Paul and Bette have a lovely chemistry together and really make me believe in their growing bond. Off the screen, Paul would soon join co-star Claude Rains in becoming one of Bette’s closest male friends. 

I like how the character of Jerry starts off being this sort of fantasy romantic figure, someone who (to me anyway)seems slightly too good to be true at first. But the more we get to know him, the more we see that he genuinely does care for Charlotte, and that he is what he seems to be. I especially love how Jerry still wants to be with her after she has told him about her illness and past. 

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Charlotte and Jerry share a kiss. Screenshot by me.

The pair are very happy together. Jerry gives her the romantic love and kindness that she has so longed for all her life. She finally feels wanted and happy. Charlotte and Jerry’s happiness is short lived though once Charlotte discovers he is married. Jerry explains that he has an unhappy marriage.

Jerry also tells Charlotte that his youngest daughter Tina is a very troubled child. When Jerry shows Charlotte a photo of his daughter Tina, she can see something of herself in that depressed and awkward looking little girl. The pair decide not to meet again when they leave the ship at the end of the cruise, but neither can stop loving the other or forget about their happy times on the ship.

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A happy moment for our couple. Screenshot by me.

Charlotte returns home to see her family and Dr. Jaquith. Her mother is visibly shocked and appalled when she sees her daughter is now strong and can stand up for herself. Charlotte takes charge at home and stands up to her mother, while never stooping to her mother’s low level of cruelty or maliciousness, something which irks her mother a great deal.

After her mother dies of a heart attack(something of an irony as she never appears to possess a heart), Charlotte returns to Cascade feeling that her mother’s death is her fault. While she is staying there she discovers that Jerry has sent his daughter Tina there as a patient. Charlotte befriends Tina; once she does so, she soon finds that looking after this little girl takes her mind off her own issues. Charlotte finally feels a sense of purpose.

Jerry is so grateful to Charlotte for all the help she has given his daughter. He still loves Charlotte very much, but is romance what Charlotte still wants though? She still cares about Jerry, but at the end of the film she wants to leave things the way they are between them. “Jerry, don’t lets ask for the moon. We have the stars”.

I have always felt this ending is similar to the one in The Apartment; both films end with their romantic couples not getting together in the typical romantic ending of a kiss and a fade out. Charlotte is happy with the way things are between them at present. Charlotte and Jerry may well get back together romantically at some point, but for now she wants them to enjoy what they have and not to try and change anything. Even if they don’t get back together as a romantic couple, they will always remain friends who have an incredibly strong emotional bond. By the end of the film Charlotte has finally found her purpose in life; her purpose is to help others who have gone through the traumas that she has endured. For now she is enjoying her newfound independence and desire to help and be useful. That’s how I read this famous film ending. 

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Charlotte comforts Tina. Screenshot by me.

As much as I love this film, I do however have quite a big issue with it. My issue concerns what happens to Charlotte after her makeover. With that makeover the film basically tells us that physical beauty bring happiness and grant our deepest wishes. It’s like we’re being told that we won’t find happiness, friendship, or love, unless we look gorgeous and are stick thin. In a time when so many struggle with low self esteem and pressure to look a certain way, this film sends out a very bad message in my opinion.

Charlotte doesn’t have any friends until she sets foot on that cruise ship after her makeover. All of sudden her wish to be loved and accepted comes true. People want to know her because she suddenly fits in and looks lovely. Her other family members who teased her before suddenly decide to treat her nicely, what does that say about all of these people? Would any of Charlotte’s new friends have looked twice at her if they had met her before? Would Jerry have wanted to be her lover if he had met her before? Sadly we all know that the answer to those two questions is no.

Our first glimpse of Charlotte after her makeover. Screenshots by me. 

Charlotte’s new found happiness after the makeover gives the impression that beauty and glamour are what you need to be accepted and happy. It’s just not true. You can find friends and love no matter what you look like on the outside. Sadly we are still so very obsessed with looks and body image today. Young girls especially feel the pressure to look a certain way. Why should it matter what we look like on the outside? It’s what is on the inside that counts. Plenty of beautiful people are ugly on the inside, and plenty of people who are deemed ugly are the most beautiful souls you could ever wish to meet. 

There’s another thing that bothers me about this film. As much as I love Jerry and Charlotte’s relationship, I have to confess to having never quite cared about their relationship as much as the one between Charlotte and Jaquith. I have always felt that Charlotte and Jaquith should have got together romantically. I really dig them as friends and think it’s great to see a close, non sexual, male and female screen pairing. But I can’t help it, I ship them so much. 🙂 Also Jaquith is the one who sees her at her most low and it doesn’t phase him. He is the first person to be truly kind and helpful to her. He treats her as an equal, and they both care about each other so much. 

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Charlotte and Jaquith. Screenshot by me.

I thought I was really odd in wanting Charlotte and Jaquith to get together, that is until I saw that Bette herself had thought the same way! Bette said in a TV interview with Dick Cavett that she thought those two characters ended up together, and that Charlotte went on to work with Jaquith. If Bette ships it, then I ship it proudly too! 🙂 

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Who wouldn’t want this man? Screenshot by me.

Who cares if a relationship between them would most likely break the rules of what can and can’t happen between patient and doctor? The way that Claude plays Jaquith, it becomes very clear to us that he cares about Charlotte and considers her to be more than a patient once she leaves Cascade for the first time. He is overjoyed to receive letters from her and lights up when he is around her. She lights up around him and cares about him very much too. I love the playful banter and conversations between them. I only wish there were more scenes between Charlotte and Jaquith in the film!

Bette Davis is without a doubt the star of this film. Her performance is extraordinary and remains one of her best and most iconic. Bette has fine support from Paul Henreid, Gladys Cooper, Claude Rains, Mary Wickes(hilarious and scene stealing as ever) and the rest of the cast. For me it is Gladys Cooper who stands out the most from the rest of the cast. Gladys makes Mrs. Vale so hateful and cruel, that you want to reach the screen and slap her. I think this is one of the best performances Gladys ever gave on screen.

Four years after making this film, Bette Davis, Paul Henreid, Claude Rains, and director Irving Rapper, would all reunite together to make Deception. This later film has Claude and Paul as two very different men, who each have one thing in common, their love and desire for Bette’s character.   

For years after this film was released, Paul Henreid would constantly be asked by his fans to light two cigarettes at once for them. This was because in this film he famously lights two cigarettes in his mouth at once and hands one to Bette. The photo on the cover of Paul’s autobiography even features him with two cigarettes in his mouth. Those famous cigarette scenes have become unforgettable to anyone who has ever watched this film. 

Now, Voyager is every inch a classic. Its characters, issues and themes are still extremely relevant and affecting today. Charlotte Vale is a character who I think offers hope and comfort to people who are going through tough times. Charlotte’s transformation into a happier person shows us that dark times can pass by, that we can find happiness and the freedom to be ourselves. 

What do you think of this film? 

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Announcing The Noirathon

Regular readers of this blog know that I LOVE Film Noir. I’ve decided it’s high time I held a blogathon celebrating all things Noir.  

I invite you all to join me to walk through the dark alleys of Film Noir. For this blogathon you can write about any Noir film. You can write about your favourite characters and couples in Film Noir. You can write about the look and style of Noir films. You can write about the history of Film Noir and the impact these films had on cinema.

You can write more than one post for this if you wish to do so. I’m asking that there be No duplicate posts of films for this particular blogathon. There are so many Noir films out there that we shouldn’t need to all write about the same ones. That having been said though, if someone writes a full post about Double Indemnity, it is fine for someone else to write a bit about that film in a list/article which discusses various Noir films. It’s also fine to write about a remake of a Noir film of the same title. 

The blogathon will be held from the 27th – 29th of July, 2019. Please try to have your posts ready on or before those dates. Take one of the banners from below to put on your sites to help advertise this event. Check below to see who is writing about what. 

Have fun writing! Enjoy watching those Noir films!

The Participation List

Maddy Loves Her Classic Films: Cry Of The City, Dark Passage & Murder, My Sweet(1944)

Pale Writer: Dead Reckoning,  Alan Ladd and Veronica Lake

Screen Dreams: Barbara Stanwyck’s Noir Films

Films On The Box: Fear In The Night

Down These Mean Streets: Strangers On A Train

Movie Movie Blog Blog II: Laura

Cinematic Scribblings: Brighton Rock(1948)

Caftan Woman: Thieves Highway

Poppity Talks Classic Film: They Live By Night

Realweegiemidgetreviews: Body Heat 

Overture Books And Film: The Killing 

Silver Screen Classics: The Asphalt Jungle

In The Good Old Days Of Classic Hollywood: Joan Bennett And Film Noir

The Stop Button: In A Lonely Place

Portraits By Jenni: Pickup On South Street

The Old Hollywood Garden: Friendships In Film Noir

Critica Retro: Tension

Silver Screenings: Kansas City Confidential 

Pop Culture Reverie: Somewhere In The Night

The Midnite Drive -In: Noir Elements in Abbott And Costello

Stars And Letters: A Letter About The Killers

Realweegiemidgetreviews: John Wick 2 and 3

dbmoviesblog: Out Of The Past

Thoughts All Sorts: Sin City

Pure Entertainment Preservation Society: The Dark Mirror

Shadowsandsatin: Try And Get Me

The Lonely Critic: High And Low

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Learning To Love Silent Films

Regular readers of this blog will know that I love me some Silent films. I’m very sad to have to confess to you all though, that it was not always the case with me. I saw my very first Silent film when I was in my mid teens, it was shown in a film class when I was studying at college. The film shown was Metropolis. I was intrigued to see the film because it was directed by the great Fritz Lang.

Lang was a director who was already well known to me because I was a fan of Film Noir. He directed such classic Noir films as The Big Heat and Scarlet Street. I liked his work, but I had yet to venture into his expressionistic Silent films. Little did I know that the German Expressionism found in some Silent films, was also a major influence on the Noir films that I was loving so much. The use of shadows and lighting in Noir is straight out of those early films, and I was so amazed when I first learnt about that. All Noir fans out there should show some love to those German Silents; without their direct influence, the look of Film Noir would have most likely turned out very differently indeed.  

Metropolis
Poster for Metropolis. Image source IMDb.

Before seeing Metropolis, I was already a huge fan of classic era films. I had never before had the slightest interest in seeing a Silent film though. I thought they would be boring and weird to watch. When this film started playing, there I was, still stubbornly convinced that there was no way this was going to be for me.

Then something happened that I can’t really describe. I just became fascinated by the images I was seeing on the screen. I was also extremely impressed with the scale of the sets, the overall look of the film and by Lang’s unforgettable depiction of the future. Before I knew what was happening, there I was, actually sitting there and enjoying a Silent film. 

I have to say that while Metropolis has never become a favourite of mine to the extent that I regularly watch it, I do love and admire it a great deal. The image of the future that it presents to us is an image which is impossible to get out of your head. It’s one of the greatest films that Fritz Lang ever made. Metropolis will always have a special place in my heart for being the film that made me a fan of Silent cinema.

From that point on I started to watch more Silent films. Then I started to laugh at myself for having held such stupid views about Silent films in the first place. Why had I been so hesitant about checking these out sooner? I  think it mainly had to do with the actors not speaking. It was such an alien concept to me after being raised on sound films. I think the lack of speech is still the main problem for people who are hesitant to watch these films today.

While hearing audiences may have difficulty with these films, I would imagine (would love to see some studies done on this)that Silent films can perhaps appeal more to deaf audiences. So often today the subtitles are not always that good on DVD releases, and this can make it difficult for deaf viewers to follow the dialogue. Some TV channels and programmes do not always offer subtitles either, which sadly means that deaf audiences are excluded from some content. Silent films don’t have those problems. In Silent films  you often don’t really need dialogue in many scenes, the actors convey all we need to know. I think it’s also very easy to follow what people are saying in Silent films because we have the title cards popping up displaying the dialogue. Personally I think that Silent films provide quite an inclusive experience to viewers who have hearing difficulties, or who perhaps don’t speak any languages other than their mother tongue and want to watch films from other countries(yes, I know DVDs of sound films have language dubbing :-)).

Now I am happy to say that I’m a huge fan of Silent cinema. I think that Silent films are incredible. It’s hard to dislike films where all the stunts are done for real; where all the special effects were done by hand or by using practical effects(no CGI to see here, folks), and where even the editing was done by hand. Making these films was a real labour of love and it shows. I also think that many of these films are like paintings brought to life due to a combination of beautiful costumes, colour tinting, uniquely designed title cards, lavish sets etc. You really don’t see films so visually beautiful anymore. I am a huge fan of tinting and especially love the use of blue in the Silent documentary The Epic Of Everest (1924). The blue tinting in that documentary makes me feel the cold of the location somehow. 

When you see these films today and know that what you see was all done by hand, it just blows you away. The stunning, jaw dropping visuals in these films, are leaps and bounds beyond anything that CGI gives us today. The directors and film crew working at this time were so innovative, and I find their fearlessness in exploring new and exciting ways of making films and creating film effects quite admirable.

Without these films we would most likely not even have films today. Film fans should be watching these films because it is where the medium began. We owe these films, and the filmmakers of this era, a massive debt of gratitude. I think it is vital that we get younger generations interested in these films. We need to preserve and honour these magnificent films. 

The more Silent films I watch, the more that I come to love and appreciate the different acting style. Some of the acting when viewed by us today looks quite theatrical, and I concede that this can be strange to get used to if you’re new to it. Having said that though, it’s important to note that so many performances in Silent films come across as very modern and fresh when viewed today.

Lon Chaney
The great Lon Chaney Sr. Image source IMDb.

I think that the acting in these films is all about the actors conveying emotions to us, and in doing so they really make us feel their pain or joy. These actors do not need dialogue because they have the ability to convey to us what’s going on through expression alone. In my opinion no actor of the era was better at conveying emotion than Lon Chaney Sr. Lon was a very unique actor. He created and applied his own make-up to play disfigured characters. I really can’t recommend his films highly enough. I write about him and his career in detail here.  He was such a fascinating man. 

Another thing I love about Silent films is the music. Music is very important in these films. You see despite there being no audible dialogue, these films are not actually totally silent(another myth busted). There is music playing throughout these films, and the music is very important for helping to establish and convey the mood and emotions of characters. I would love to go to one of those silent screenings which have a live orchestra accompanying the film. Has anyone ever attended one of these? What was it like? Silent films also have title cards, which appear at various points in the film, to display to us the dialogue being spoken by the characters. 

New To Silent Cinema?

Have you yet to dip your toe into the ocean of Silent cinema? What are you waiting for? There are dramas, historical epics, experimental films, short and long films, romances, comedies, horror,documentary, crime etc. Forget the damsel in distress cliche as well, because the Silent films provided very strong roles for women. They also had many women working behind the cameras as directors, producers, editors and writers in the Silent era.

Please don’t be afraid of these films. Pick one to watch and give this different film style a chance. Don’t simply dismiss these films as being old, outdated, or weird when you have never actually watched one.

If you don’t try these films, then not only will you miss out on some stunning visuals, powerful stories and memorable characters, but you’ll also miss out on some truly remarkable actors. People like Lon Chaney Sr, Douglas Fairbanks Sr, Lillian Gish, Louise Brooks, Ruan Lingyu, Rudolph Valentino, Buster Keaton, Clara Bow and so many others. You’ll also miss out on directors like F.W Murnau, Charles Chaplin, Fritz Lang, Buster Keaton, Cecil B. De Mille. 

Where To Begin With Silent Cinema?

You are going to watch your first Silent film, but you don’t know which film you should watch first. I would say forget all those famous titles; just go right ahead and pick a Silent film that is from your favourite genre. Don’t immediately try one of the very long feature films like Metropolis for example. You may get lucky as I did and end up really enjoying your first Silent, even if it is a long feature, but on the other hand you may well end up getting bored if your first film turns out to be a drag. So I’d say that you should maybe try something that appeals to your tastes before checking out the acclaimed epics.

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Buster Keaton films are a good place to start for Silent newbies. Screenshot by me from Sherlock Jr.

A good place to start is to try and watch a comedy short. If you’re going to do that, then I would heartily recommend the films of the legend that is Buster Keaton. This comic genius made both comedy film shorts and feature films.

Buster was the master of physical comedy, and he had such perfect timing. He also performed some of the most jaw dropping film stunts ever captured on film. If you like comedy you can’t go wrong with Buster’s work. Charles Chaplin, Roscoe “Fatty” Arbuckle and Harold Lloyd’s films also come highly recommended by me.

If you are interested in seeing the famous stunning visuals, epic running time and visual trickery of Silent films, then these films are ones that I would highly recommend that you watch for various reasons: The Phantom Carriage (1921), Battleship Potemkin (1925), Der Mude Tode(1921), Intolerance (1916), The Thief Of Bagdad(1924), Orphans Of The Storm (1921),Ghosts Before Breakfast (1928), A Trip To The Moon (1902), The Cabinet Of Dr. Caligari (1920), Metropolis (1927),The General (1926),Nosferatu(1922) , Sherlock Jr (1924) , The Epic Of Everest (documentary from 1924), The Man With The Movie Camera (documentary from 1929).

A Silent Film That I Would Recommend To A Newbie?

Shooting Stars
Shooting Stars. Screenshot by me.

1- Shooting Stars (1928) This British Silent is a behind the scenes look at filmmaking. It follows three actors who are caught up in a love triangle. The film is funny, suspenseful and very moving. It looks at the fleeting nature of fame and how we should never take what we have for granted. 

This film was one of the first(possibly the first)films to show audiences what goes on behind the scenes of films, and of how shots are achieved in film. We see how the screen fiction is achieved and made believable to an audience who buys into the illusion of film. You can read my full review of this film here. 

I would also recommend The Artist(2011). This charming film is a homage to the Silent era.It also brings to mind sound films such as Singin’ In The Rain and A Star Is Born. It also features the cutest and most scene stealing dog you’ll ever see. 

I could go on and on about Silent cinema, but I don’t want to bore you all.  🙂  I hope that I have piqued your interest in these films if you have yet to check out any Silent films. Let me know how you get on if you do decide to check out Silent films for the first time.

If you are already a fan I would love to hear from you. How did you become a fan? What are your favourite Silent films? Did you put off seeing them for ages?(like me). I sometimes feel like an oddity because I’m 30 and don’t know anyone else my age (outside of people online) who loves these wonderful films. 

May I also suggest you head on over and see Fritzi at Movies Silently.  Fritzi knows all there is to know about Silent cinema.