Like so many classic film fans from around the world, my heart was broken on the 13th of May, 2019. The sad news broke in the afternoon of that day. Doris Day had died. She was 97 years old and had reportedly been suffering from pneumonia. To say that I was crushed to hear this awful news would be an understatement.
I never met or corresponded with Doris, but never the less, she meant a great deal to me. She came across as being a very kind, compassionate and down to earth woman in real life. I liked that. Doris also did so much to help animals, and she gave a great deal of joy to film and music fans around the world.
I first became a fan of Doris when I was a very young girl. My mum and dad both loved her as a singer and her songs would often be heard playing in our house. When I was a teenager I saw her in Calamity Jane. This was the first of her films that I ever saw. I enjoyed the film very much and really loved Doris’s performance.
I didn’t become a fan of her as an actress until I saw The Man Who Knew Too Much(1956). I thought that she did such a marvellous job of playing the worried mother of a missing boy. She was so convincing in that role and really made me feel this woman’s fear and pain. After seeing this film, I then made sure that I saw as many of her films as I possibly could.
Young At Heart and The Man Who Knew Too Much became instant favourites of mine, and both films have a special place in my heart. I think that Doris and Frank Sinatra have such a lovely and tender chemistry in Young At Heart, and I love watching the relationship develop and change between their characters. This is such a lovely film, and in my opinion, Doris Day is the main reason this film works as well as it does.
As I sought out more of her films, I particularly enjoyed seeing her screen image change with the arrival of Pillow Talk(1959). With this film, Doris was no longer the bubbly girl next door, but instead she was reborn as an independent and sexy career woman. She and co-star Rock Hudson would become one of the most beloved romantic screen teams and would make three films together. She and Rock were very good friends and they have such lovely chemistry together on screen. Doris also made two films with Rod Taylor and I really love their chemistry too. I think it’s a shame that the films she made with Rod are vastly underrated compared to those she made with Rock.
Doris Day had a smile as bright as the sun. Her laugh was one of the most infectious that I’ve ever heard. She had an extraordinary singing voice. Although best known for her singing and her musical/romantic comedy film roles, Doris was also a very good dramatic actress too. I think it’s a shame that she never really got enough credit for her serious roles and acting.
It is impossible not to be cheered up by the presence of Doris Day in a film. Her screen personality is so bubbly and warm.
I love her the most in The Man Who Knew Too Much, Young At Heart, Pillow Talk, The Glass Bottomed Boat, Love Me Or Leave Me, Teacher’s Pet,Calamity Jane, With Six You Get Eggroll, Midnight Lace, Do Not Disturb, Move Over, Darling.
It is so sad knowing that Doris is no longer with us, but I think we should take comfort in the fact that she has left behind such a wonderful body of work for us to enjoy. We have her songs and films to enjoy forever.
I hope that Doris knew just how much she was loved by fans of her films and songs. She will forever be in the heart of this classic film fan. R.I.P, Doris. Thank you for all those great performances and songs. We will miss you. x
Rick over at the Classic Film & TV Cafe is hosting this blogathon dedicated to our favourite 1950’s films. This blogathon is being held to mark National Classic Movie Day. Be sure to visit his site to read all of the entries, I can’t wait to read them all myself.
I have so many favourite films from each decade of cinema, so it has been very difficult trying to pick just five films to focus on for this particular blogathon. The five films I’ve chosen are ones that I return to again and again. I love these films so much.
5. Ice Cold In Alex (1958)
This is a tense, gritty and suspenseful drama, set during the Western Desert Campaign of WW2. The film focuses on a group of British soldiers, and two British nurses, who are travelling together in an ambulance heading for Alexandria. They must evade German patrols, while also trying to cope with the intense desert heat.
I love this film for its character focus and for the superb performances. I love the bond that develops between the characters and how they work together to survive.
The film sucks you in and makes you feel as though you are right there struggling alongside these people. The film is also quite groundbreaking in showing John Mills’s character struggling with PTSD and alcoholism. Read my full review here.
4. North By Northwest (1959)
This Alfred Hitchcock classic never fails to have me on the edge of my seat in suspense one minute, and then laughing my head off the next. This stylish thriller is one of Hitch’s best and most enjoyable films.
Cary Grant is at his most suave and loveable as Roger Thornhill, a man wrongly identified as someone else. This mistaken identity has him running for his life across America.
Roger gets mixed up with spies, gets chased by crop dusters, falls in love with a mysterious blonde, and dangles from the edge of Mount Rushmore.
A great cast, interesting characters, and plenty of suspense and thrills. There is so much going on in this film. I can’t get enough of it. Shout out to Cary Grant for doing one of the funniest drunk impressions I’ve ever seen. Read my full review here.
3. Heaven Knows, Mr. Allison (1957)
Words cannot fully express how much I actually love this one. This is such a lovely and poignant film.
American Marine, Corporal Allison (Robert Mitchum), and Catholic Nun, Sister Angela(Deborah Kerr) are trapped together on a pacific island.
WW2 rages all around them and they are in danger from the Japanese forces. As they spend more time together, Corporal Allison falls in love with Sister Angela. She likes him very much too, but she will not break her vows in order to be with him romantically. When Japanese forces land on the island, Allison must do all that he can to prevent the pair being discovered. The film is a mixture of drama, romance, war, action and comedy.
Deborah and Robert have such wonderful chemistry, they make you really care for their characters and for the difficult emotional situation they find themselves in. Robert and Deborah would go on to make three more films together and would also become good friends. The film is another wonderful character piece and does such a wonderful job of making us connect with Sister Angela and Corporal Allison. Read my full review here.
2. A Night To Remember (1958)
This is one of my favourite films of all time. It’s such a moving film. Hands down this is also the best film out there about the Titanic disaster. The sinking sequences are stunning and look so realistic. I think that the sequences impress just as much today as they did back in 1958.
This film is based on Walter Lord’s non-fiction book of the same name, in which he spoke to Titanic survivors and wrote down their accounts of what happened. There is an almost documentary feel to this film. It sticks to the facts of what happened that night and how people behaved. We follow the ship from her launch, to when she struck the iceberg, and finally when she sank in the Atlantic.
The entire cast are excellent. It’s fun to see so many familiar faces in among the cast. Kenneth More and Michael Goodliffe deliver the standout performances of the film for me. Kenneth is the Titanic’s second officer, Charles Lightoller, and Michael is the devastated shipbuilder, Thomas Andrews. Many of the scenes featuring these two are the ones that linger in my mind the most. I think that Michael in particular delivers one of the best(possibly the best)performance of his career. I have never forgotten the scene where Andrews is standing in the lounge preparing to meet his death. In that scene, Michael’s expression conveys to us that Andrews has emotionally/mentally long since left the present, and we can see that he is no longer really aware of what is going on around him.
I never fail to cry at the scene on the stern as the ship sinks. In this scene, an old steward tries to comfort the little boy he has rescued, and the other passengers and crew try and prepare themselves for what is to come. Some people pray (a moving moment where prayers are heard being uttered in different languages)and others are struck dumb with terror and disbelief. It is one of the most powerful and unforgettable scenes in film history. Read my full review here.
And now I am pleased to reveal my most favourite film of the 1950’s….
Singin’ In The Rain (1952)
I have no doubt that this one will be appearing on many lists today. This is one of the most(if not the most)joyous films ever made. I don’t see how it’s possible to not love this film.
Singin’ In The Rain is funny, romantic, beautiful to look at, and it features some of the best song and dance sequences ever filmed. It is also a love letter to the beauty and spectacle of Technicolor.
The film focuses on the arrival of sound at the end of the Silent era. We follow a film studio’s attempt to make a feature film as a ‘Talkie’. We also follow the beloved film actor, Don Lockwood(Gene Kelly), as he falls in love with chorus girl, Kathy Selden(Debbie Reynolds), much to the annoyance of his besotted co-star, Lina Lamont(a scene stealing Jean Hagen). Chaos ensues as a result of this relationship.
The cast are all terrific, with Jean Hagen delivering the standout performance as the shrill Lina. It’s easy to paint Lina as the villain of the film(and to be fair she is quite mean), but I view her as a victim too. Everybody either makes fun of Lina, or controls what she can say and to whom, and she reaches a point where she has enough of that and asserts her authority as a screen Queen. I find it interesting to see Lina become stronger and more dominant as the film goes along.
One of my favourite scenes in this film, is the rather risque dance between Gene Kelly and Cyd Charisse. It’s impossible to forget this sequence once you have watched the film. It is without a doubt one of the sexiest scenes ever put on film.
Singin’ In The Rain is a film I turn to whenever I need some cheering up. The film never fails to do the trick. I also love the film because it encapsulates all that was good and unrivalled about the Golden Age of Hollywood filmmaking. They don’t make films like this anymore, and that is a real shame.
Please let me know your thoughts on the five films I’ve chosen. I can’t wait to take a peek at everyone else’s film selections.
My friends Gabriela from Pale Writer, and Erica from Poppity Talks Classic Film, are teaming up together to host their first ever blogathon! They are honouring the life and career of Joan Crawford. Be sure to visit their sites to read all of the entries, I can’t wait to read them all myself.
I’m writing about Sudden Fear. It took me a while to get around to watching this film. Part of the reason it took so long to finally watch this, is that I have always much preferred Joan’s 1930’s and 1940’s films and performances to her later work.
I have always felt that Joan’s performances in her earlier films are far more natural than her performances in many of her later films. I’ve also always found the characters she plays in her earlier work to be much more interesting than many in her later work.
When I finally sat down and watched Sudden Fear, I didn’t know what to expect from either the story or from Joan. I was completely blown away by Joan’s performance as Myra Hudson. Joan effortlessly moves between playing a character who is a sweet and lovestruck woman, to one who is devastated, shocked and vengeful. Without a doubt Joan delivers one of her best performances in this film. Her performance here has ended up becoming one of my favourites from amongst her work.
I also like how Joan conveys to us exactly how lonely Myra is. Through her performance we see that despite being a successful, popular and wealthy woman, Myra is lonely and yearns for romantic companionship and happiness. It’s doubly cruel that she finds this long desired happiness, only for it to be snatched away in the most hideous and unexpected of ways. Joan more than deserved her third(and ultimately final)Oscar nomination for her phenomenal performance in this film.
Sudden Fear is directed by David Miller(Midnight Lace, Lonely Are The Brave). The film is based on the 1948 novel of the same name, which was written by Edna Sherry. The screenplay is by Lenore Coffee(who would go on to write the screenplay for the gothic suspense film, Footsteps In The Fog, just a few years later) and Robert Smith. The film would be Joan’s first job for RKO Studios, this was after she had asked to be released from her Warner Bros contract earlier in the year.
This film really surprised me with how it does an about face halfway through and becomes a completely different type of film.
Sudden Fear starts off as a romantic drama and then it veers off into Noir territory. I love how the film switches genres and plays with our expectations of how the story is going to continue.
Myra Hudson is a Broadway playwright who is watching rehearsals for her new plays. She rejects actor Lester Blaine(Jack Palance) for the lead role in the play after watching him rehearse. Lester is very hurt by her decision.
Some time later, Myra and Lester meet up again and find that they are drawn to one another. They get closer and end up marrying. Seemingly their marriage is idyllic and he has long since forgotten about the unpleasant way they first met.
Unbeknown to Myra, Lester and his girlfriend, Irene(Gloria Grahame) are planning her murder so that they can get the money left in her will. Myra discovers their horrible plans, after the pair are accidentally recorded on one of the records Myra uses to record her script ideas on.
Myra is horrified, scared and devastated by what she hears them saying. She accidentally ends up breaking the record with the recording on it, and therefore she loses her proof that this plot against her is a reality. In order to protect herself from this point onwards, Myra begins to plan a murder plot of her own against Lester and Irene. Myra has great doubts about what she is planning to do though. It is uncertain who will strike first.
Once we see the moment where Myra learns of the murder plot against her, Joan really makes us fear for Myra’s safety as much as Myra fears for it herself. Joan looks terrified, desperate, shocked, vulnerable and confused all at once. The discovery scene contains some of the best acting of Joan Crawford’s entire career in my opinion.
Myra overhears the murder plot. Screenshots by me.
In the space of just a few minutes, Joan Crawford convinces us that Myra’s world has come crashing down around her. The person closest to her has deceived her and doesn’t actually have a single shred of love or affection for her. Imagine how you would feel if you learnt this about someone you love. Myra loses her bearings upon hearing what Lester plans. Myra is completely adrift and alone at this moment. Myra doesn’t know what to do. She stumbles around the room, jumps at the slightest noise and looks as though she is about to suffer a breakdown. I love how Joan goes from displaying expressions of shock and confusion, to showing pain, grief, terror and fear. Joan really makes us feel the emotional impact of what this woman has just learnt. This scene is a real highlight of the film.
The other highlight of the film is the unforgettable sequence where Myra imagines her own murder plot becoming a reality.
This sequence is nightmarish and is filled with some very interesting imagery. The sequence reminds me quite a bit of Marlowe’s drug fuelled hallucinations in Murder, My Sweet (1944).
I also love how we see Myra become more and more conflicted about what she is planning to do, but that we in the audience feel that we won’t blame her if she does go through with it. In a way her plot is a form of self-defence. The way this all plays out is very interesting and it doesn’t end the way you think it might.
If there is a weak point to be found in the film, then I feel that it lies with the casting of Jack Palance. Please don’t get me wrong, he is a good actor and I can’t fault his performance here. It’s just that he is so well known for playing villains, that I for one have trouble accepting and trusting him as a supposedly decent guy.
This was actually only the second film he had ever appeared in, so at this point in his career he was pretty much still an unknown. I have no doubt that audiences at the time didn’t suspect him to be up to no good. If you are watching this now after being very familiar with his career as a villain, then it is much more likely that you too will consider him shifty from the beginning.
I think that the role of Lester Blaine really required an actor who was very well known for playing good guys. If they had cast such an actor in the role, then I’ve no doubt that we would be just as shocked and confused as Myra is when she discovers the truth about him. As it is, I wasn’t the least bit surprised when Lester was revealed as the villain of the piece. Jack just seems super shifty from the beginning, which I’m sure isn’t what was intended by either the writer or director.
That casting issue aside, Sudden Fear is an excellent film, and is one which is filled with terrific performances. Joan Crawford steals all the scenes and is undoubtedly the main attraction. I can imagine no other actress playing Myra. I love how Joan captures how gentle, innocent and vulnerable Myra is. This role is very different from the many strong and confident women she had played before, and this role really highlights what a versatile actress Joan was. Gloria Grahame is also very good as Irene.
If you’re after a thrilling Noir film, then I highly recommend that you check this one out. It’s a film full of surprises and plenty of suspense. Have you seen the film? What did you think of Joan’s performance?
Janet over at Sister Celluloid is hosting this blogathon in memory of Audrey Hepburn. If she was still with us, Audrey Hepburn would be celebrating her 90th birthday today.
Be sure to visit Janet’s site to read all of the entries, I can’t wait to read them all myself. Instead of writing about one of Audrey’s films, I’ve decided instead to write about what Audrey Hepburn means to me.
When I was growing up in the 1990’s and early 2000’s, I was something of a major outcast at school. I loved watching classic films and reading. I much preferred to be doing either of those two things than being involved with any of the latest trends or mass interests. That singled me out.
I was also different from others due to disability. I’m Autistic and I suffered quite a lot of bullying during my high school years due to this. School was a very lonely and upsetting place for much of the time. My parents told me to just ignore the idiots picking on me, and believe me when I say that I tried very hard to do just that. But it’s very difficult sometimes when you have to be around bullies five days a week! You’re probably thinking, what on earth has all this got to do with our birthday girl, Audrey Hepburn. Well, I’ll tell you.
One day(somewhere around 2000 or 2001) I saw a film whose lead character, and the actress playing the lead character, really took my interest and had a big impact on me.
The film was Breakfast At Tiffany’s. The actress was Audrey Hepburn. The character was Holly Golightly. Here was a character who was quirky and unique; someone who went against social norms and expectations and just did her own thing.
Holly is also someone who puts on a brave and happy face to hide inner pain.I could relate to her so much. I loved the film because it was about a misfit. I saw something of myself in Holly. This was the first time that I had ever had such a reaction to a film character. This is going to sound really weird, but I didn’t feel so alone being who I was after seeing this film.
I was also left feeling very intrigued by Audrey Hepburn herself. At this point in my life(my early teens) I had already been a classic film fan for some years. I was familiar with Audrey having already seen her in My Fair Lady, but it wasn’t until seeing Breakfast At Tiffany’s that I found myself wanting to see more of her work and to learn more about her as a person.
Two of my favourite shots of Audrey in this film. Screenshots by me.
I loved the way that Audrey played Holly. I especially loved the vulnerability and the humour that she brought to that character. Audrey made me emotionally connect with Holly in a way that I hadn’t really done before with any other character on screen. I became a fan of Audrey Hepburn, not only because she was a terrific actress, but also because she was a genuine and decent human being off screen. Audrey was a kind and compassionate soul. She did so much for charity and she treated everyone(ordinary and famous people alike)with equal amounts of kindness and politeness.
Audrey also went against trends and what was expected of her by society at large. Audrey dressed in her own way and just did whatever was comfortable to her. Audrey also ended up becoming a style icon for her unique looks and dress sense. Ironically she never actually thought very highly of her own looks(girl, you were gorgeous!) and often said she felt that her feet were way too big. She was someone who I could identify with because she was a unique individual who didn’t try to be like other people. I love that Audrey stayed true to herself throughout her entire life.
After seeing Breakfast At Tiffany’s, I then sought out more of Audrey’s work. She soon became one of my favourite actresses. She glowed on screen and stole every scene she appeared in. When Audrey is on screen it’s impossible to focus that much on the other actors. She is such a good actress and I love how natural and effortless her performances seem.
I love her transformation from unhappy Princess to happy and independent woman in Roman Holiday. I love her performance as the troubled young Nun in The Nun’s Story(I think she delivers her best performance in this film). I love her sweetness and elegance in the romantic classic Sabrina. I love her hilarious multiple performances in the underrated filmmaking spoof Paris When It Sizzles. I love her comic performance opposite Cary Grant in Charade(why did these two never get paired together again?).
Faces of Audrey. Screenshots by me of Audrey in Sabrina, My Fair Lady, The Nun’s Story and Roman Holiday.
My favourite Audrey Hepburn films are Roman Holiday, Breakfast At Tiffany’s, The Nun’s Story, Sabrina, Paris When It Sizzles, How To Steal A Million, Two For The Road, Charade, My Fair Lady.
I love how Audrey oozed decency, humility and kindness. She brought so much joy to so many people over the years. For someone who gave joy to so many, Audrey herself sadly endured much pain and sorrow in her personal life. She had difficulties having children and tragically suffered a number of miscarriages over the years, before finally being able to give birth to her two sons, Sean and Luca. Audrey also had quite a sad and difficult childhood. Audrey’s father left her family in 1935. Young Audrey also suffered from malnutrition during WW2 and saw many traumatic things linked to the war. Audrey also bravely helped the Dutch resistance by carrying and delivering messages, and also by performing dance routines to raise money for them. Audrey’s personal experiences go to show that you never know what pain and difficult life experiences are hiding behind a smiling face.
Audrey Hepburn was one of the best actress of the classic film era. I love how she really makes you feel what her characters are going through emotionally. She was a very emotive actress who brought a great deal of depth to her characters,and did so in a way that not all actors can manage to do. Audrey Hepburn continues to bring joy to classic film fans around the world. Her film performances and her fashion style remain timeless. She also remains beloved for who she was as a person off screen too.
I like to think that Audrey would be touched by how much love there still is for her today. She is someone I would dearly have loved to have met. Audrey never knew it, but her uniqueness has helped me to find the strength to be myself. I thank her for that. She will always have a special place in my heart.
Are you a fan of Audrey and her films? Please share your thoughts on this great lady.