If she was still here with us, classic film actress and real life Princess, Grace Kelly, would be celebrating her 90th Birthday this year. To mark this special occasion, Ginnie at The Wonderful World Of Cinema, Emily at The Flapper Dame, and Samantha at Musings Of A Classic Film Addict, are co-hosting the 5th Grace Kelly Blogathon. Be sure to visit their sites to read all of the entries, I can’t wait to read them all myself.
As this blogathon is the fifth one devoted to Grace and her work, I’ve decided to highlight five Grace Kelly films that I think everyone should see. Some of these films helped to make her into a cinematic icon, while others contain some of her best work as an actress. I feel that these five films also show her range as an actress.
To Catch A Thief (1955)
In her third and final collaboration with director Alfred Hitchcock, Grace plays a cool and adventurous heiress called Francie Stevens. This character is clever, observant and fearless. She is also very sexually forward. Francie knows what she wants and she goes right after it. Grace keeps us intrigued by her character and keeps us guessing about what her motives are. This is one of Grace’s most interesting screen performances in my opinion.
Francie has her suspicions that a former thief called John Robie(Cary Grant) is behind a series of recent thefts. She may be right or wrong, but she seems to enjoy the possibility of putting herself in danger and playing games with him.
Not only does Grace deliver a great performance, but she is also at her most beautiful and elegant in this film. She looks truly stunning wearing many gorgeous outfits designed by Edith Head. Those blue and white chiffon evening gowns are my favourite outfits that she ever wore on screen. You can read my full review of this film here.
High Noon (1952)
The film which started it all for Grace. While this wasn’t her debut role for either film or television, it was however the film which gave her the first really significant role of her career. High Noon was also the performance which made people really sit up and take notice of her.
Grace is excellent as Amy, the young and innocent Quaker bride of Gary Cooper’s brave town Marshal, Will Kane. I like how Grace conveys to us how much she is struggling to comprehend the world of violence with her pacifist beliefs. She starts off delivering a very quiet performance, but then later she becomes so passionate and emotional and lets us see how determined and strong she is capable of being. Grace famously didn’t think very highly of her own performance in this, but I think she was much better than she obviously seemed to think she was.
Rear Window (1954)
This is the film which really showed audiences just what Grace could do as an actress. Hitchcock had a real knack for changing an actors perceived screen image when they worked with him, and he changed Grace’s screen image from restrained good girl, to that of a sexy, strong and interesting woman of many talents.
Just as Jeff’s opinion and perceived image of Lisa changes as he finally sees the real woman beneath the beauty and glamour, so too do the audiences perception of Grace change. Her performance as Lisa Fremont has become Grace’s most famous role. This film is also the one which, in my opinion at least, turned Grace into a star and an icon of film and fashion. You can read my full review here.
The Country Girl(1954)
Many of Grace’s fans consider this film to feature her best performance. She won her only Oscar here for her portrayal of Georgie, the long suffering wife of Bing Crosby’s alcoholic singer, Frank Elgin. The Elgin’s formally happy life has been shattered by the death of their son. Frank has taken to the bottle to deal with his pain, while Georgie is left to deal with a double grief.
Grace brings a lot of heart and depth to her character. She truly makes us feel this woman’s grief and pain, while also getting us to admire her for her inner strength. Grace convinces us she is weary,desperate and at the end of her tether. She’s very moving in this and it’s hard to forget her performance once you’ve seen the film. This one is tough to watch but well worth it for the great performances.
This was Grace’s final film before she left America to marry Prince Rainier of Monaco. This one is my favourite Grace Kelly film. In this film she gets to play a character who is complicated and mixed up emotionally, and this means she gets to show her range as an actress all in the one performance. Grace’s character Tracy Lord is vulnerable, seductive, vivacious, funny, mean, sweet, often all in one scene!
On the strength of her performance in this film alone, I find it a crying shame that Grace never made another film again. In the few years that she had been in the spotlight, Grace Kelly had really grown as an actress. If you watch her films in chronological order, I think you can see her ability and confidence as a performer increase/improve with every performance.
High Society is the perfect swan song to Grace’s all too brief career. She delivers one of her best performances as Tracy Lord, a wealthy heiress struggling to decide which of the men in her life she really loves and wants to be with. I often wonder if Grace saw any parallels between herself and Tracy. For example both are women admired more for their external beauty and status than for the woman beneath – in Grace’s case her talents as an actress were often overlooked in favour of her beauty and fashion style. You can read my full review here.
I hope you will all join me in remembering a lovely lady, who was also a far better actress than many give her credit for. Happy Birthday, Grace. Thank you for leaving us with so many magical movie moments to enjoy. You and your work are still very much loved.
Are you a Grace Kelly fan? Leave your thoughts on her and her work below.