This is the first post in a new blog series that I’m starting. I’ll be picking film actors and actresses and selecting what I consider to be their top five performances on film. The top five films will be picked solely for the quality of the individuals acting performances in those particular films.
To kick things off let’s start with Katharine Hepburn. This lady is one of the most talented actresses of the entire classic film era. As of this date she still holds the record of being the only leading lady to win four Academy Awards. She had a long and varied film career. She’s best remembered for the films she made with Spencer Tracy. Let’s take a look at her top five performances. Beginning with number 5.
Katharine plays a very vulnerable and shy woman in this touching romantic drama from director David Lean. Set in Venice(and filmed on location)the story focuses on American tourist, Jane Hudson(Hepburn)as she visits Italy for the first time. She falls in love with the beauty and history of Venice, and also finds romance with Renato(Rossano Brazzi),the charming owner of a local glass store.
Katharine was famous for playing sassy, confident and strong characters, but here she plays the exact opposite. Jane is awkward, shy, inexperienced in love, and very vulnerable. Katharine tells us so much about this woman through the smallest gestures, her posture, or by the look in her eyes. Through Katharine’s performance, we can feel both Jane’s loneliness, and also her joy and excitement at her romantic awakening. This film is pretty underrated and it’s a shame that Katharine’s superb performance in this doesn’t get discussed more often.
Woman Of The Year (1942)
Katharine shines as the confident and capable journalist and feminist Tess Harding. Right away we see through Katharine’s performance that Tess is strong, independent and very feisty.
Not only does this film feature Katharine Hepburn at her very best, but it is also an important film as it marked the first collaboration between her and Spencer Tracy. The sparks fly between her and Spencer, especially during their first meeting in the office, which is one of the hottest scenes on film. Talk about instant attraction!🔥 Katharine is clearly having fun with this role and it shows in her performance. She’s so at ease as Tess and inhabits the character beautifully.
The Lion In Winter (1968)
Katharine and Peter O’Toole tear strips off each other, both verbally and emotionally, in this gripping royal domestic drama. Katharine steals every scene she is in as the strong and fearless Queen Eleanor.
What I like most about her performance in this one is that not only is she very funny and moving in many scenes, but she also allows us a peek beneath the mask to see the hidden woman behind the Queen’s iron facade. One of the best performances she ever gave. Her efforts on this film were rewarded with an Oscar.
The Philadelphia Story (1940)
The film that saved and resurrected Katharine Hepburn’s film career. Katharine’s performance here is pitch perfect. Her screen image completely changed with this film. As Tracy Lord she is sassy, glamorous, sexy, confident and easily hurt too. She gets quite a few speeches in the film and she handles those beautifully. When she’s not on screen you miss her because she dominates every second of film she appears in.
Katharine is excellent as the wealthy society heiress who longs to be valued for her personality, rather than for her beauty and status in society. Tracy is a flawed and somewhat difficult person, but she means well and longs for some happiness, and you can’t help but admire her. Katharine really makes us feel for Tracy and admire her strength. Katharine is supported wonderfully by James Stewart(who took home an Oscar for his performance) and Cary Grant. Katharine was nominated for an Oscar but lost to Ginger Rogers in Kitty Foyle.
Long Day’s Journey Into Night (1962)
Katharine’s performance as the drug addicted Mary Tyrone absolutely blew me away when I first saw it. She’s otherworldly and girl like one minute, then out of control and tragic the next.
Her performance here is all in the eyes, in the tone and level of her voice, and in her body language. You feel the emotional pain and get a good sense of how troubled and damaged this woman is. Katharine gives a remarkable performance here. Her work was Oscar nominated, but she lost to Anne Bancroft in The Miracle Worker.