Blogathons, Fantasy, Films I Love, Musicals, Page To Screen

The Wizard Of Oz (1939)

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1939 truly was Hollywood’s Golden Year. There were so many cinematic masterpieces released in America that year. Two films stood head and shoulders above all the other gems from this year though. One was a little picture called Gone With The Wind, and the other was a musical called The Wizard Of Oz. Both of these films were technical marvels at the time that they were made. Both films have also gone on to become beloved by generation after generation of film viewers.  

Wizard Of Oz Poster

I think that both films are actually quite similar in terms of their stories and overall themes. Both films have a strong and determined heroine, both films show the importance of love, family and home, and both films depict ordinary people being caught up in extraordinary events – the horrors of war in GWTW, and trying to survive in an unfamiliar land and fight evil in The Wizard Of Oz. 

The Wizard Of Oz is a film I love so much. As an Autistic person, I particularly  appreciate how the four main characters accept each other completely for who and what they are. There is no judgement between them, and the Scarecrow, Tin Man and Lion all try their best to help Dorothy and protect her. I also love how Dorothy stands up to bullies, cruelty and evil. Dorothy is someone who always fights against injustice and tries to do the right thing. The film shows us that ordinary people are capable of making a stand against evil and those with more power, you just have to find the courage within yourself to be able to do this.

This film absolutely blew my mind the first time I ever saw it. I first saw it back in the 1990’s and I remember that this was the first film to really open my eyes to what film was capable of presenting to us. This film also got me interested in learning about how films were made and what went on behind the camera.

                               Dorothy opens the door to Oz. Screenshot by me. 

I have never quite gotten over my shock at the truly jaw dropping moment when Dorothy opens the door of the house, and both she, and us in the audience, moves out of a sepia coloured world and into a stunning Technicolor one. It is a moment which still has the power to make audiences gasp in awe when they see it. I can only imagine how audiences of the 1930’s must have reacted when they saw that stunning scene for the first time. 

The film is based upon L. Frank Baum’s book, The Wonderful Wizard Of Oz, which was published in 1900. The book would become one of the most popular and acclaimed children’s books in history. Baum would go on to write 13 sequels about Dorothy’s time in Oz. After Baum died in 1919, the author Ruth Plumly Thompson was tasked by Baum’s publishers to write more books set in the land of Oz. 

Baum’s original story was turned into a very successful stage musical in 1902. This ran in theatres until 1904. MGM Studios bought the rights to the book in 1938. Producer Mervyn LeRoy, who had been handpicked by Louis B. Mayer as the successor to the great Irving Thalberg, wanted to direct the studios musical film adaptation of the novel, but Mayer made him the producer of it instead. He worked alongside uncredited associate producer Arthur Freed, who would soon become best known for his work on all those fabulous musicals. The films score would be composed by Herbert Stothart, with music and lyrics for the songs by Edgar Harberg and Harold Arlen.

The film would end up winning two Academy Awards, one would go to Stothart for Best Original Score, and the other would go to Harberg and Arlen for Somewhere Over The Rainbow as Best Original Song. As happy as I am that the music and songs won awards, I do wish that the film had won for its special effects. The tornado sequence is remarkable and still looks real today. I also love the witch’s image ball and the scene where the ruby slippers burn the witch’s hands. 

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This film had some great special effects. Screenshot by me.

The big question was who to cast and who to get to direct the film? The world famous Shirley Temple was the first choice for the role of Dorothy Gale, but it was felt that Shirley’s singing voice wasn’t good enough for what was required in the film. So 16 year old Judy Garland was cast instead. I’m so glad Judy got cast because she is perfect in the role. I also doubt that the film’s hit song Somewhere Over The Rainbow would have made such an impact if she hadn’t been the one to sing it. The emotion and sense of yearning in her voice is what makes that song in my opinion. 

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Dorothy dreams of a happy place. Screenshot by me.

The glamorous Gale Sondergaard was initially cast as the wicked witch, and Gale made two screentests in costume and makeup. Originally the idea was to make the witch slinky and beautiful, like the evil queen seen in Snow White And The Seven Dwarfs the previous year, but then it was decided to make her look ugly instead. Gale Sondergaard was reluctant to make the film wearing the disfiguring makeup so she left the project. Character actress Margaret Hamilton was then cast in the role of the witch. I can imagine nobody other than Margaret in this role now. The witch is one of the most evil and memorable screen villains and Margaret plays the role to perfection. 

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Publicity photo for the film. Image source IMDb.

Actor and dancer Ray Bolger was originally cast as the Tin Man,  but eventually Ray got his long desired wish to play the Scarecrow instead. Actor and dancer Buddy Ebsen was originally cast as the Scarecrow, but then he ended up playing The Tin Man instead. Comedian and actor Burt Lahr was cast as The Cowardly Lion. Comic actress Billie Burke was cast as Glinda, the beautiful good witch who helps Dorothy and her friends. Character actor Frank Morgan was cast in the multiple roles of The Wizard, Professor Marvel, The coach driver at the Emerald City, The gatekeeper of the Emerald City and The Emerald City guard. Character actors Clara Blandick and Charlie Grapewin were cast as Dorthy’s loving Aunty Em and Uncle Henry. Over one hundred little people were cast to play The Munchkins, the adorable and fun loving people persecuted by the wicked witch. The costume department, under the direction of costume designer Adrian, designed individual costumes for each Munchkin actor to wear.

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Some of the Munchkin actors prepare to shoot a scene with Judy Garland. Image source IMDb.

In the directors chair was Richard Thorpe. He wouldn’t be sitting there for long though. Filming began in October 1938. Unfortunately so many problems quickly arose once filming was underway. Buddy Ebsen developed a near fatal reaction to the aluminium powder makeup he had to wear as part of the Tin Man costume. Margaret Hamilton suffered serious facial burns, after something went wrong during the sequence where the witch disappears into a cloud of smoke and flame after meeting Dorothy for the first time. Terry the dog was trodden on and suffered a broken paw. 

Buddy Ebsen as The Tin Man
Photo of Buddy Ebsen as The Tin Man. Image source IMDb.

Actor Jack Haley was brought in to replace the seriously ill Buddy Ebsen in the role of The Tin Man, and the silver makeup necessary for the costume was altered to aluminium paste, rather than the troublesome aluminium powder. Richard Thorpe was fired by Mervyn LeRoy after only two weeks on the job. It was felt that the footage shot so far by Thorpe didn’t have the right air of fantasy necessary for the story, and there were also concerns that the wig and makeup he’d had Judy wear made her look far older than the character should look. 

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Judy tries on that blonde wig. Image source IMDb.

The legendary George Cukor briefly stepped in to replace Richard Thorpe and thankfully got rid of the blonde wig and makeup. Cukor didn’t shoot any footage for the film, instead acting more as a creative advisor on set. Cukor left the shoot to go and work on Gone With The Wind. He was replaced by Victor Fleming, who would be the one to direct the vast majority of The Wizard Of OzIn February, 1939, Victor Fleming was told to go and replace George Cukor as director of Gone With The Wind. King Vidor was brought in to finish the filming on Oz. King refused to take a directing credit for his part in the film until after Victor Fleming had died. 

The Wizard Of Oz tells the story of Dorothy Gale(Judy Garland), a lonely Kansas farm girl who wishes for a happier tomorrow and for something more than she has. Dorothy is loved very much by her elderly uncle and aunt(Clara Blandick and Charlie Grapewin), but due to how hard they work on the farm, the pair sadly don’t have lots of time to focus on her.

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Dorothy and her friends share a happy moment. Screenshot by me.

Dorothy’s only friends are three men who help her aunt and uncle on the farm(also played by Ray Bolger, Jack Haley and Bert Lahr), and her beloved dog, Toto(played by female terrier, Terry). Toto gets into the garden of Dorthy’s cruel neighbour, Miss Gulch(Margaret Hamilton), and accidentally bites her when she scares him. 

Miss Gulch wants the dog taken away and destroyed. Dorothy is distraught and runs away with Toto. While on their journey, Dorothy and Toto meet a travelling magician called Professor Marvel(Frank Morgan), this kind old man takes a liking to Dorothy and ends up encouraging her to return home to her family. On their way home a twister strikes Kansas. The Gales and the farmhands get to safety in their storm shelter, but Dorothy and Toto can’t get in and hide instead in the farmhouse. The twister rips out a window, which strikes Dorothy on the head and causes her to pass out. When she awakens, she and Toto find that their house has landed in a brightly coloured and unusual looking world. They soon discover that they are in a land called Oz.

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Dorothy meets The Scarecrow. Screenshot by me.
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Dorothy and the Scarecrow meet the Tin Man. Screenshot by me.
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The Scarecrow, Tin Man and Dorothy meet The Cowardly Lion. Screenshot by me.

Dorothy learns that to get home, she must seek out the mighty wizard of Oz who lives in The Emerald City. Along the way she is given a pair of ruby slippers by the good witch, Glinda(Billie Burke), which contain magical powers and are coveted by the Wicked Witch Of The West(Margaret Hamilton). Dorothy will also meet The Scarecrow(Ray Bolger), The Tin Man(Jack Haley)and The Cowardly Lion(Bert Lahr); three individuals who will become Dorothy’s dearest friends and protectors and who will help her to get home. The foursome will face great danger and heartbreak along the way, but they will find the courage to be brave and stand up to evil. 

                             Our heroes make it to the Emerald City. Screenshot by me. 

Over the years fans have had great fun debating whether Oz is supposed to be a real fantasy land which Dorothy visits, or if it is merely a very strange dream/nightmare experienced by Dorothy after being struck on the head.  The more I’ve watched the film, the more I’m convinced it is all a dream. So many of the characters represent and resemble people she knows and loves. The yellow brick road is shaped like the dirt roads going past her farm, even the hills and fields in Oz have the same shape/layout as those at her home. The swirling pattern of the beginning of the coloured roads represent the swirls of the twister. The witch’s image ball and Glenda’s ball of light represent Professor Marvel’s crystal ball. The Munchkins represent ordinary people powerless against those in positions of power who abuse and control them. The witch’s monkeys represent those who blindly follow orders from evil leaders, and don’t have the strength and courage to take a stand against them.

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Does Glenda represent Dorothy’s mother? Screenshot by me.

I’ve often wondered who Glenda is supposed to be to Dorothy. I think that she may be her mum. Glenda protects Dorothy and is a warm and loving person, which are all very motherly qualities. It is Glenda who tells Dorothy there is no place like home and helps her get home. Glenda is sending her back to family and love. Both Dorothy and Glenda have the same shade of red hair, Glenda looks the right age to be her mum, and I’ve always assumed that Dorothy is being raised by her aunt and uncle because her mum died when she was very young. Dorothy could have some vague memories of her mum or a photo, which could be why Glenda appears as she does to Dorothy. 

The whole cast deliver terrific performances. Margaret Hamilton’s duel performance as the wicked witch and Miss Gulch, has gone down as one of the greatest villains in film history. Both characters are so cruel and Margaret makes you loath them both. The witch is an interesting character though due to how Margaret plays her; you actually miss the witch when she’s not in a scene because she dominates everything, and Margaret’s wonderful performance makes the character such a strong presence. I love her green makeup too. 

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The wicked witch is one of the most memorable screen villains. Screenshot by me.

Jack Haley, Bert Lahr and Ray Bolger are all wonderful and steal all the scenes they are in. The three all have real chemistry with Judy and do a good job of balancing the humour and poignant moments/aspects of their characters. These three men were established actors when they made this, and yet they don’t overshadow Judy with their performances, rather they all appear to happily take a back seat and just be there to support her. Like every other actor in this film, I really cannot imagine anyone else playing these characters. Of the three, it is the charming Tin Man who has always been my favourite, and I absolutely love the way Jack Haley plays him. 

Judy gives one of her best performances. The amount of emotion she brings to the role is remarkable for one so young. She poured her heart and soul into this character and it shows. I always feel afraid for her and want to reach out and comfort her when she is held prisoner by the witch, she makes me so convinced of her desperation, grief and fear in those scenes.

                                Judy is phenomenal in this film. Screenshot by me. 

I also love the way Judy sings Somewhere Over The Rainbow. It’s so hard to believe that after the second preview of the film it was felt this song should be cut! Thankfully that stupid decision was prevented from going ahead. Can you imagine this film without that song and scene? Neither can I. 

The Wizard Of Oz is the perfect family film because it’s so joyous and has something in it for everyone to enjoy. It’s also a film all about family, friendship, being separated from those you love, adventure, courage and hopes and dreams. The film gives hope to anyone who is unhappy and lonely, with its message that love and acceptance can often be waiting for you just around the next bend in the road.

The film also tells us in effect to be careful what we wish for. Dorothy may well long to go somewhere over the rainbow and escape her real life, but how does she know that that far and away place she longs for will be better than where she is right now? As that final line says so well – “There’s no place like home.” What do you think of this beloved classic?

 

This is being posted early as part of the blogathon being hosted later this month by Rebecca from Taking Up Room.  When I saw that she was hosting a blogathon devoted entirely to the film The Wizard Of Oz, I just knew that I had to take part and finally get around to reviewing this classic. Be sure to visit Rebecca’s site from the 23rd of August to read all of entries, I can’t wait to read them all myself. 

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Blogathons, Fantasy

The Colours Blogathon: The Red Shoes (1948)

Colours Blogathon

Catherine over at Thoughts All Sorts is hosting this blogathon all about films that feature colours in their titles. Be sure to visit her site to read all the entries, I can’t wait to read them all myself.

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Vicky and Ivan dancing in The Red Shoes Ballet. Screenshot by me.

I’m writing about one of my all time favourite films. That film is the 1948 Michael Powell and Emeric Pressburger classic, The Red Shoes. This is one of the most visually stunning and beautiful films ever made in my opinion.

Artistic, imaginative, romantic, absorbing, and quite moving; this film truly has something in it for everyone to enjoy.

 I would like to talk a little bit now about Powell and Pressburger themselves. The pair began working together in 1939, on the WW2 spy thriller, The Spy In Black.

The pair founded their own production company called The Archers in 1943. Their distinctive film logo (an arrow being fired into an archery target)became as famous as the films it appeared at the beginning of.

The majority of Powell and Pressburger’s films were quite different from any other films being made at the time. Their films were visually imaginative and very impressive. These films were more like works of moving art than traditional films. The uniqueness and artistic look of their work is a major factor for me in liking their films so much.

Powell and Pressburger were completely different from other filmmakers of the time, and they created films that really took you out of your own life (in a major way)for a few hours. Their films are beautiful to look at and really draw the audience in. 

From time to time though they could also make the sort of films that the public were more used to seeing; films such as The Small Back Room, The Spy In Black and 49th Parallel. Their collaboration came to an amicable end in 1957, and they remained friends for the rest of their lives. Their films were not instantly acclaimed as classics upon release and it took several decades for them to receive praise and appreciation.

Director Martin Scorsese is a big fan of their work and he has done so much to bring their films to the attention of audiences today. Powell was also married for the last few years of his life to Scorsese’s regular editor, Thelma Schoonmaker.

Powell and Pressburger became famous for the use of Technicolor in their films. In The Red Shoes they once again use Technicolor to its best possible effect. They, along with their regular cinematographer Jack Cardiff, created magic and moving art on screen. Their use of colour was a big part of the unique look of so many of their films. Their colour films are so rich and vibrant, and it is the look of this particular film that lingers in the mind long after it has finished.

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Vicky and a dance partner made out of newspaper. Screenshot by me.

This filmmaking managed to use Technicolor in a way that had never been done before, nor has it been achieved in films since. This team prove what filmmakers are capable of achieving should they put their minds to it. Their films are pure art and they are rightly praised and admired by film fans and filmmakers today.

Moving on to the film itself. In The Red Shoes (long before Black Swan) we are shown the sacrifices that have to be made by ballerinas for their art. They push themselves extremely hard, and for some there can be nothing else apart from the ballet in their life, they give all they are to their art. We also see that their dedication to their art can make them ill if they push themselves too hard either physically or mentally. 

The Red Shoes is based upon the fairytale by Hans Christian Anderson. It is all about a young girl who puts on a pair of red shoes. Once she does she soon finds that she cannot take them off. She also finds that they make her dance everywhere she goes. She cannot make herself even stop for a rest. In her despair she turns to a woodcutter for help, he chops off her feet to ease her suffering. As she lies in his arms,the shoes dance off still containing her feet within them. Off those shoes go, forever continuing their eternal dance around the land. Can you believe that was a children’s story? It made a big impact on me when I first read it. This story and the images it conjures up have stayed with me to this day. Some dark stuff for sure.

The film (thankfully)does not focus too much on that story. We instead focus on a young ballerina who must choose between her career with the ballet, or her own personal life and having love in that life.

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Moira Shearer as Vicky. Screenshot by me.

Vicky Page (Moira Shearer)is a young ballet dancer who attracts the attention of Boris Lermontov (Anton Walbrook). He is the head of world famous ballet company, The Ballet Lermontov. He sees great potential in Vicky.

When his lead dancer, the adored Irina (Ludmilla Tcherina), leaves his company to get married, Lermontov gives Vicky Irina’s position in the company. Vicky finds lasting fame in the ballet community as the lead in a ballet written especially for her. That ballet is the Red Shoes, and it is based on the tale by Hans Christian Anderson.

As her success and talent grows, Boris falls in love with Vicky and he is determined to keep her with him at all costs. Vicky likes and respects him but she doesn’t return his feelings, instead she falls in love with young musician Julian Craster (Marius Goring). He offers her a life away from the pressures of the ballet.

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Marius Goring as Julian Craster. Screenshot by me.

Lermontov becomes jealous of the young couple, and soon Vicky finds herself forced to choose between her career and her life with Julian. It is extremely difficult for her as she loves both equally and becomes emotionally torn between them. Soon she starts to become ill from all this pressure.

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Anton Walbrook as Lermontov. Screenshot by me.

Four of the films leading actors were ballet dancers at the time of the films release. Moira Shearer (playing Vicky), Robert Helpmann (playing Ivan, the much respected lead dancer of the Lermontov ballet), Ludmilla Tcherina (playing Irina) and Leonide Massine (playing Grisha, the temperamental company choreographer). Each of these get their own chance to shine in various dance sequences throughout the film. 

The standout sequence in the film is the ballet of the Red Shoes. The sequence in its entirety lasts around fifteen minutes of screen time. The sequence is one of the most artistic and creepy things ever put on screen. I think it captures the beauty and artistry of ballet perfectly.

There are also several scenes in that sequence that feature bizarre and creepy images which for me bring to mind a nightmare. I’m specifically thinking of the scene where begins Vicky hallucinating things from her own life during the performance (such as the shoemaker transforming into Lermontov and Julian), and of the shots of men turning into paper figures and slowly falling to the ground, as Vicky’s uncontrollable, red clad feet dance amongst their fallen, limp figures. I’ve often wondered if the fallen figures represent people in the fairytale who die, while the girl in the red shoes lives forever dancing on, and on, and on?

Vicky dancing The Red Shoes Ballet. Screenshot by me.

It’s a dazzling sequence for sure and is a perfect blend of the art of ballet and of the art of film. There is also some clever camera trickery at work in it for the moment Vicky jumps into the red shoes and they lace themselves up. This shot still impresses when viewed today.

Anton Walbrook gives the standout performance of the film for me. He is a man driven by his dedication to his work who finds himself falling unexpectedly in love. Then he starts hating himself for getting drawn away from his work by his desire for Vicky, and also for the desire for a personal life away from his work.

To Lermontov the ballet is a calling, and he despises any of his dancers who choose personal life over their ballet work. He starts to hate himself as much as he hates anyone in his company who gets distracted. Walbrook steals every scene he is in with just a look. In many scenes he can be seen seething with jealousy and a barely repressed desire for Vicky. He makes you both pity and despise Lermontov at the same time.

Moira Shearer is excellent as the young woman given the career opportunity of her life. Her initial excitement soon transitions to weariness and short temper when she is under pressure. She really brings home the struggle that Vicky is enduring concerning the choice between her private and professional life.

Marius Goring is energetic as the dedicated and outgoing composer who cannot understand Vicky and Lermontov’s obsession with the ballet. He can offer Vicky happiness, but is she willing or able to accept it? Goring was one of the best character actors in all of British cinema, here he gets quite a bit of screen time and gets a real chance to shine. It’s nice to see him in a more major role for a change.

My favourite scenes are the following. Vicky climbing the stairs to Lermontov’s villa (this sequence looks like something straight out of a fairytale, and Vicky is like a Princess in that outfit she wears and it looks like she is exploring the grounds of a deserted castle.) The ballet of The Red Shoes. Vicky and Lermontov meeting for the first time at the party and he asks her “why do you want to dance?”, she replies “why do you want to live?”  Julian and Vicky arguing during rehearsal about how she should dance during a particular music segment. The montage of Vicky and Ivan dancing in several ballet productions. Lermontov sitting in his apartment, alone, depressed and angry.

Like the fairytale upon which it’s based, this film has quite a dark edge to it and the ending is very bleak. Don’t let that put you off though, as it is truly worth watching. This film never fails to impress me and has become a real favourite over the years. It’s in my top five favourite Powell and Pressburger films too.

Be sure to watch either the special restoration DVD release of this, or check out the Blu-Ray version to see the film looking at its best.

What are your thoughts on this film? Please leave your comments below.

Fantasy, Films I Love, Romance

The Princess Bride (1987)

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Westley. Screenshot by me.

There are some films that you automatically grab from the DVD shelf when you’re sick, or when you are feeling sad and are in desperate need of something comforting to turn to.

The Princess Bride is one such film for me. This film never fails to leave me with a smile on my face. In this film, wrongs are made right, love conquers all, and good triumphs over evil.

Rob Reiner directs this film which is based on the 1973 novel (which I’ve yet to read)by William Goldman. The film presents us with a fairytale filled with romance, action, adventure, courage, revenge, giants, pirates, fun and magic. It is also a very clever parody of the various genres contained within it.

The film has you laughing at lines and scenes that are clearly sending up these sorts of stories. Children will love this for the story, adults will also love it for that, but can pick up the parody side of the film and find even more to laugh at.The film also brings to mind the swashbuckling films of the 30’s and 40’s.  This and Stand By Me are my favourite films from Rob Reiner.

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The granddad reads the story. Screenshot by me.

The film begins in the bedroom of a young boy (Fred Savage)who is sick in bed. His granddad (Peter Falk)comes over to read him a story. That story is The Princess Bride.

The first few lines make the boy think this is a romance story, and he is far from interested in it. As the story continues he starts to enjoy it and he (and us too)are soon completely hooked by the story. We see the story he is being read unfold before us on screen.

The Princess Bride tells the story of the beautiful Princess Buttercup (Robin Wright in her film debut). Buttercup has been chosen to marry the handsome, vain and cold Prince Humperdinck (Chris Sarandon), but she does not love him. Years ago, Buttercup was in love with the gentle farmboy, Westley (Cary Elwes)who has long been believed to be dead after a ship he was on was attacked at sea.

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Westley and Buttercup. Screenshot by me.

When Westley returns to her (now in the guise of  a mysterious man dressed all in black)their love cannot be denied. When Buttercup is kidnapped by Vizzini( Wallace Shawn)an intelligent, criminal mastermind who is desperate to start a war with Prince Humperdinck, Westley sets out to rescue her. 

Vizzini is helped in his kidnap plot by gentle giant, Fezzik (Andre the Giant) and the athletic, and super skilled swordsman, Inigo Montoya (Mandy Patinkin). Inigo is also searching for a six fingered man who murdered his father. Inigo has perfected his sword skills, not for fame or for glory, but so he can be good enough to fight and kill his fathers killer.

Cary plays Westley as a mix of Errol Flynn and Douglas Fairbanks, athletic, suave, cool in the face of danger and certain death, throwing witty lines around all over the place. He  steals every scene he is in and gets you wanting to know more about his character. Westley is heroic, intelligent, perceptive and brave. All he does, he does for love.

Robin is enchanting as the young woman desperate to be with her true love. For a film debut, Robin gives an amazing performance. You would not guess this was her first time in a film. Her performance is all in her eyes, and she steals many a scene with just a look. Buttercup is a strong woman and is true to her only love throughout the film, wealth and status mean nothing to her, only her one true love means anything.

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Inigo. Screenshot by me.

Mandy Patinkin gives my favourite performance in the film, as the man desperate to avenge his fathers murder. Mandy has your heart breaking for his character one moment, and then has us all cheering when he fights and stands up to injustice the next.

I love the way he delivers that famous line throughout the film “Hello. My name is Inigo Montoya, you killed my father. Prepare to die!” He says it differently throughout, but each time he delivers it, the line packs an emotional punch and is truly one of the great lines in cinema history. Apparently Mandy pictured the six fingered man as the cancer that killed his own father, so when he says that line it’s like he is seeking revenge on that vile disease.

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Humperdinck. Screenshot by me.

Chris Sarandon plays Humperdinck as a villain who you love to hate. He is vain and pompous, and yet he is also intelligent, a skilled fighter and tracker, and is not someone you want to cross. He steals every scene he is in.

I love the way he says this line: “Tyrone, you know how much I love watching you work, but I’ve got my country’s 500th anniversary to plan. I’ve got my wedding to arrange, my wife to murder and Guilder to frame for it. I’m swamped.” Cracks me up every time.

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Tyrone. Sreenshot by me.

Chrisopher Guest is perfectly cast as Humperdinck’s right hand man, Tyrone. A skilled torturer and swordsman, he takes immense pleasure in killing and inflicting pain. Christopher plays the character so well that you want to boo and hiss each time he makes an appearance on screen.

Andre The Giant is loveable as Fezzik. He makes him brave and strong, but has Fezzik has slow reactions so isn’t much use in a fist fight, but he tries hard! It is a credit to Andre that he doesn’t let you see how much pain he was in. He was suffering back pain and was in agony throughout the shoot, but you would never know it to watch him. Andre sadly died in 1993.

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Vizzini, Inigio and Fezzik. Screenshot by me.

Wallace Shawn is hysterical as the cunning man of great intellect whose wit and words are his greatest weapons. I love the way he says “inconceivable!” all the time. He’s always been one of the great character actors and this is one of his greatest performances.

Peter Falk is perfect as the granddad who you wish was your own. This man knows the power of a good story and he knows the boy will soon be drawn into this tale. Falk acts as the narrator and guide in the film and is a welcome presence throughout.

Small appearances by Mel Smith , Peter Cook and Billy Crystal add to the comedy in the film, with Crystal  coming up with much of his own dialogue.

Fred Savage does a good job as the young boy who starts to see that books are magical, and reading is just as good (if not better in many cases)than watching TV or playing video games. I love the bit where he’s disgusted by the fact that this could be a kissing book. 🙂

The film was made on location here in the UK. I think that was a good choice as the landscape brings to mind a fairytale/medieval land. I recently visited Haddon Hall, in Derbyshire which was used as the location for Humperdinck’s castle. That was quite an experience, and I urge you to visit not only because it was in the film, but as it is one of the few remaining medieval castles. This was also featured in Jane Eyre (2006)and The Priory School(an episode of the Return of Sherlock Holmes TV series.)

A beautiful score by Mark Knopfler adds greatly to the film. This is such a fun film and is one that can be enjoyed over and over again and never gets old.  Isn’t this true of all fairytales? I also really like how the film captures how you see a story in your head when reading a book.

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The famous kiss. Screenshot by me.

My favourite scenes are the following. Inigo in the forest asking his father’s spirit to guide his sword. Westley and Buttercup’s conversation on top of the hill where he says “life is pain, highness. Anyone who says differently is selling something.” The sequence in the fire swamp. Westley and Inigo’s swordfight (both Cary and Mandy practiced for months and became very skilled with swords, and that really is them both for the whole of that exciting sequence.) Vizzini and Westley matching wits over the poisoned cups. Buttercup in the eel lake. Inigo finally getting to face the six fingered man. The final kiss on horseback. 

I also think that if the events of this film had been a reality that the ending would have been considerably different. Towards the end of the film you get a sharp slap from reality as characters start dying or getting seriously injured. In reality I think Inigo and Westley would have died from what happened to them, Buttercup would have gone through with her threat and Humperdinck would no doubt have passed himself off as the big hero. I’d say the ending we get in the film is much better, even if it is only a crowd pleasing fantasy. Hey, aren’t dreams always thus though?

Writing all of this has made me eager to watch this again. “As you wish”, my DVD player says to me. Alright then, I will.  🙂

What are your thoughts on this film?