What a film this is! A gripping story of violence, corruption, hate, revenge, and a strong determination to fight back against evil. It also quite interestingly shows us that the line between people who are good and bad can sometimes get quite blurred.
The film is based upon the Saturday Evening Post Serial by William P. McGivern. I have never read this but would love to do so. If you have read it, I would love to get your take on the differences and similarities between the text and the film.
For a film from the 50’s, this one is very violent and brutal. Some of the violence we actually see on screen, some is inferred, but all of it makes quite an impact on us. The film still shocks and grips when viewed today. The clothes and cars may have dated, but the story, shock of the violence, and the types of people seen in the film certainly haven’t changed.
The film is directed by Fritz Lang. He made so many masterpieces throughout his career(especially his German Silent films, such as Metropolis), that it is very hard to single out any one of his films as being better than others. The Big Heat is one of his that I would certainly single out though, and for me it is his best American film.
Lang focuses on the darkness of humanity and really rubs our noses in that darkness and dirt. He also lets us see that there can sometimes be good, decency and courage found in the sewer of humanity. This is a film that is all about humanity, and Lang focuses upon the characters and their actions instead of making the film one that is all about visuals or action.
This is an actors film, the camera is focused on them throughout and lets them convey to us what’s going on. The entire cast all deliver superb performances, and for some I think it’s fair to say they deliver career best performances. Glenn Ford in particular is excellent as the good detective who ends up going around filled with barely concealed rage and hatred.
The vast majority of the films power comes via the interactions between characters and their reaction to the violence that occurs throughout the film. I also love how the film is split into little sections which almost come across as mini films in their own right. Apart from one scene, the film all takes place inside. The interior locations and the close way the camera is focused on the actors really gives the film a claustrophobic feel. Much of the film also has an almost documentary style feel about it, there is a strong sense of realism in this film.
Women play a major role in this film. The female characters we see are very strong women and once they get mixed up with Bannion’s investigation they suffer unspeakable cruelty. Much of the violence in this film is directed towards women. Women are the main victims in this film, they either end up getting killed, physically scarred, emotionally damaged, or have their lives put at risk. Even Detective Bannion’s own daughter suffers too; in as much as her childhood innocence gets shattered and lost by what happens to her mum.
It is also the women in this film who take most of the risks, and in the end it is a woman who gets revenge on two of the main villains of the film. Bannion, who is the films hero actually doesn’t get his hands dirty often, but through his investigation and persuasion others face danger or lose their lives by helping him get revenge. Bannion also does or say things that make him not unlike the people he is seeking revenge against. There’s that old saying which I think applies to him and his situation; violence begets violence. Revenge is just a never ending cycle of pain and violence.
The film begins with Bertha Duncan (Jeanette Nolan)hearing a gunshot. She comes downstairs and finds her husband (a police detective)dead in an apparent suicide. She reads a letter he has written, but we don’t see what is in it. Throughout all of this she never looks shocked or upset in any way, she looks cold and seems unbothered by the grim sight before her. She makes a call to dapper crime boss Lagana (Alexander Scourby)to inform him of the death, he seems to have mixed feelings to her news, and he says he will see her soon.
Detective Dave Bannion(Glenn Ford)is put on the case and at first seems convinced it is a simple suicide. His suspicions are aroused when he speaks to Lucy Chapman(Dorothy Green)a woman who was Duncan’s mistress and who claims there is no way he killed himself. Bannion sees there is more to this when Lucy is found brutally murdered shortly after telling him what she did.
Across town, the thuggish Vince Stone (Lee Marvin)is one of Lagana’s men and he is put in charge of getting rid of Bannion. A car bomb meant to take out the curious detective accidentally kills Bannion’s wife Katie (Jocelyn Brando) instead. Bannion driven crazy by grief is determined to get revenge and uncover the truth about the case. He also puts his young daughter into the protective custody of former army pals of his to keep her safe.
Stone’s flirtatious, and fun loving girl Debby(Gloria Grahame)is rebellious and takes a liking to Bannion. This affection gets her a pot of boiling coffee in the face, scarring her for life. Debby teams up with Bannion in his quest and dishes out some revenge of her own.
Glenn Ford is excellent as a decent, ordinary man plunged headfirst into violence, grief and pain. He is excellent at conveying little gestures or looks showing Bannion becoming enraged and no longer playing by the rules. His performance is all in the eyes, pay close attention to him in every scene. Glenn often looked quite baby faced in many roles, but here he looks more mature and proves what a good dramatic actor he could be.
Lee Marvin steals every scene he is in as the despicable heavy, who has no feelings for anyone, not even for a woman who is supposed to be his girlfriend. Marvin had such an expressive and fascinating face and here he says so much with that face.
Gloria Grahame (who to me has always been quite an underrated actress)is at her best as the fun loving, strong and independent Debby. In the last part of the film Debby becomes the main focus of the film instead of Bannion. Gloria relishes these scenes where she shows us Debby overcoming her pain to become a strong woman determined to get some justice for herself and Bannion.
Jocelyn Brando (older sister of Marlon) is very good as Bannion’s loving wife. She gives him a normal, happy and stable existence away from the darkness of his job. Jocelyn and Glenn work well together making us feel this couples connection and devotion.
Jeannette Nolan steals every scene she is in as the ice cold woman who thinks only of her self. Her character is one of the most interesting and controlling in the whole film. Jeannette was a superb actress, but I think this may be one of the best performances she ever gave.
Alexander Scourby oozes evil as the big boss who thinks he is king of the city. He has people very afraid indeed, but of course he won’t dirty his own hands by killing or injuring, he hires heavies to do that for him. Lagana uses words and body language to scare and intimidate, he finds this doesn’t work on Bannion. Scourby is excellent and gives you a good sense of what his character is all about.
This film features many fine supporting performances from the following: Dan Seymour, Willis Bouchey, Edith Evanson and a young Carolyn Jones.
My favourite scenes are the following. Debby answering the phonecall from Lagana for Vince. Bannion and Katie sharing a steak, a drink and a cigarette. Debby going to Bannion after she has been injured. The carbomb sequence. The “sisters under the mink” sequence. Bannion speaking to the old woman through the fence. The finale in the penthouse. Bannion’s Lt speaking to him after Katie’s funeral.
A taut film that packs quite a bit into just 89 minutes. There is not one wasted second in this. There are also scenes where you don’t find yourselves wondering why two characters are suddenly together, as they will say a few words that explain all (we don’t need to see them come together to do what they are about to when we catch up to them.)
I also have to praise the photography by Charles Lang, he keeps the camera close to the actors at all times and makes us feel a part of the scenes. The film is interesting visually, without the look of the film being the sole focus of attention (like many of the visuals in Fritz Lang’s Silent films.)
Be sure to see this one on Blu-Ray to see it looking its best. This format also has some great extras for you to enjoy.
Any other fans of this film? Please leave your comments below.