This year is the 100th anniversary of the birth of Ida Lupino. Ida was a hugely talented director, writer, actress and producer who worked during the classic film era in Hollywood.
I wanted to honour this very talented lady by holding a blogathon, so that we could all remember her and get together to discuss her work and legacy.
Twelve wonderful bloggers were kind enough to sign up to take part. I’m very happy to announce that the big day has finally arrived! Stop by throughout the day to read the articles being submitted about Ida.
Message to none WordPress bloggers: For months now, I’ve not been able to leave any comments on none WordPress sites. So unless your comments sections are set up to accept anonymous comments, I’m afraid that I can’t leave you any comments. 😦 Please check back to this post where I will leave comments for the entries written by those of you not on WordPress. Sorry about this. Thanks for understanding.
Down These Mean Streets discusses Ida’s sexy and sultry performance in Private Hell 36.
Caftan Woman discusses the time Ida acted alongside Jean Gabin and Claude Rains in Moontide.
Hi Paddy. How have I never seen this film before?! Your fine review has me desperate to check this one out. Gabin, Lupino and Rains were masters of their craft, and I am interested to see how Ida got along performing alongside those two brilliant actors. From what you say she did just fine and was perfectly at home in this role. I like films that are a mix of genres, and this one sounds like a good example of one such film. Ida and the rest of the cast are ensuring that I’m going to try and track this down. Thanks so much for taking part and celebrating Ida.
Hi Quiggy. I loved your reviews of Ida’s two TZ episodes. The Sixteen Millimeter Shrine is such a poignant episode, and it has become a great favourite of mine. Such a shame it is often overlooked by some fans of the series. Glad to see you also picked up on the similarities between this episode and Sunset Blvd. Ida sure does a terrific job of conveying Barbara’s sadness, loneliness and desperate desire to be living again in her past, surrounded by friends she loved. We all at some point long to be back in our past, at least Barbara got the chance to return. The Masks is excellent. I love seeing those selfish and nasty people get what is coming to them. In real life shallow, and cruel people often hide behind a mask of being an upstanding person; the reality is usually very different, and in this episode such people are forced to wear their real faces. Ida did a brilliant job directing this.
Hi Amanda.Your fine review of one of my favourite films has put me right in the mood to watch this again. Ida did a terrific job directing this one, and I really like the equal balance of comedy and poignancy she managed to achieve as the film goes on. When I watch this again, I will be sure to study Hayley’s performance to see if I detect any similarity to Ida herself as you have (very interesting observation). The Jerry Goldsmith score is beautiful and I never get tired of hearing it. Thanks so much for joining me to celebrate Ida.
Classic For A Reason discusses Ida’s role as a determined sister and surrogate mother in The Hard Way.
PortraitsbyJenni tells us about an Ida Lupino film that made her a fan of classic era cinema. That film is Deep Valley.
The Lon Chaney Sr Blogathon has finally arrived! Over the next two days, 11 wonderful bloggers will be submitting their articles celebrating the life and career of Lon Chaney Sr.
Lon is one of my favourite actors. I have long wanted to do something to celebrate his life and films, but I wasn’t really sure what I should do to celebrate his work.I eventually decided that a blogathon was the way to go. I was delighted when Ruth at Silver Screenings agreed to join me and co-host this Chaney blogathon.
I will be your blogathon hostess for today. The lovely Ruth will be your blogathon hostess at her site tomorrow. Please submit your articles to us over the next two days. I can’t wait to read your thoughts on Lon and his films.
Day 1 Entries
Critica Retro does an excellent job of reconstructing the lost Lon Chaney film: The Miracle Man.
This is my entry for the blogathon being co-hosted by myself and Ruth at Silver Screenings. I have wanted to do something to honour the talents of Lon Chaney Sr for a while now. I was overjoyed when Ruth agreed to co-host this event with me to honour Lon.
Lon Chaney Sr is one of my all time favourite actors. He was such an intense actor and his every move on the screen drew and kept your attention. Lon could also convey more to us with a single look than any line of dialogue could ever convey. I also strongly feel that his performances haven’t dated like some others from this era unfortunately have. His performances are very natural and are not theatrical. I consider Lon to have been the first real character actor to have ever appeared on film.
Lon always acted differently in each role, he played someone different each time he went before the camera. Lonalsoseemed to take great pleasure in becoming the characters who he was given to play. I actually consider him to be the greatest character actor there has ever been in films because he disappeared so completely into the characters who he played.
I often get a bit bored with some actors after a while, because they always seem to just play variations of themselves on screen, with Lon however, each performance he gave was different. In so many of his films you can’t even recognise him. The ability to so convincingly disappear into a role is the mark of a good actor or actress in my opinion, if they can convince you of something and make you completely believe they are the characters they are playing then they’ve done a great job. Lon always convinced.
Lon Chaney Sr was known as “The Man Of A Thousand Faces”. He gained this name because he didn’t merely act, but because he was so convincing in the roles he took on that he disappeared into them. He was also quite often buried beneath layers of extraordinary makeup which he himself created and applied, even when he wasn’t made up, he remained one of those actors whose face never seemed the same from one role to another. He was also a very emotive actor and he really made audiences feel what his characters were going through on screen.
I really love his makeup for The Hunchback Of Notre Dame (1923). He did a terrific job of creating Quasimodo’s facial deformity. I especially love the swollen eye and the disfigurement on the lower lip.
Lon also put himself (yet again)through great physical discomfort to play this role. It is a very physical role too, and he does lots of climbing and scenes where he is jumping and swinging off of things, he also captures Quasimodo’s physical effort and discomfort when walking.
I also quite like his makeup in the film Shadows (1922). In this film he made himself up to be a Chinese man called Yen Sin. I find such a casting decision to be very unfortunate, why not hire a real Chinese actor for the role?, but unlike Mickey Rooney’s absolutely atrocious portrayal of a Chinese man in Breakfast At Tiffany’s,Chaney’s portrayal actually comes across as being quite believable. He does a terrific job through his body language of conveying this characters very humble nature. I also like the stoop and dragging walk that he gave to his character. Lon brought Yen Sin to life and didn’t play the man as a caricature.
Lon was especially good at portraying characters who were disabled, disfigured or unlucky in love. He played these people in such an empathic way that he made us feel their pain, their desires, their rage, and also their very deep sadness. He could convey so much to us about them through facial expressions or a single glance.
Although Lon also played many able bodied characters throughout his career, it is the disabled and disfigured characters he played that he is best remembered for by audiences today. He makes us connect with these characters, and he makes us feel for them and experience what they are going through.
I also admire him greatly for the tremendous effort that he went to in order to portray disabled and disfigured characters. Forget actors like Daniel Day-Lewis and Marlon Brando going the extra mile for their roles, because they have nothing on what Lon put himself through when he took on a role!
For example, in The Penalty (1920) Lon had his legs lifted up behind his back in a special harness. He then inserted his knees into two leather stumps, this then created the effect of him being a double amputee with leg stumps.
Lon taught himself to walk on his knees in a way that appeared natural during his scenes. This was extremely painful for him to endure during filming. I think the pain and discomfort certainly paid off though because it looks like he is a real amputee when you watch this film.
The Penalty is also an interesting film because of Lon’s character, Blizzard. He is a man who has been left as a double amputee after a surgical mistake. Blizzard has become a powerful criminal and he is (quite understandably)a very bitter man who tries to dominate those around him. Blizzard is interestingly never presented as being someone left helpless or dependent on others because of his disability though; he is instead shown as being very independent, self-sufficient, strong and determined. He is also depicted as sometimes getting violent with those who displease him. The film features one of Lon’s best ever performances in my opinion.
Lon famously created and applied his own makeup for many of the film characters he played. He had his own makeup kit, which he carried around with him in a fold out leather case. With the help of his makeup, Lon could make himself look old, frail, scarred, rough, ugly or scary. His makeup, coupled with the physical way he used his body in roles, is what makes him unique as an actor in my opinion. He alone decided how his characters should look and act and he alone got to create and apply that look.
One of the most famous of all his makeup achievements was for the 1925 film The Phantom Of The Opera. In this film Lon plays the hideous masked phantom of the opera. The most famous scene in that film is the scene where the phantom is unmasked. He looks so scary that even the camera goes out of focus slightly when he is unmasked, it’s almost as though the camera is afraid of him too. He really did a remarkable job with the makeup I think.
I love his makeup for this character because he looks so gaunt and scary. His eyes are sunken and he looks in some ways like a skeleton. His nose is also extremely disfigured and stretched. It is a startling sight when you look at it. I like that he also plays the phantom as being very graceful and athletic physically.
Lon makes for quite a commanding screen presence in this role. He is totally terrifying and his hideous makeup helps a great deal. I also like how Lon ensures that we both fear and pity the phantom at various points throughout the film because of how he plays the role.
Lon’s portrayal of the phantom also allows us to see how emotionally tortured this man is. Lon manages to convey to us just how angry and sad the phantom is because he can’t even show his own face in public.
Lon Chaney Sr was born in Colorado, on April 1st, 1883. His birth name was Leonidas Frank Chaney. He was exposed to disability at an early age because his parents, Emma and Frank, were both deaf mutes. His parents had met and fallen in love at a deaf school that had been founded by Lon’s grandfather in 1874. That school was The Colorado Institute For Mutes. The school still exists today under its current name of The Colorado School For The Deaf And Blind.
Lon could hear and speak normally. He learnt from an early age how to speak to his parents using a combination of sign language, facial expressions and pantomime. These skills served him well later when he became an actor, as he really had the ability to get his characters emotions and intent across to his audience.
I have no proof of this being the case, but I never the less firmly believe that Lon’s regular access to two disabled people ensured that he grew up to have a greater understanding of, and a great compassion for, people in real life who were disabled and disfigured. To him there was nothing odd or frightening about his parents disability, they were simply his parents who were two people who just happened to be deaf. I feel that in some way he felt he should do what he could to make disability more present in everyday life and to help make people see disabled people for who they are, instead of ignoring them or acting awkwardly around them.
When Lon portrayed disabled and disfigured people on screen he played them in a way that showed audiences that these people were just like everyone else. His films also show that the disabled and disfigured can work, create, fall in love, and most importantly can exist just fine along with able bodied people.
He also showed the incredible courage of these people in not hiding away. The people he played are often shown as trying their best to get on with their life as normal.
Lon also showed us the unique abilities that some disabled people can have, such as using other limbs to compensate for the loss of hands for example, as seen in Lon’s performance as the armless Alonzo in The Unknown.
It’s also important for us to remember that in the era that Lon played these characters, disability and disfigurement were very much seen as being taboo subjects for many in society. Mentally ill and disabled people were often sadly shut away in homes and put out of sight and mind. After WW1 ended there were also thousands of veterans returning home from the trenches; these men were suffering from terrible disfigurements and wounds and other people in society were quite shocked and frightened by how they looked. The films of Lon Chaney Sr gave a national and international face to disability and disfigurement.
Lon’s portrayals of the disfigured and disabled brought all these people and their issues right out into the open for everyone to see. I think that making films featuring characters living with these issues was something that was very daring and brave for Lon and the directors to do at the time.
Another thing Lon Chaney Sr was able to do so brilliantly, was to be able to convey to us the desperate longing of a character who was unlucky in love. In The Unknown, Laugh Clown Laugh, Tell It To The Marines and He Who Gets Slapped, Lon is able to show us just how much these very different men love women who, for various reasons, they can’t have and how they all end up loving these women from afar. Unrequited love is a difficult pain to bear. I think that Lon does a super job of conveying his characters longing for the love they so desire. Watch his face in these films because the longing and pain over love are written clearly all over his face.
In 1926, Lon Chaney made a film called Tell It To The Marines. He called it his own personal favourite film from amongst those that he made. In recognition of his remarkable and totally convincing performance as a tough as nails Marine Sergeant, Lon would become the first actor to be made an honorary US Marine. I thought that was so lovely the first time I read about this as that is a great honour to be given indeed. His being awarded like that speaks volumes to me about how much his performance must have resonated with the men who served in the armed forces at the time.
In The Unholy Three (1930), Lon appeared in what would sadly end up being his final screen role. This would also be his first and only sound film. At the time he made this film he was very ill, and he was diagnosed with the lung cancer which would sadly kill him just a few months later. In this film he also delivered not one but five excellent vocal performances.
Had Lon lived, then I think he would have done very well as an actor in sound films. I think he could have been quite good in the gangster films of the 1930’s. He had a tough and intense look that would have suited gangster films I think. His voice was very deep and strong and I can see no reason why he couldn’t have easily fit into sound roles. He also demonstrated in his final film that he had plenty of vocal talent as well as his physical acting skills. I’m sure that he would have also done well in radio productions.
I find his final scene in The Unholy Three to be very moving. As Lon’s character says goodbye to some fellow characters, he is in a way saying goodbye to his film audience too. His final line in the goodbye scene is “That’s all there is to life. Just a little laugh, a little tear”. This line sums up his career to me. Throughout his career Lon made us cry, he made us laugh, and he also showed us what it was to be human (to experience joy, sorrow, pain, tragedy etc)and he made us feel his characters emotions right along with him. Lon showed us that everyone has feelings and that everyone will experience happy and sad times in life. In life you will laugh, you will cry and sometimes you may even do both at the same time.
Lon is one of my favourite actors and he is someone who I dearly wish I could have met. I find him to be a fascinating individual and also a man who was well ahead of his time. I think he would be quite touched to see how his performances and makeup achievements are still admired and beloved today, over one hundred years after his death. Thanks for all you achieved, Lon. Thanks also for giving disabled and disfigured characters a presence in cinema.
What are your thoughts on Lon Chaney Sr?
Join myself and Ruth on the 5th and 6th May. Over these two days we will have more posts for you celebrating the life and career of Lon Chaney Sr.
Hi everyone. I think it’s high time we had another blogathon. This year would have been the 100th birthday of the actress, director, writer and producer, Ida Lupino. I’d like to invite you all to join me in celebrating her centenary.
Ida was born in London, in 1918, she went on to make quite a name for herself in Hollywood. She became an actress, producer, writer and a director too.
She was a tough and determined woman. She had equal amounts of talent both before and behind the camera. I admire her for being a groundbreaking woman in a very male dominated industry. She really helped to pave the way for future generations of female directors.
I amhosting this blogathon to mark Ida’s centenary. I do hope you will all be able to join me to celebrate her life and career. You can write about Ida as an actress, director, producer or as a writer. You can also write about her entire career if you would like to.
You can enter more than one post if you wish to do so. I am allowing duplicates for the films she directed, but no more than two duplicates please for films that she starred in. Previously published posts you’ve written about Ida will also be accepted for this blogathon.
The blogathon will be held for one day only on the 12th of May, 2018.
Simply let me know what you would like to write about and leave me a link to your blog. Take one of the banners below and put it on your site somewhere to help spread the word. You can view the list of who is writing about what below.
Most importantly have fun writing! Let’s do Ida proud. Lets honour her talents and also the great contribution she made to the classic film era.
Good morning to you all. Guess what? You are all invited to participate in yet another blogathon. 🙂
This year would have been the 135th birthday of the actor Lon Chaney Sr. To mark Lon’s 135th anniversary, myself and Ruth of Silver Screenings are inviting you all to join us in celebrating Lon’s remarkable life and career.
We will be holding the blogathon on the 5th & 6th of May, 2018.
If you would like to take part, you are free to write about any of Lon’s films. We will accept no more than two duplicates for his film titles though.
You can also write about his famous makeup (which he created himself). You could also write about your favourite Lon Chaney film characters. You could even write about his entire career if you would like to.
If you have never seen a Lon Chaney Sr film before, then maybe you could use this blogathon as an opportunity to finally do so.
If you feel like writing more than one post for this blogathon you can do.
Lon Chaney was a man of many talents. Known as the man of a thousand faces, he was famous for pushing himself to physical extremes to play disabled characters. He was also famous for creating his own makeup to play disfigured characters. Chaney was quite a humble man off screen and he kept himself to himself when he wasn’t working.
Keeping himself quite private may well have helped him as an actor I think. As he didn’t go around publicising Lon Chaney the man, I think that may have helped audiences forget about the actor and helped them buy more into the characters he was playing up on the screen.
If you would like to take part in our blogathon just leave a comment with me or with Ruth. Let us know what you are going to write about, and also please leave us the name and url of your blog.
Ruth will be hosting on the 6th, and I will be hosting on the 5th. Pick which day you want to post your entry on and leave the entry with whichever of us is hosting that day. It is more than ok for you to post your entry a few days early if you wish.
Check the participation list below to see who is writing about what. Please take one of the awesome banners that Ruth has designed. Put it up on your blog somewhere to help publicise the event.
Have fun writing. Let’s all join together to celebrate the talents of Lon and his special approach to his work.
Maddy Loves Her Classic Films: Lon as the first character actor, plus his portrayal of disabled and disfigured characters.
Lea over at Silent-ology is hosting this blogathon all about Buster Keaton. Be sure to visit her site to read all the other entries. I can’t wait to read them all myself.
When I saw that Lea was hosting this blogathon, I jumped at the chance to take part so that I could share my great love for this film legend. There are not enough words for me to use to be able to fully express my admiration and love for Buster.
Buster Keaton will have me laughing hysterically one moment. The next moment he will have me sitting on the edge of my seat in suspense and anticipation. He was a hugely talented man. I also think that he was someone who was equally at home both in front and behind the camera.
Whenever I am in need of something to prove that at one time dangerous and epic scenes were once filmed for real (hit the road CGI), then it is to Buster Keaton and his work that I turn.
I’ve been a fan of Buster for a few years now. I first became a fan of Buster’s due to his audacious stunt work. Long before I loved him because he made me laugh, he had me open mouthed in disbelief at what I had just witnessed him doing in terms of stunt work. He made his stunt work look effortless. He also risked real injury to create that stunt work for our viewing pleasure.
I think that anyone can end up creating a scene or sequence that will make people laugh. Very few though would be able to create something that has people laughing, gasping in shock, or has you on the edge of your seat in suspense. Buster’s sequences often leave you doing all three of those things at once!
The risks that Buster took on screen are really what has led me to like him so much. He pushed himself to such great extremes on screen. He showed us just what extreme physical stunts could be captured on camera. He never faked the gag, or the risky stunt work that it took to achieve it.
Whether he is risking life and limb aboard a train, running from boulders, or jumping off of things, Buster is always right there at the centre of the action and danger. Seeing him in those situations makes me admire him as an actor and director. He also had the gift of making what he was doing look like it was happening in the moment and was totally natural and effortless for him.
I love what Buster does because he shows us that nothing can ever replace seeing something happen for real. Today films are so often filled to the brim with CGI, the effects usually look fake and I often find myself rolling my eyes when such effects appear on the screen. Buster showed us that nothing wows audiences more than seeing something spectacular done on screen for real. This still remains the case today one hundred years later. I feel that his work is timeless because it has a wow factor.
Where many Silent stars and films have sadly long since been forgotten about, Buster on the other hand retains a large amount of fame and influence today. His work commands the respect and admiration of audiences and filmmakers today. I think that is because of his stunt work and those incredible sequences he created for us to marvel at. He is proof that you just can’t beat doing something on screen for real.
I also love Buster because he was a jack of all trades. He was a skilled actor, a natural comedian, a gifted director, and he was also one of the best stunt men around. He could do it all, and he had a vision for what he wanted to achieve on screen and he stuck right to it.
There are not many in the film business who were as talented as he was, or who could take on such different film roles with ease like he could. Buster was a one of a kind and I think that is why he has become such a favourite of mine. He was multi talented and always knew how to entertain and impress his audience. He also knew that nothing impresses more than something being done for real.
I think it’s a real shame that the talents of Charles Chaplin have so overshadowed Buster’s over the last century. Mention Silent era comedians, and I bet you anything that it is Chaplin who most people speak of. Chaplin quite rightly has been so praised and admired, but I think that Buster was every bit as skilled, funny and as worthy of praise as Chaplin was. I think he deserves to be spoken of alongside Chaplin equally. They were both comedy masters and both had such different ways of going about their job.
Don’t get me wrong, I love Chaplin very much and I think highly of his work; I just strongly feel that Buster’s name and career deserves all the praise that Chaplin’s has received over the years. Chaplin is a name that is known even to people who have never seen a Silent film My wish is that the same can be said for Buster Keaton. I hope that more young people come to discover his films and see him for the timeless genius that he was.
I think it’s fair to say that few people have been able to be as much of a success behind, and in front of the camera, as Buster was able to be. He really was one of the greatest filmmakers. He worked so hard, was a perfectionist, and I like that he came up with an idea and then went and found a way to make that a reality.
Although he was not as famous on screen in his later years as he had once been, I sincerely hope that deep down inside somewhere Buster continued to know how much he was loved and respected by audiences. I think he would be very moved if he could read our discussions and see that he and his work remain so respected and loved a century later.
Now, if you will all kindly excuse me, I have a date with Mr. Buster Keaton. There will be laughter, there will be adventure, and there will certainly be one awestruck film viewer.
Thanks for the laughs. Thanks for the stunts. Thanks for all of those unforgettable images and scenes. Buster, you really were the best! 🙂
If you have never seen a Buster Keaton film before I have to ask what are you waiting for? Seek his work out, and when you do, prepare to laugh and to be in awe.
I’ve decided to write a piece about why William Powell and Myrna Loy are my favourite screen couple. I’m also going to write about a few of my favourite scenes which feature them together in some of the films they made.
Elegance, effortless, funny, and warm are just a few of the words that instantly spring into my mind whenever I hear the names Myrna Loy and William Powell.
Whether they are playing the loveable, and oh so elegant, Nick and Nora Charles in the Thin Man series, or whether they are playing very different characters in other films; William Powell and Myrna Loy always end up making the perfect on screen couple.
They bring life and a great deal of warmth to their characters. I think the qualities that they bring to their characters are really what makes me like them both so much.
This screen duo are my favourite classic era screen couple. Why do I love them so much? Well, sit back, and let me tell you why.
My main reason for loving them both so much is because they had such incredible chemistry with one another. When Powell and Loy look into each others eyes, you can see the love, the affection, and the passion that their characters had going on for one another.
They make you really believe that their characters are completely in love with one another, and also that they really cared deeply about one another. Chemistry like that can’t be faked, you either have it or you don’t, it’s that simple. These two sure had chemistry.
I also really like how they don’t outshine one another on screen. They both get their chance to shine equally in the films they made together. They are a true screen team, and they work together perfectly. I can think of no one else in the roles of Nick and Nora in The Thin Man, other than these two. They are the perfect screen duo in those films, and they play these characters in a way that I just can’t imagine other actors having been able to do.
I also admire Powell and Loy because they had such perfect comic timing. They made everything they did on screen appear natural and effortless. They were also both very adept at both physical and verbal comedy. Their comedy skills certainly came in handy in their most famous film collaborations that of The Thin Man film series.
I also love them because seeing their double act always makes me smile. They are a film duo who I just can’t help but be cheered up by. I also consider them to be a huge source of comfort during times of illness or sadness. I say that because seeing them together in films always manages to get me to smile.
In the Thin Man films they brought their characters to life so well. They made us feel the incredibly strong bond of love and friendship that Nick and Nora had. I especially like how they convey this through their facial expressions, and also through the look in their eyes. They make us see that these two had such strong trust and belief in one another.
Powell and Loy made us realise that Nick and Nora would never cheat on one another, that they had a great deal of fun together, that they loved and desired one another, and most important of all that one could never live happily without the other.
I also like how Nick and Nora are not just lovers, but they are also soulmates and friends. They have fun together and want to be a part of the others life. If only all romantic relationships could be like theirs.
Here are a few of my favourite Powell and Loy film scenes.
From The Thin Man (1934)
1- Where they both look at each other and wrinkle up their faces and noses. This scene is both funny and sweet because any other woman who walked in on her husband holding another woman would most likely freak out. These two on the other hand both know it’s totally harmless, and they have a bit of a joke about it. Love the way they both do the wrinkled face look. 🙂 Adorable and so very funny.
2- The very funny and sweet scene where they discuss their Christmas presents. Powell is hysterical in the way he plays Nick in this scene. I especially love the bit where he is playing target practice with the new gun Nora brought him.
I love how the look on Loy’s face when she looks over at Powell in this scene; it’s like Nora is looking at Nick with an expression that seems as though she is thinking “oh, here we go again. The boy just has to play with the toy”. Cracks me up every time.
I also love that Nora is really loving the fur coat that Nick bought her, and she refuses to take it off, even though their apartment is really warm. I love how they are both just living in the moment, and are very happy with one another, and really admiring their new presents.
After The Thin Man (1936)
I love the scene where Nick finally realises that Nora is pregnant. I just love how Powell plays this scene. He goes from being happy and relieved that they are finally alone and together again. He says “I don’t need anything in the world except you. And a toothbrush.” Aww!
Then he sees that little baby sock that Nora is knitting. He looks up at her beaming face and finally realises what’s going on.
The way they look at each then with such love and happiness, and then how they lean in and kiss gets me every time. I love how content and happy Loy makes Nora in this scene, she is positively beaming with joy and looks radiant. This is the most adorable scene ever! 🙂 They both melt my heart in this scene.
Libeled Lady (1936)
The scene in the garden where she asks him if he has been proposed to much. I love it because it is a role reversal with the woman asking the man to marry her. I also love it because of how sweet Powell and Loy are in this scene. I love how depressed and anxious she is at first, and he notices this and asks her what’s wrong. Then the mood soon changes, and it is so sweet and uplifting when they both look at each other and see how much they love one another. Love it when he accepts her and they lean in and kiss.
Well, they were just a few of my favourite Powell and Loy moments. What are some of your favourites? Please share them below.
To sum up then, Powell and Loy always come across to me on screen as being a real married couple. Their affection for one another was the real thing and I think that it really shows on screen. They were pure movie magic. I for one will never get tired of watching them.
Happy New Year all. Please raise a glass of champagne with me, not only to see in 2018, but to also toast the talents of William Powell and Myrna Loy!
Thank you both for all the joy you have brought to so many classic film fans. Thank you for your perfect timing, and thanks for your beautiful chemistry. Thanks for the laughter and for the romance.
Virginie over at The Wonderful World of Cinema is hosting this blogathon about Grace Kelly. Be sure to visit her site to read all of the entries. I can’t wait to read them all myself.
Grace Kelly was many things in her life, and she has come to mean different things to different people. She has become a fashion and beauty icon over the years. She also famously went from being a fairly ordinary American woman to becoming a real life Princess in 1956, when she got married to Prince Rainier of Monaco. Many people have since come to know Grace through her work and life as a Princess.
Most of us have come to know Grace and are fans of her through her work as a film actress. Grace was a very good actress, and while I personally think that she perhaps wasn’t the best actress of her generation, she was without a doubt certainly a very good one.
Besides being talented, Grace also had that magical star quality so necessary for a successful screen career. Grace shone when she was on screen, she has that effect which means you can’t take your eyes off her when she is on the screen.
I like how Grace often portrayed a vulnerability in many of her characters. Her characters would often put up a tough façade, but in reality they were women who could be easily hurt, or were women who felt things deeply. Grace portrayed all this so well through her eyes and expressions.
Alfred Hitchcock was the director who gave Grace the film roles which brought her great fame, and forever cemented her screen image in the minds of audiences. Hitchcock knew how to use Grace to best effect on screen. Through her collaboration with Hitch, Grace’s screen image changed from cool, demure, vulnerable and gentle love interest, to strong, sexy, elegant and confident leading lady.
Hitch also played around with Grace’s aloof and cool persona. He gave her roles that played up that image, but then showed us that underneath that perceived image she was very different, and she could be warm, feisty, sensual, sexy and very human too.I’m writing about the third and final film that Grace made with Hitchcock.
That film is To Catch A Thief. The film was made in 1955, and it was shot out on location in the South of France and in Monaco (soon to be Grace’s future home).
This film may lack the suspense of the majority of other Hitchcock films, but it certainly features some interesting characters, lots of innuendo (just how did some of this make it past the censors!)beautiful costumes (especially those worn by Grace)and the photography of the stunning locations is truly a pleasure to look at.
This is a film that I love quite a bit. It isn’t a traditional Hitchcock film in terms of its content and visual style, but the sexual innuendo and the developing relationship between Grace and Cary Grant’s characters is classic Hitch for sure.
Grace looks truly stunning in this film. She is at the height of her beauty here, and she gets to wear some of the most beautiful and elegant gowns I’ve ever seen. I especially love the pale blue evening gown she wears in the hotel restaurant. Edith Head truly outdid herself withher costume designs for this film.
I love how Grace plays her character Francie. This woman is in control of everything she does and she very well knows it. She is strong, sexy and really oozes confidence and determination. She can also be wild and uncontrollable which really gives her an air of danger at times.
I love the car chase sequence, where Francie’s fast driving really scares John as he ends up becoming a helpless passenger. Francie also plays with John(like a cat would with a mouse)but he gets wise to her games and he plays with her right back (cue some classic banter between the two).
A series of jewel robberies are taking place across the French Riviera. The robberies bear a strong resemblance to the work of the notorious jewel thief known as The Cat.
The real name of The Cat is John Robie (Cary Grant)and he knows very well that he is not the current thief. Once he is alerted that someone else is thieving using his signature style, he sets out to catch the culprit himself and to clear his own name.
John soon begins to receive threats on his life. John also has to deal with the beautiful American heiress, Francie (Grace Kelly)and her mother Jessie (Jessie Royce Landis)who are on holiday in Cannes and befriend him. John and Francie have an instant attraction, but John grows suspicious of her when she asks too many questions about thieving, and especially when she claims to know he is the famous cat burglar.
John also has issues with some former friends/colleagues from the French Resistance. He also has to deal with Danielle (Brigitte Auber)who is a local girl he has known for years, who has a huge crush on him.
John enlists the help of an insurance man (John Williams)to set a trap for the thief. Together they create a list of the most wealthy jewel owners in the Riviera. Who can John trust? Just who is The Cat?
This film is less about its plot, and instead is more about the beautiful locations, and also the sexual tension and desire between Francie and John. Cary and Grace have incredible chemistry with one another, their innuendo laced dialogue is truly shocking in places, just how did some of those lines( especially the one about a week at Niagara Falls) even get past the censor?
I didn’t see the identity of the copycat thief coming until it was revealed. Having said that though this revelation just lacked a big shock for me. I think the film would have been more exciting if Francie had been revealed to be the burglar. It would have placed John in a predicament as to whether he should hand her in, or if he could attack her back if she attacked him.
When I first saw this film I was convinced that it would be Francie who would be revealed as the copycat thief. Having said all that I think that reveal would have been too obvious given how Francie acts earlier in the film.
An enjoyable film that is beautiful to look at. In this film we get to see the wealthy and the beautiful having fun in a beautiful place. It makes us dream that we could have such a life too. Be sure to see this film on Blu-ray to see it looking clear and to see the colour photography at its most stunning.
Grace and Cary are both superb here and the rest of the cast all deliver solid performances too. Jessie Royce Landis is hysterical as Francie’s mother who develops a crush on John herself.
The beach sequences always make me want to visit the beach, and I envy Grace every single time I watch this because of the gorgeous outfits she gets to wear throughout the film.
This one is certainly worth a look for fans of Grace, Hitchcock and Cary. It’s not the best Hitchcock film, but it’s certainly not the worst either.
My favourite scenes are the following. John and Francie sharing a kiss at her hotel room door. The fireworks and jewels scene between John and Francie. Francie and Danielle’s rather catty conversation out on the sea float (I love Cary’s facial expressions during this scene, it is so funny).
Any other fans of this film? What are your thoughts on Grace’s performance here?
Samantha, over atMusings Of A Classic Film Addict, is hosting this blogathon all about Dean Martin. Be sure to visit her site to read all the other entries. I can’t wait to read them myself.
This year marks the centenary of Dean’s birth. In honour of this occasion, I want to write a little piece about how much I love Dean.
Smooth, funny, private, cool, effortless, handsome, and warm hearted are all words that I would use to describe Dean Martin.I like how Dean seemed to be able to fit easily into whatever career path he took. From singer, to comic, to actor; Dean made it seem like he had always been working in that particular job forever. He just made everything he did seem effortless and natural.
Several of my friends know of my love for all things Dean Martin. I especially love his incredible singing voice. I am even envious of a friend who came across a Dean Martin slot machine whilst on holiday in Las Vegas! As random as that sounds, I know I would have got a real kick out of seeing that. 🙂
To me, Dean always comes across (in his many TV, film and stage appearances)as someone who it would be fun to hang out with; you just know you would have had some laughs with this man in real life. I also like how he has this aura of fun around him all the time. He was like the favourite uncle, someone who you looked forward to seeing and who would always make you smile.
I first became aware of Dean through his work as a singer. My parents like his singing, and as I was growing up I’d often hear his songs playing in our house. As I’ve grown older, I’ve sought out more of his music and become acquainted with his film and TV work too.
I especially enjoy watching his Dean Martin Celebrity Roasts (TV) episodes. These are guaranteed to have me crying with laughter. Some of the references I don’t get (not being American or being born long after the time these aired)but the majority of the material still works on me today.
Dean is the host and master of ceremonies for this series. Each episode a different group of celebrities(and some regulars like Dean and Don Rickles) ranging from actors to politicians, comically lambast a different guest. Dean instigates many mirth inducing scenes and cracks up a great deal himself at some of the things said about him. I love how this series makes you feel as though you are in that room with those guys, and that you’re there laughing with them.
I like that Dean always comes across as likeable and fun. I love his act of seeming to be drunk all the time (which really fooled some people into believing he was drunk for real.) We love him for being Dean and we wouldn’t have him any other way.
Dean Martin was born Dino Paul Crocetti in Ohio, in June, 1917. He went on to make a name for himself as a singer, comedian, and became a leading member of his friend Frank Sinatra’s Rat Pack.
In 1945, Dean met a young comic called Jerry Lewis, at a club where they were both performing. From 1946 onwards they went on to become one of the most beloved duos in comic history. The pairs regular appearances on the TV series, The Colgate Comedy Hour finally made them household names. Dean was the laid back straight man to Jerry’s hyperactive scene stealer. The pair also went on to make several films together.
I have never been a fan of Jerry Lewis but I do like the work he did with Dean, I feel that they brought out the best in each other on screen. The pair were close friends for many years. The natural warmth and affection between them shows on screen. They broke up in 1956 and sadly became estranged for twenty years. They enjoyed an emotional reunion at an event arranged by Frank Sinatra in 1976.
Following the breakup, Dean went on to enjoy success as a singer and actor. He performed regularly on stage and screen, with Sinatra and the rest of the Rat Pack – Sammy Davis Jr, Joey Bishop and Peter Lawford.
Following the tragic death of his son in 1987, Dean appeared less and less in public. He passed away on Christmas Day in 1995. He was 78 years old.
My favourite Dean Martin films? – Five Card Stud, Airport, The Young Lions and The Sons of Katie Elder.
My favourite Dean Martin songs? – I love them all, but the following hold a special place in my heart: Ain’t That A Kick In The Head, Volare,Luna Mezza Mare and Baby, It’s Cold Outside.
Thank you for reading. I’d also like to say a big thank you to Dean for giving me so many hours of laughter and recording all those fabulous songs.
Virginie over at The Wonderful World of Cinema is hosting this blogathon about William Holden. Check out her site to read all the other entries. I can’t wait to read all the other posts about Holden’s films and life.
Instead of just talking about one specific film or role, I’d like to discuss William as an actor and to talk about two of my favourite performances from him.
William Holden is one of my favourite actors, he is always watchable and I will always check out a film if I see he is in it. I love his earlier films but I much prefer him in his later career.
As William’s film career went on, I think that his acting talents grew and improved. I think it’s fair to say that in some of his early films he looked a little stiff, uncomfortable even on screen, but what I like is that you can see him grow in confidence as the years and the films go on.
In a way this acting growth makes me like him even more. I can take a journey with him and witness his acting ability grow and improve simply by watching his films. I think he looks more comfortable on screen the older he got. He could effortlessly switch between comic, romantic and dramatic roles. He could play emotionally reserved and devastatingly charming men and make you believe both types of performance.
In the late 1960’s, and into the 1970’s, Holden continued to act on screen often in more supporting roles than lead ones. I especially like his performances in two later dramatic films Network and Breezy. I think it is such a shame that we lost him when he did. I have no doubt he would have continued turning in fine performances for many more years. I think he could have easily settled into a very successful career of supporting/character actor in his later years.
Charming, handsome, smooth and having the gift of making everything he did appear effortless about sums up William Holden in a nutshell. Born on April 17th, 1918, in Illinois, he would go on to become one of the most popular stars of the 1950’s and beyond. There was much more to Holden than good looks, and a warm smile though; he could give a real depth to his characters with just a small look or expression.
In 1939 he made a name for himself when he starred alongside Barbara Stanwyck in Golden Boy. This boxing classic sees a baby-faced Holden play Joe Bonaparte, a violinist turned boxer. Holden and Stanwyck became good friends, and he was forever grateful to her for persuading producers to take a chance on him. Holden put a lot of heart into this performance and it placed him on the path to stardom.
By the time he was cast in Sunset Blvd (1950), Holden had really honed his acting skills; his character in that Joe Gillis, is torn between his growing feelings for Norma(Gloria Swanson) and what she can offer him(fame, wealth, status)and his desire for a normal life/relationship. Holden does such a good job of letting us really feel what Joe is experiencing inside, and he also crucially doesn’t get overshadowed by the great Gloria Swanson as the deranged Norma.
At times Holden makes us dislike Joe for his treatment of Norma, he comes across as selfish and taking advantage of someone with obvious issues. At other times he makes you really feel for this Joe’s situation and we pity him as much as we do Norma. I’m not sure another actor could have portrayed all of that in quite the same way.
Many other hits followed for him after this. Stalag 17 (for which he won the Best Actor Oscar, and famously delivered one of the shortest ever Oscar speeches, simply saying “Thank You”.) Sabrina, Picnic and The Bridge on the River Kwai. He became one of Hollywood’s most popular actors.
Holden showed his funny side in 1955, when he appeared as himself in an episode of I, Love Lucy. He is clearly having a ball as he gets his own back on Lucy after she stares at him for ages, whilst he is trying to eat lunch in a restaurant. Every time I watch this episode I crack up, I think he showed great comic skills in this and it’s a shame he didn’t get to tap into those skills more often on screen. As funny as the episode is, I think it really does a good job of making us aware how annoyed celebrities must be at being endlessly gawped at or approached when out in public.
Yes of course you’ll be excited if you come across someone you’re a fan of, but I really don’t agree with approaching them unless it is at events like backstage signings or film premieres. They are people with lives just like us and they deserve their privacy and space too. This episode shows us how we’d feel if the tables were turned.
I’d like to talk now about two of my all time favourite William Holden performances.
Sabrina, 1954, directed by Billy Wilder.
This was the first of his films that I ever saw. I not only fell in love with the film but it also made me an instant fan of William Holden. I didn’t find myself thinking I had to see more of his work before deciding if I liked him or not. I liked him right away and was determined to check out more of his films to see what else he did.
Audrey Hepburn plays Sabrina Fairchild, the daughter of the chauffer to the wealthy Larrabee family. Sabrina finds herself falling in love with the Larrabee brothers; the elder, serious, businessman, Lionel(Humphrey Bogart)and the handsome, fun loving, playboy youngest brother, David( Holden).
From the first time we see him Holden makes us aware that David is a man who women fall hard for, he doesn’t treat his women badly, but he doesn’t commit to them easily either. Holden makes David a fun and charming character and you like him(despite his seeming indifference to Sabrina earlier in the story.)
I love his reaction when he sees Sabrina(now elegant and wearing Paris fashions)at the train station; slamming on the breaks of his car, reversing and turning on the charm full volume he offers her assistance, all the while being oblivious to who she is. It’s a funny scene and he makes it so.
I love the scene where David tells Lionel some home truths and receives a punch on the nose. It is a powerful moment because David(and Holden)is deadly serious for the first time in the film. He is not joking, he knows the truth and we also see that he has been paying attention to his families business all these years too. I love the scene where he takes charge and we believe he knows what he is doing after all. Holden makes this character development believable and that helps the scene immensely.
I never get tired of watching this charming romantic film. I love all the cast and the story, but Holden’s performance is a big reason this became a favourite.
Breezy, 1973, directed by Clint Eastwood.
The story sounds cliché, but the film ends up being anything but. Free spirited Breezy(Kay Lenz)meets a middle aged estate agent, called Frank Harmon(Holden). The two slowly become friends and then slowly begin to fall in love. There is trouble and heartbreak ahead though. Frank’s friends don’t accept his relationship with Breezy, and Frank himself has doubts that this May-December romance can last. Breezy has no such doubts, she loves Frank and she doesn’t care about their age gap.
Holden is so moving in this. Perfectly conveying his character tentatively allowing himself to fall in love and be vulnerable for the first time in years. Holden lets himself appear nervous, hesitant and vulnerable on screen. I love him in this role because he makes what Frank is going through believable, and you really feel his hesitation and conflicted emotions.
I think it is quite a brave role for him to have taken actually. He isn’t a movie star in this, he is just a regular guy undergoing a transforming event in his life. He really makes you feel what Frank is going through.Holden acts his age here, his character is not a dashing ladies man in control of this situation. Holden also shows us just how much effort Frank is putting in to try and change his introverted nature.Holden and Lenz work very well together, and there is a real tenderness in their shared intimate moments(both the emotional and the physical scenes.)
This film shows us that love is worth the risk. Who cares what other people think? Enjoy the remaining years of life and have fun. I am always left feeling exactly this at the end of this film. Life may not end up being perfect for this couple, but they’re certainly going to try and have a good time together.
I love Holden in the beach scene where Breezy kisses him for the first time. He is taken aback, then you see something on his face that makes you realise he has fallen for her just as much as she has for him.
This is a film very much deserving of much more recognition. Two fantastic lead performances, an adorable dog with the saddest eyes I’ve ever seen, and a poignant and funny story to tell. If you’ve never seen it before, I highly recommend watching it.
Maddy’s Five Favourite William Holden Films
1- Paris When It Sizzles
3- Golden Boy
5- The World Of Suzie Wong
For all the joy Holden brought to his fans, his own life was sadly not filled with much happiness. He became an alcoholic, and he physically aged long before he should have done. He and Audrey Hepburn fell in love when they worked together on Sabrina; Hepburn ended their relationship when she discovered Holden had had a vasectomy, which meant she would not be able to have had children with him(something she wanted more than anything else in life.)He found some joy in the last years of his life though, as the partner of Hart To Hart actress Stephanie Powers.
Holden was a dedicated conservationist and set up the Mount Kenya Game ranch. Following his death, Powers founded The William Holden Wildlife Foundation which is still working today.
On November the 12th, 1981, Holden fell at home and died after hitting his head. His body wasn’t found until four days later. A very sad end for one of Hollywood’s greatest stars.
Many thanks William for all the entertainment you have given me over the years. You are much missed. R.I.P.
Thanks to everyone for reading my post. Be sure to go and check out all the other entries over on Virginie’s site.
Crystal over at In The Good Old Days Of Classic Hollywood is hosting this blogathon all about Bette Davis. I’m looking forward to reading all the other posts by those taking part. This is the first time I have ever taken part in a Blogathon, so I’m very excited to be taking part in this.
I’ve decided to write about a great favourite of mine, the 1944 romantic drama, Mr. Skeffington.
Based on the novel by Elizabeth von Arnim; Mr. Skeffington focuses on the beautiful, young socialite, Fanny Trellis(Bette Davis). Fanny can twist men around her little finger, they dote on her, are entranced by her, and she both knows and loves it!
From her first scene to her last, Bette makes Fanny the centre of attention as she floats around like a brightly coloured butterfly amongst all those love struck men drawn to her like bees to honey, moths to a…well, by now you should be getting the picture.
Bette was never better than when she was playing bad girls, and her performance here is another good example of this. What I find fascinating about this particular role though is that although Fanny is a selfish heartbreaker, I do find myself wondering if she is always consciously aware of the effect her actions will have?
Sometimes Fanny seems to be pretty naïve, there is a real girlish quality to her, yet at other times it seems she knows exactly what will happen after she says certain things, or goes out with a certain man and uses her apparent innocence as a cover/excuse for her behaviour.
This is precisely why I love Bette so much though as an actress, she can let you see the inner workings of her characters. Bette makes her characters more complex and more human than they may have appeared on paper, or possibly appeared when played by another actress.
Fanny marries the kindly Job Skeffington(Claude Rains, delivering one of his most heartbreaking performances)after her brother Trippy(Richard Waring)embezzles money from him. Fanny hopes that her new marriage will allow her access to money which he can pass to her brother.
When Trippy (who hates Job)learns what she has done, he leaves home in disgust and is killed in the First World War. Grief stricken by his death, Fanny withholds any affection she once had for Job from him.
Fanny devotes herself to parties and spending time with a number of other men. Job and their daughter rarely see her anymore. Throughout all of this Job’s love for Fanny has never wavered, and seeing him so hurt by her only makes us hate what she is doing. Fanny will come to learn(at great personal cost)that looks are not everything, it is the person inside who counts most. Love isn’t about the physical, it is really all about two souls connecting.
My favourite scenes are the following.
1- Job and Fanny on their honeymoon boat trip, the pair are on deck and see a passionate young couple get serenaded; Fanny is utterly convinced they too will be serenaded by this band who are rumoured to always be able to pick out newlyweds and play for them onboard. The band approach, Fanny looks expectant, satisfied even and then the band members look at one another, shake their heads and walk past leaving a perplexed Fanny in their wake; she didn’t realise(but Job did)that they are not acting like a couple in love.
2- Job sitting by Fanny’s bed when they learn she is pregnant. He is overjoyed and wants to be with her, she is distressed at the thought pregnancy may affect her appearance and she also doesn’t want to have the baby at home. Job is dismissed and we can see the heartbreak it causes.
3-Fanny visiting Job at his company. When news of The First World War being declared comes through, his office is swamped with employees asking what stocks they should buy up etc. For once Fanny is of interest to no one and it throws her somewhat. Bette is very good in this scene, going from in control and flirting, to being completely overwhelmed by something out of her control. I love how she ends up standing on a chair to get out of the way of people barging in and tries to regain Job’s attention.
4- Fanny drinking in a club in the 1920’s with a man she is having an affair with. A drunk man keeps telling her that she is gorgeous. He invites more drunks over to gaze at her, who all in turn say she is the most beautiful woman they’ve ever seen. Fanny is utterly delighted at this attention and has a right laugh about it it all.
Bette is excellent in this film as the flirtatious, fun loving, seductive and enchanting Fanny. One moment she is all childlike innocence, vulnerability, and excitement and the next, she is despicable, cruel, vain and extremely selfish. Throughout all of this though, Bette keeps you interested in the character and even makes her sympathetic during certain scenes, she is not all bad and is more complicated than she may appear to be at first.
I always get the impression that Fanny needs attention and compliments because it makes her feel special; if she accepts her marriage with Job she will no longer feel as unique, desired as she does when she parades around with all the other men. That I can be so intrigued by Fanny is, I think, a real testament to Bette’s abilities as an actress, it is because of her performance and not the writing that makes me so fascinated. I can’t imagine another actress playing this role quite the way Bette does.
Without a doubt this is Bette’s film, but I’d also like to give a shout out to Claude Rains.He is superb here(endless shots of puppy dog eyes), and a sense his character harbours a quiet hope that one day something might change between him and Fanny.
This film could so easily have ended up belonging to either of these brilliant actors at the cost of the other, but actually neither of them ends up overshadowing the other. Bette often said that Claude was her favourite co-star and I think they were a perfect screen fit. I really like them together in this, Deception and Now Voyager. I really wish they had made many more films together.
This is a real tearjerker and that ending gets me every time I see it.
Expertly directed by Vincent Sherman. Terrific performances all round, beautiful costumes courtesy of Orry-Kelly and some gorgeous set design courtesy of Fred M. MacLean. On top of all that, we get Bette at the height of her fame and talent, always a treat to watch. Bette, thank you so much for so many fine performances over the years, you are greatly missed.
I highly recommend this if you haven’t seen it. If you have, please share your thoughts on the film and on Bette’s performance.