Realweegiemidgetreviews is hosting this blogathon all about Michael Caine. Be sure to visit Gill’s site to read all of the entries. I can’t wait to read them all myself.
Michael Caine is one of my favourite actors. He is someone who I have grown up with, and he is someone whose work I always try and make time to watch. I first saw him in The Muppet Christmas Carol and I’ve loved him ever since.
He is an actor who I think is always worth watching, sometimes he has appeared in some really terrible films (yes, I’m looking at you The Swarm and Jaws The Revenge)but he is usually always watchable. I think he has got even better as he gotten older to be honest.
The following are my five favourite Caine performances. I’m not claiming that these are his best performances. These are simply all performances and films of his that I really love.
This British war classic is the film which really made me a fan of Michael’s. This is not only a cracking film filled with terrific performances, but it is also the film that got Michael noticed by audiences and critics.
Michael has the difficult task in the film (which he manages so well)of making us both hate his character, and then start to like and respect him, until eventually he has become one of the characters we are really hoping survives. He goes from being arrogant and annoying,to being capable and calm under pressure, to being battle fatigued and desperate. I love the growing bond between his character and Stanley Baker’s. Starting off as opposites and rivals these two men soon become very important to one another, and they see each other in a different light as their hostility towards one another melts.
2- Miss Congeniality (2000)
This hilarious film sees Michael as a Henry Higgins type character. He plays the fussy make up artist who has to help a seriously unglamorous FBI agent (Sandra Bullock)become a pageant beauty for an undercover assignment. He has to turn her into a lady.
He is hysterical here filled with disdain and possesing an acid tongue one moment, and then turning kind and loveable the next. Michael looks like he is having great fun in this film too and that just helps to make it funnier I think. I love the restaurant scene where he is watching Sandra’s character eat,you can see how repulsed and fascinated by her he is. So funny.
3- Batman Begins (2005)
I think that Michael was perfectly cast as a tougher and more worldly screen version of Alfred Pennyworth. He captures Alfred’s great love and loyalty for his master, the caped crusader Bruce Wayne (Christian Bale).
Michael’s Alfred is a war veteran. I think you can believe that he was made Bruce’s legal guardian because he could protect him should the need to ever arise. Michael makes his Alfred tough, funny, sharp, loyal and resilient. I think this film is very good and that he stole all the scenes he was in. Whenever I watch this, I really enjoy the film, but I am always waiting for the scenes I know he appears in.
4- Educating Rita (1983)
Michael is both funny and moving here as the teacher who has lost the will to teach. Into his life comes a young woman called Rita (Julie Walters). She is desperate to learn from him. Teaching her, and seeing her knowledge grow, really makes him very happy and he feels of use again. As they spend more time together he begins to fall in love with her and also grows to love life again and becomes a happier person.
Michael’s performance here is all in his expressions and eyes. It’s a complex character he is playing and he does a fantastic job of letting us see what this guy is feeling and going through. This is a film that I return to again and again, and each time I do, Michael’s performance never fails to have me laughing one minute and tearing up the next.
5- The Ipcress File (1965)
Michael plays a more realistic secret agent than James Bond. Michael is Harry Palmer, a spectacle wearing British agent who has to find out who is brainwashing some scientists. He is torn between knowing who to trust and gets caught up in something far beyond his control. Michael shows us here that brainy men can be just as sexy as men of action.
Harry Palmer is the anti Bond and Michael plays the role so well. This guy lives modestly, and cooks his own food. His job is more about observation and being watchful, rather than shooting his way to the answers. Michael is so cool in this flick, and he oozes class and style. I never get tired of watching this film.
What are you favourite Michael Caine films and performances? I’d love to hear what you think of the films I chose.
On the 27th of May, 1942, the high ranking Nazi General, Reinhard Heydrich was severely injured during an assassination attempt on his life by members of the Czech resistance in Prague. Heydrich died from his wounds on the 4th of June that same year.
His death saw brutal reprisals brought against the Czech population; with thousands of people being killed, or being deported to camps where they would later die.Details of what happened to the brave resistance members who were responsible for his death can be found by searching for Operation Anthropoid on the internet(I must warn you that it does not make for easy reading).I admire their bravery, and I was very shocked at how brutal their end was.
I have only recently become aware of this vile man and his assassination thanks to the recent film, Operation Anthropoid(the code name given to Heydrich’s assassination plot). Reading up about this event, I have been really surprised that I had never been aware of any of this before. Heydrich was one of the main architects of the Holocaust and he was an all round real nasty piece of work. Some of his nicknames included The Butcher and The Hangman.
The year after Heydrich’s assassination, the German director Fritz Lang (who became an American citizen in 1939) made a film about this event and its brutal aftermath. I only became aware of Lang’s film recently, and when I saw that it was being released on Blu-ray, I jumped at the chance of being able to watch this film. It arrived a few days ago, and I have to say that I am so impressed with the film. I’m also very impressed with the visual quality of the Blu-ray release.
For a film made in the 1940’s, Hangmen Also Die! is a surprisingly violent, gritty, and very dark film. There are several scenes in this that I’m really surprised got past the censors; scenes such as the taxi driver who commits suicide before he can be taken for torture. The execution sequence near the end. The badly beaten man being dragged through Gestapo headquarters, and the murder of a main character near the end of the film. Of course it’s good these scenes were included because they help to bring home the terrible reality of life under Nazi rule.
This film is also one of the best films about a resistance movement that I have ever seen. I love how the resistance live right under the noses of those who seek them, yet they move around freely in the city invisible to those who seek them. Their group seems to exist separately from everyone else; they communicate by looks and gestures in public that only they can understand. So under everyone’s noses these people are planning and carrying out operations without being noticed. They are like a ghost community living and working alongside the community that everyone sees and experiences every day.Lang’s film is suspenseful, tense, moving, and downright scary at times. It also captures mans inhumanity to man, and Lang also does a good job of showing us how much courage it takes to stand up to oppression and cruelty.
In this film we see that members of the resistance are not only those who belong to a resistance group and carry weapons and carry out operations. Resistance members can include anyone who goes against the rules of the oppressors; this could be remaining friendly with people who everyone has been told not to associate with, or in refusing to name somebody to the authorities.
The film is a rather fictionalised version of the real events, but it certainly succeeds in capturing the horror, the violence, and the bravery that surrounded those events. Lang lets the actors do the work in this film, they bring these characters to life (both the heroes and the villains)and they all get their chance to shine (even actors in very small roles)and they all succeed in conveying to us how the courage of ordinary people making a stand can have an impact. This story is a human story and Lang shows us the best and worst of humanity. The film was written by Lang and the celebrated German playwright and screenwriter, Bertolt Brecht.This film would end up being Brecht’s only successful Hollywood film.
The cinematographer working on this film was the legendary James Wong Howe, and he uses his camera to create a mood and atmosphere that is reminiscent of Lang’s German expressionism films of the 1920’s. This film also serves as a good example of a film that is a mix of German Expressionism and American Film Noir. I love the shots where he films the shadows on the walls cast by torturers questioning and hurting people. I think my favourite shot in the film is the man coming into the jail cell carrying a whip, we only see his shadow on the floor but the image shocks, we don’t need to see the act of brutality that will follow to be horrified by the inference of it.
Two of my favourite shots in the film. Screenshot by me.
The film focuses on the search for Heydrich’s assassins, and also for the people who are hiding them from the Gestapo. Interestingly the assassination itself is not shown in the film. I think this was a good choice because it shifts attention away from Heydrich and focuses instead on the men and women who stood up against him, and against what he stood for and represented.
Dr. Svoboda (Brian Donlevy)is the assassin of Heydrich, he flees the scene of the crime and goes on the run. He is seen going into a building to hide by Masha Novotny (Anna Lee). Masha deliberately misleads the pursuing Nazi soldiers as to where he is. He remembers this kindness. The Gestapo’s investigation into the assassination eventually lead them to Masha’s door.
When hundreds of hostages, including Masha’s father, Professor Novotny (Walter Brennan), are taken prisoner by the Nazis and sentenced to death, Svoboda must wrestle with his conscience to decide if he turns himself in or lets these people die. Gestapo investigations are being run by the cunning Inspector Gruber (Alexander Granach)and he is fast closing in on Svoboda. He also has help in locating the Czech resistance, thanks to his double crossing informant Emil Czaka (Gene Lockhart).
The film becomes a cat and mouse game between the resistance members and the Gestapo. Time is running out for the hostages, people are being murdered, tortured, and betrayed, and these horrible events show no sign of stopping. The resistance have a cunning plan up their sleeve, it is one that will paint someone else as being the assassin, rather than Svoboda.
If there is a downside to this superb film, I would say it lies with some of the casting. The casting is a somewhat mixed bag for sure. I think this film would have been better had they cast German or Czech actors in the lead roles, it would have added a great deal more authenticity for sure. Brecht had hoped that they would cast German speaking actors, but in the end it was decided they would go with a mix of American and German actors.
Brian Donlevy strikes me as an odd casting decision. He has never been an actor I’ve liked, and he often strikes me as being rather wooden in many of his roles. He isn’t too bad here, but he does come across as quite unemotional and calm, which I doubt would be the case for his character when he was on the run in fear of his life. As the film goes on I think his performance improves somewhat, but during the first part of the film he isn’t all that great.
Anna Lee also starts out as not being that impressive, but then she gets much better as the film goes on. She is very convincing as the frightened young woman who finds an inner strength, and the courage which enables her to do her bit in standing up against oppression.
When I saw Walter Brennan’s name on the opening credits, I thought to myself what a very strange casting choice for this film. Brennan is a very good actor, but his screen persona didn’t really strike me as one that was really going to fit this story. How wrong I was! He is excellent as the professor and I was pleasantly surprised to see him deliver one of the best performances in the film. His very famous voice sounds quite different here to how it usually sounded. He is excellent as the quiet, gentle, and dignified man who accepts whatever the Nazis do to him because he knows it will show them up as the monsters they are.
Lionel Stander has a small role and I’m afraid to say that his distinctive voice will take you right out of the film, he just sounds so bizarre and out of place here.
Jonathan Hale is excellent as Dedic, the highly experienced leader of the resistance movement. He steals all the scenes he is in. Hale makes his character strong, calm under pressure, and also someone who is a reassuring and strong presence.
Reinhold Schunzel is creepy, sadistic and completely over the top as the Gestapo chief who enjoys his job a little too much. He sits there playing with the people he is about to torture, cracking his knuckles and giggling, while adeptly tripping people up in their stories and catching them out in lies.
Hans Heinrich von Twardowski is very memorable in his small appearance as Heydrich. He conveys the power and arrogance of this man perfectly, and he makes us see why he was so hated and feared.
Dennis O’Keefe is very good as Jan, who is Masha’s boyfriend. He plays his character as someone we are never really sure about, can he be trusted, will he turn on his girl to save himself? This character is also quite heroic and likeable.
Gene Lockhart delivers a standout performance as Czaka, the man who pretends to be one thing and who is actually another.
Alexander Granach delivers the performance of the film for me. He steals every scene he is in as the watchful and tough inspector. He guzzles down beer after beer with seemingly few side effects. I think his haircut would not have looked out of place in 1980’s Britain.
My favourite scenes are the following. Masha and her father saying goodbye in the cell. The people in the cinema rebelling against the Nazi soldier. The hostages reading and memorising a poem about resisting. Masha cradling the beaten old woman in the torture cell, in silhouette we then see a Gestapo officer walk into the cell carrying a whip, we don’t need to see more to know what is about to happen to these two women. Flowers being laid on a mass grave following a mass shooting. The betrayed resistance members giving their betrayer a piece of their mind. The lipstick mark scene and the fight that follows on from that. Svoboda and Masha acting out a conversation for the Gestapo bug hidden in the apartment. Svoboda deliberately spilling red wine to cover up a bloodstain.
This is a cracking film. I think it is one that really does deserve to be much better known by classic film fans today. I’d say that this is one of Lang’s best films. He manages to capture the best and worst of humanity in this film, and he creates a dark and gloomy atmosphere that stays in the mind long after the film is over. This one is also very remarkable given the fact that it was made so soon after the real events, it is also very frank for the time in its depiction of the violence and horror of the Nazi regime.
It is a somewhat depressing film, but there is certainly a glimmer of hope and happiness at the end. I think that this ending was included to boost the morale of people watching this. This would hopefully have served as a lesson to ordinary people in how they could fight these monsters who were invading their homes, and who were trying to destroy cultures as they moved around Europe.
In August, 1963, the British public could talk about only one thing over their bacon, eggs,toast and orange juice. The topic of the day was a robbery. Not just any robbery though. Oh no, this robbery was considered to be the robbery to end all robberies.
Early in the morning of the 8th of August, 1963, sixteen men had held up a Royal Mail train on its way down from Glasgow to London. They boarded the train while it was stopped on a bridge. They severely injured the trains driver, Jack Mills by hitting him with a metal bar, and then they made off with all the cash on board. The grand total they got away with? £2.6 million. At the time this was the largest money robbery in British history.
Several of the gang were eventually caught and a trial was held in 1964. Two of the gang, Ronnie Biggs and Charlie Wilson, escaped prison in daring prison breaks, and they and many others in the gang lived abroad for decades. The case is well known here in the UK, but if you’re not familiar with it you can find more about the case, trial, and the gang members themselves online.
The robbery and what happened afterwards sounds like it’s a plot straight out of a film. Fact can be stranger than fiction though, and that is certainly true in this particular case.
It proved too much of an opportunity to pass up on, and so in 1967, production began in the UK on a film based upon the robbery. It was a rather fictionalised account and peoples names were changed etc, and it didn’t end quite how the real life event did either.
The film was directed by Peter Yates (who would go on to great fame as the director of Bullitt), and it was produced by Stanley Baker and Michael Deeley. Baker would also star as the leader of the gang aiming to rob the Royal Mail train of its cash. The films electrifying score was by Johnny Keating, and his music adds so much atmosphere to the film.
Robbery is a tense, gripping and gritty flick. It has you on the edge of your seat throughout and I think it has a very realistic look to it.I also like how the Police are not shown as idiots or the enemy here as is so often the case in films mainly focusing on the criminals. Also we don’t really (well I didn’t anyway)feel like we should be fully on the side of either the cops, or of the criminals, the depiction of what both sides did and went through is well balanced I think. We can envy at the audacity of the plan, and the fact that it works, but we don’t forget these are criminals, nor that the Police have to (and should) do their job to get them.
The first fifteen minutes are some of the most tense I’ve ever seen in a film. The film opens with four criminals setting up a robbery in broad daylight. They set up a gas canister in the car of a man who has a briefcase handcuffed to him. The gas is set to go off at a certain time, it does so knocking out the driver and the man with the case, and causes the car to crash. Three of the gangin a stolen ambulance take the two men out of the car and drive off. In the ambulance they remove the case and some diamonds.
They abandon the ambulance and get into a getaway vehicle, they are spotted by coppers in a passing car who are on the look out for the stolen ambulance, thus begins one of the best car chases in film history. The Police pursue the robbers car at high speed, as the gang try and evade capture. Filmed out on location in and around London streets, this chase had me on the edge of my seat, peeking through my fingers. In some ways this can easily be seen as the warm up for Yates film Bullitt(which features another brilliant car chase.) The bit where the gang get nearer to a London school crossing is edge of your seat stuff.
The film sees Paul Clifton(Stanley Baker)get a crew together to help him rob a Royal Mail train. Clifton has thought every possibility through, and is leaving nothing to chance. He doesn’t bet on the determined Scotland Yard Detective George Langdon (James Booth). Langdon gets to hear interesting info from some of his informers which alerts him to the fact that a big job is about to go down. Langdon and fellow colleagues set about trying to uncover what the job is, and do their best to capture the criminals.
Solid performances can be found throughout by some of the best character actors in British film history.
Stanley Baker is excellent as the tough criminal mastermind who you wouldn’t want to mess with. James Booth (Baker’s co-star in the classic war flick Zulu)steals every scene he is in, as the copper determined to get the gang.Barry Foster, Clinton Greyn, Frank Finlay, George Sewell and William Marlowe all impress as members of Clifton’s crew. Joanna Pettet has a small role as Clifton’s stylish wife, she doesn’t get much to do here, but she does make an impression when she is on the screen.
My favourite scenes are the following. The opening car chase. Frank Finlay’s character being rescued from the prison yard. The line up, where the schoolteacher identifies the man who was driving the speeding car. Clifton’s wife asking him why he has a gun. The train robbery sequence. The discussion at the football match. I also really love the opening title sequence, where the names and credits go backwards, giving us the impression that the train is passing them by.
This is a realistic and thrilling crime film inspired by a incredible true story.I’d also like to say that fans of vintage British cars will be in for a real treat, this film is full of old cars that are sure to bring back happy memories for car lovers.
I highly recommend you see this one on Blu-Ray to see it looking at its best. The Network Blu-Ray release also has lots of very good extras to enjoy, including an interesting interview with Stanley Baker.
Any other fans of this film? Please leave your comments below.
I’ve chosen to write about The Nun’s Story for this blogathon.The film is directed by Fred Zinnemann. The film is based upon the life of a real nun, called Sister Marie Louise Habets. In 1956, Kathryn Hulme wrote the novel The Nun’s Story based on the life of Habets, whom she was friends with. The book was adapted for the screen by Robert Anderson in 1959.
I love this film very much. It is a powerful and touching story focusing on a woman facing the biggest decision of her life. It has some very interesting characters. It also shows the great difficulties facing medical staff in remote areas and less developed countries. The film also features what I consider to be Audrey Hepburn’s best ever screen performance.
I have always had an interest in how medical services are provided out in less developed countries or in remote areas. This film gives you a good idea of what the reality of that provision is. As this film shows us, there are a limited number of doctors and nurses available in such places; they will often encounter a language barrier, and this will obviously cause problems when trying to give and get information from patients. In many cases there is also no access to clean water or medicines. The medical staff working in such conditions do the best they can and they have to endure a great deal of hardship and danger themselves in order to help those in need.
Belgium, in the 1930’s; Gabrielle (Audrey Hepburn)is the daughter of the famous Doctor Van Der Mal (Dean Jagger). Gabrielle shares her fathers love for all things medical. Since she was young she has also felt drawn to the medical profession just like her father. She is conflicted though because she is deeply religious and also feels drawn to life as a nun.
Gabrielle enters a Catholic convent and is given the name Sister Luke. She can’t wait to be able to start doing medical work as a nursing sister, but it is with a heavy heart that she accepts she will only be able to go out nursing when instructed to do so by her Mother Superior (Edith Evans). The majority of Sister Luke’s days are filled by prayer, practicing self denial and learning to cut all emotional ties to the life she led before entering the convent. It is soon clear to us that she is greatly struggling with this new way of life. Sister Luke iseventuallyable to work in a local hospital and a mental asylum as a nurse helping patients. Although happy to be able to be doing this, she longs to be getting even more medically involved.
Sister Luke is later transferred out to a convent in the Congo. Under the supervision of Mother Mathilde(Peggy Ashcroft), Sister Luke begins work in a small hospital serving the local remote villages. Sister Luke becomes the surgical assistant to the cynical, headstrong, atheist surgeon, Dr. Fortunati(Peter Finch).
Fortunati and Sister Luke soon develop a strong bond and grow very fond of each other. It soon becomes clear to the doctor how unsuited Sister Luke is to being a nun; he recognises that her heart truly lies in her medical work and that she has the necessary skills for this career.
Fortunati grows increasingly worried about her as she gets more and more worn out by the long hours spent in the hospital, and on top of that having to do work in the convent, attend regular prayers (day and night)and take communion. When she develops Tuberculosis, Sister Luke has no choice but to finally rest, as she does so she begins thinking about just where her future lies.
I love when Fortunati tells Sister Luke, ” I’m going to tell you something about yourself, Sister. I’ve never worked with any other kind of nurse except nuns since I began. You’re not in the mould, Sister, you never will be. You’re what’s called a worldly nun, ideal for the public and ideal for the patients. You see things your own way, you’ll never be the kind of nun that your convent expects you to be.” He sees right away what her internal conflict is and tries to help her with it. Sister Luke is stubborn and refuses to admit she might not be cut out for this way of life.
The scenes between Sister Luke and Doctor Fortunati are my favourites in the entire film. I especially love the scene where she breaks down after accidentally breaking a beaker in the medical supply room; Fortunati finds her crying and tries to comfort her, but has to keep his distance from her (despite her distress)because it wouldn’t be considered proper for him to hold her.
Hepburn and Finch give excellent performances throughout, but they are exceptional in their shared scenes together. I also love how Finch conveys to us with just a look how much he is beginning to care for Sister Luke and wants to keep her in his life.
It seems to me that this film shows us that the medical and religious way of life are quite similar in a way. Both require those in that life/career to help those in need and those who are less fortunate than themselves. The role of a doctor, a nun or priest is a lifelong commitment and you pledge yourself to it for life.Both lives are often difficult and emotionally demanding due to what has to be dealt with and experienced, but those living that life or career continue on to try and make a difference, and they try to have a positive impact. This film shows us this and it certainly made me realise how tough life as a doctor or nurse is out in places like the Congo.
Not all doctors operate from the safety of a well stocked hospital or doctors surgery. Many work in countries with limited resources. They risk contracting disease, being killed or injured while trying to help the injured or sick and face long hours due to limited staff.
In this film we see Fortunati and Sister Luke pushed to their limits due to the long and draining hours they spend operating; they barely get any sleep and they know they have to be up early the next day to operate all over again. This is not an easy life, but it certainly is a worthwhile one.
My favourite scenesare the following.Sister Luke and her fellow novices being given their new names and having their hair cut. Fortunati diagnosing Sister Luke’s Tuberculosis. Fortunati’s speech where we see he knows exactly what her internal struggle is. Sister Luke reading a distressing letter concerning her father. Sister Luke speaking to a native woman and saying that she doesn’t understand the language, but is confident that by speaking to them daily she’ll pick it up. Fortunati kicking a medical instrument away from a native assistant who was going to hand it to him after dropping it on the floor(obviously this was now unsterile, but the assistant didn’t understand about instrument hygiene so hands it over anyway). Sister Luke crying after dropping the beaker.
The film makes us admire Sister Luke’s strength and determination. We may know long before she does that she is not suited for life in a convent; but watching her come to that realisation herself makes for very powerful viewing. She is a woman who doesn’t want to fail, she is deeply conflicted between two callings that she has and wants to try hard to succeed at both ways of life.
The film was nominated for eight Academy Awards and won none of them. Quite how Simone Signoret won the best actress award over Audrey is incomprehensible to me. Signoret was good, but Audrey’s performance is so raw and genuine. She makes you believe she really is tired, conflicted and ill. Audrey says so much emotionally with just expressions in this. I think this is the best performance of her career and it’s a shame it wasn’t recognised. Audrey did win the BAFTA award for best actress for her performance as Sister Luke, so that’s something at least.
This film makes me thankful that we have people who are willing to sacrifice their own happiness and lives in order to save andhelp others.
Thank you for reading. Please share your thoughts on the film below. Never seen it? Then I highly recommend it to you.
Debbie, over at Moon in Gemini, is hosting this blogathon all about films that make us cry. Be sure to check out her site to read all the other entries. I can’t wait to read them all myself.
I want to write about Richard Attenborough’s 1993 film, Shadowlands. This is a film that I find to be extremely moving. It is shot in a way that makes me feel as though I have stumbled across a deeply private moment and am watching it unfold before me. This film shows us how precious and painful love can be, and how cruel and unpredictable life can sometimes end up being.
The loss of a loved one is something we will all unfortunately have to face at some time in our lives. When we lose someone we love, we often rage, asking why this had to happen; we demand to know why did it have to happen a particular way or at a certain time. Loss can make you question the point of life itself, and question why we even allow ourselves to love, if the pain of losing a loved one is so great. Richard Attenborough’s film tackles this pain head on. Shadowlands makes me cry every time I watch it. Hopkins in particular is so moving as the man opening himself up emotionally; the trouble is by doing that he is leaving himself vulnerable to the upcoming pain of grief and loss.
The scene where Lewis is talking to a friend who is a vicar, and breaks down in the church and confesses his love for Joy moves me so much; it moves me because Hopkins makes you feel the agony and helplessness that Lewis is experiencing at that moment. This scene always seems to me like I’ve intruded on a real and very private moment.
Shadowlands tells the true story of British author C.S Lewis(Anthony Hopkins), best known for creating that magical land of Narnia(please access through your nearest wardrobe.)Lewis was an Oxford lecturer and theologian, he suffered great grief in his early years when his mother died when he was just ten years old. Lewis became an atheist for many years, but later ended up returning to his Christian faith.
Oxford, in the mid 1950’s, the somewhat repressed author and Oxford lecturer, C.S.Lewis(Hopkins) lives with his brother Warnie (Edward Hardwicke). Lewis is content with his well ordered life, that is until he meets a woman who will change his life forever.
Lewis meets the outgoing American poet Joy Gresham(Debra Winger). The pair became good friends, soon that friendship turned into something more and they are married. Tragedy lies just around the corner though when Joy is diagnosed with cancer. The film shows Lewis allowing himself to fall in love far too late; by the time he admits and acts upon his feelings, Joy is doomed to be taken away from him.
Hopkins is heartbreaking in the role of Lewis. He really lets you feel how much Lewis is being ripped apart inside and I think this is one of the best performances he has ever given on screen. Lewis can’t bear to lose Joy, wishes he had fallen in love with her sooner, and is helpless in the face of her pain. The crying scene between him and Joy’s young son Douglas(Joe Mazzello)is one that I will never forget and it makes me cry every time I watch this film.
Debra Winger is excellent as the funny, bubbly, outgoing woman who allows Lewis to open himself up to the joy of love. Winger makes you feel that you would like to have known Joy, that she would have been fun to be around. When we learn of Joy’s illness it’s even more cruel because she is someone who is so full of life and knows that she is slipping away. Debra is so convincing in the scenes where Joy is really in pain, that it is difficult to watch her as it’s like you are witnessing real suffering.
There is a great line in this spoken by Joy: ”the pain then is part of the happiness now. That’s the deal.” Knowing we will one day lose the person/people we love certainly makes us value the time we spend together. Personally the fear of the pain from that inevitable loss makes the rest somewhat difficult for me; I guess it all comes down to are you willing to accept such pain in your life? It’s worth it for the happy times but can you take what happens next?
This film raises and tackles these questions so well. It’s moving, romantic and most important of all, you remember that this couple really went through all of this.
Superb performances, a beautiful score by George Fenton, and some beautiful location work(Oxford, the countryside)all make this a must see. Keep the tissues handy though, you will need them. For me this is one of Richard Attenborough’s greatest film achievements.
I find the following scenes to be very moving. The famous “the pain now is part of the happiness then” scene. Lewis admitting his love for Joy, the look on Hopkins face during that scene really moves me, he shows so much love and tenderness for her. The attic scene between Lewis and Douglas. Joy saying goodbye to Douglas. The final scene between Lewis and Joy. The “you look at me properly now” hospital scene.
If this film moved you, then I highly recommend you also check out the 1985 version starring Joss Ackland and Claire Bloom.