Unsung Classics

Unsung Classics In Need Of Watching: Part 1

Anyone who loves cinema will no doubt have their own list of films which they love, but which nobody else ever seems to have heard of.

I’m going to list a few of my unsung favourites for you. I invite you all to do the same. Please share those unsung titles. Let us help to spread the word about these unsung films.

The following classic era films are all ones that are not all that well known (if they are known at all in some cases). Some of these may be known to some fans of classic era cinema, but mention them to the average moviegoer and you will get a blank look in response.

All of these are excellent films. If you love classic era cinema, then you should really check them all out.

 

 

Photo0077   Shooting Stars (1928)

A little known British Silent film. This gives us a behind the scenes look at filmmaking. We are shown how the screen magic is created. We also see plenty of off screen drama as an actress has an affair with a co-star. Her affair breaks her husbands heart. This is a funny, tragic, and fascinating film. The performances are excellent. I love the bouncy score to this one as well. Well worth a look. You can read my full review of this film here.

 

 

Photo0052  Stray Dog (1949)

One of Akira Kurosawa’s best films is also sadly now one that is among the least well known of his films today. Audiences automatically tend to think of his Samurai flicks now, instead of his terrific dramas and thrillers from the 1940’s. This film follows a detectives mission to get back his stolen service gun. As the gun is passed from one person to another it becomes linked to crimes. You can read my full review here.

 

 

The Clock (1945)

Judy Garland and Robert Walker Sr star in this beautiful romantic drama. Walker plays a soldier on leave during WW2. He meets Garland’s character by chance in New York. They fall in love and are soon in a hurry to marry before he has to go back to fight in WW2.

The performances from Garland and Walker are extraordinary in this. They have such perfect chemistry and really convince as the couple falling in love. This was Judy’s first non musical role, and she more than proves her dramatic acting talents with this film. You can read my full review here.

 

 

 

Photo0154  Mandy (1952)

A powerful British drama about a young deaf girl. This film helps raise awareness of deafness and also about what living with someone with the condition can be like. The main performance by Mandy Miller is one of the best child performances I have ever seen. A moving and uplifting film. You can read my full review here.

 

 

 

Photo0071  The Edge Of The World (1937)

This early film from director Michael Powell focuses on life on a small island in the Hebrides. Strong performances, and being filmed on a real island add a great deal of authenticity to this film. John Laurie steals the show. You can read my full review here.

 

 

Photo0045  The Passionate Friends (1949)

This David Lean film could almost be viewed as a sequel to Brief Encounter. There are many similarities between the two films, and this shows what could have happened had there been a sequel with Alec and Laura meeting years later. Claude Rains plays the loving but distant older husband to Ann Todd’s lonely younger woman. When she meets Trevor Howard (whose character she used to love)an affair begins that changes everything. You can read my full review here.

 

What are some of your unsung classics? Share them with us on your own sites.

 

 

 

 

Advertisements
Detective, Noir, Unsung Classics

Unsung Classics 8: Woman On The Run (1950)

I came across this Noir gem purely by chance a few days ago. It came up as a recommended purchase after I had bought another Noir film. I had never heard of this one before, but I really loved the sound of the story. I also really like Ann Sheridan(who is the star of the film) and so I just had to have it. Having watched this yesterday, I can report that this certainly was money well spent. 

Woman On The Run is quite a unique Noir film. Originally titled Man On The Run, the title was changed to what it is now, and the focus was taken off of the pursued man on the run, and shifted instead onto his wife.  I think this change really helps the film. Such stories would usually focus on the man who has gone into hiding, by shifting the focus away from him, the film becomes an out of the ordinary depiction of this type of story.

The film is also notable for having a female lead. It was pretty rare for a woman to have the main lead role in a Noir film; women certainly get big and interesting roles in these films, but the main character generally tends to be a male. I found it very interesting for the focus of the film to be on Sheridan’s character. Sheridan also co- produced the film. Her character is one tough and independent gal. I wish she had been given more roles like this.

I really like how the marriage depicted in this film is far from ideal, and it is also far from what marriage was expected to be during the 40’s. I also dig how Sherdian’s character doesn’t cook for her husband, when asked what they do for food, she coolly replies “we eat out.” This gal is not content to sit at home cooking a three course meal for her man.  Good on her, is what I say!

The two married characters have also fallen out of love, they tolerate one another, but have no interest in, or any desire for each other any more. The only thing keeping them together is their shared love for their pet dog, and the fact that their shared life is comfortable and tolerable.

Sadly this film isn’t one that is all that well known today, and there were quite a few years where it wasn’t known about at all. It is also a film that we recently came very close to losing forever. In 2008 a huge fire burned down part of the Universal Studios lot, in the process there were also a lot of films destroyed that were stored in the film vault there.

The print of Woman On The Run was among the films lost in this blaze. The interesting story of how a copy of the film came to be found and restored is included in a booklet with the Blu-ray release of the film. It is an amazing story, and I for one am very grateful that this film was able to be restored.

The film is shot out on location in San Francisco. The locations used focus on the less well known areas of the city, and don’t focus heavily on landmarks.

The film tells the story of Frank Johnson (Ross Elliott). He is out at night walking his dog. While doing so, he witnesses a gangland execution. The killer spots him, shoots at him, and then drives off.

Frank is unharmed and calls the Police. The cops ask him if he can identity the killer, he says that he can. The cops immediately want him in protective custody, but he doesn’t like the sound of that, so he makes off into the night to take a chance looking after his own back.

Photo0186

Inspector Ferris (Robert Keith) persuades Frank’s wife, Eleanor (Ann Sheridan)to help them look for him. She is wary of leading them to him in case the gang should get to him if the Police get him to testify at the trial.

Teaming up with the charming and determined reporter Danny Legget(Dennis O’Keefe), Eleanor sets out to look for her husband. Legget will keep his silence as to Frank’s location in exchange for an exclusive interview with the couple. There are a couple surprising twists late in the story, which lead to a thrilling and suspenseful finale at an amusement park.

This is a very good film and it is one in which the characters and actors are the real stars. There is some very funny dialogue throughout the film. The wisecracks being thrown back and forth between O’Keefe and Sheridan are class. I also love the dialogue and scenes between Robert Keith and Sheridan, Eleanor and the Inspector rub each other up the wrong way, but they both come to develop a mutual respect for one another.

Sheridan is very good as the tough woman who discovers herself falling back in love with a man she thought she was over. Dennis O’Keefe is a highlight in the film, I think this is one of the best performances he ever gave. I really like how O’Keefe conveys his growing feelings for Eleanor to us. Robert Keith (father of Brian Keith)steals all the scenes he is in, I love his character and the way he delivers his lines.  

The film clocks in at 1 hour and 18 minutes, but boy does it manage to pack a lot in during such a short space of time. This one reminds me a bit of The Narrow Margin, with both films being compact Noir films that pack quite a punch, and have a gripping story.

My favourite scenes are the following. The skylight sequence between Leggett and Eleanor. The finale in the amusement park. Ferris speaking to Eleanor for the first time and looking around her apartment. Leggett and Eleanor escaping a Police officer tailing them.

This film also contains a very funny exchange between a drunk woman and Eleanor. It’s one that is funnier when you see it, rather than when you read the dialogue.

Woman -“Say, why don’t you wear a hat?”

Eleanor – “I look funny in hats”

Woman – “You’re not wrong!”  Haha.  🙂

Cracking little flick that deserves to be much better known. Do you love Film Noir? Then this is a film for you.

Horror, Unsung Classics

The Fog (1980)

 

Photo0639
The fog rolls in. Screenshot by me.

Continuing on with the Halloween films theme, I’m now going to take a look at one of my all time favourite horror films. That film is The Fog. This is one that I will stick in the DVD player when I’m in the mood for something really eerie. This is a film that is shockingly, and very strangely seriously underrated in comparison with so many of the other films from horror legend John Carpenter. As far as I’m concerned this film should be up there with his classic films such as Halloween and The Thing.

 

It seems very strange to me that this ghostly tale of revenge and horror hardly ever seems to be mentioned now. It is a very good film and more than that, it is also a very good horror film too. I consider this to be one of John Carpenter’s best screen efforts.

The Fog is so atmospheric, it’s scary and it’s also very eerie. The scenes featuring the glowing fog are seriously creepy and are quite an unforgettable sight. John’s own score for the film is one of his very best, I think it adds so much to the film and is the perfect accompaniment. This is a film that sends shivers down your spine. It is also reminiscent of those ghost stories which are best read by a blazing fire on a dark night.

 

Photo0636
John Houseman tells a story to chill you to the bone. Screenshot by me.

The year is 1980. The film opens on a beach, with the great John Houseman playing an old sailor. The sailor is telling the spooky story of the crew of the ship, The Elizabeth Dane to a group of children, as they all sit around a blazing fire. Houseman conveys such terror, and paints such images in your mind with his words alone. This sequence really sets the tone for the horror to come.

 

The residents of the beautiful seaside town of Antonio Bay, California, are looking forward to a celebration event being held to mark their towns 100th anniversary. The local Priest, Father Malone (Hal Holbrook) discovers a diary written by his grandfather, through which he learns the terrible truth of how their town was actually founded.

In 1880, six men who would go on to found the town killed Blake, a wealthy man with leprosy, and his crew, and then robbed his ship The Elizabeth Dane of its gold. This gold was then used to fund the building of Antonio Bay.  

 

Photo0641
The dead emerge from the fog to take revenge. Screenshot by me.

Blake and his murdered crew have returned from the dead in order to hunt down six residents whose lives they can take in revenge for their own murders. This group come ashore after midnight, shrouded in a mysterious, eerie glowing fog. Strange events start happening, three sailors are killed out at sea, and then other deaths start occurring. Nick Castle (Tom Atkins)and his girlfriend Elizabeth (Jamie Lee Curtis)start to investigate and try and get to the bottom of the strange events. Who will survive? Can the undead be stopped?

 

This film manages to be the perfect combination of ghost story and slasher flick. The murder scenes are not overly graphic, but they come across as quite disturbing. The supernatural element makes your skin crawl, adding some real shivers to this horror tale.

I have to mention a few things I’ve picked up on. Has anyone else ever noticed these things? Twelve and six are key numbers in the story; the horror starts at midnight, there are twelve key characters in the film: Stevie, Andy, Father Malone, Nick, Elizabeth, Kathy, Sandy, Dan, Mrs. Kobritz and the three fisherman. Elizabeth tells Nick that he makes her twelfth time being picked up while hitchhiking. Stevie starts broadcasting at the radio at 6pm, there are six victims claimed by Blake and his dead crew.  

I also noticed that Elizabeth(Jamie Lee Curtis)has the same first name as Blake’s ship. Also, at around the 53 minute mark in the film, there is a man in glasses wearing a blue coat, this guy looks like Steven Spielberg. Does anyone know if it actually was Spielberg?

I also have a theory that is a possibility that the film is all a nightmare experienced by Andy (Ty Mitchell)after he hears the story on the beach. I’ve started to think that because the film opens with that scene, and just before that there is this quote from Edgar Allen Poe: “All that we see or seem is but a dream. A dream within a dream.” There must be a reason this was included. Could it be that this is supposed to be a nightmare after all? The film also has many moments where something suddenly happens, or changes suddenly to something scary just as nightmares have a tendency to do.

 

Photo0637
Stevie on the air. Screenshot by me.

Adrienne Barbeau is excellent as Stevie, the sultry voiced DJ who gets caught up in the strange events. Stevie is a strong and resourceful woman, and Adrienne makes her one of the most memorable characters from the film.

 

My favourite scenes are the following. The windows mysteriously breaking on Nick’s car as he is driving. Stevie making her way down the steep steps to get to the radio station (located within a former lighthouse on top of a cliff). Blake and his men killing the fisherman. The finale in the church. Nick and Elizabeth finding the missing fishing boat. The children listening to the ghost story on the beach. Andy being rescued from the house.

The film was made on location out in Point Reyes, California. The beautiful location provides a stunning backdrop for many events in the film.

Spooky and a lot of fun, The Fog really is a film that makes for perfect viewing at this time of the year. Any other fans of this one?

 

Unsung Classics

Unsung Classics 5: Family Plot (1976)

Photo0088

What’s that? A Hitchcock film considered an unsung classic? Believe it or not the answer is yes.

On this day back in 1980, we lost one of the best film directors there has ever been in the world. Alfred Hitchcock died aged 80.

For decades Hitch had scared audiences silly and shown us how a suspense film should be made. Hitchcock’s films allowed actors to play roles quite different to what they usually accepted, and that is interesting for me to watch this change as a viewer. His films explored themes like obsession, the innocent wrongly accused, jealousy and mother issues. The majority of his work is highly praised and much discussed.

After reaching a career highpoint with Psycho and The Birds; Hitchcock’s last few films sadly declined in popularity and they are rarely praised the same way his earlier ones are. I agree wholeheartedly that Torn Curtain is pretty bad (apart from that excellent farm sequence) but I don’t agree with all the criticism of the others. I’m not saying all of them are perfect, but I firmly believe they are far from the weak films many consider them to be.

Marnie, Frenzy, Topaz and Family Plot are all films that I feel are worthy of more attention and reassessment.

I want to talk today about one of my favourite Hitchcock films. That film is Family Plot.

It ended up becoming Hitch’s final film and I consider it to be a really grand finale. The film features many of his key component; such as the beautiful blonde woman, thrills, suspense, humour, and a slight supernatural element too. In a way it is a tribute to all that came before. I love it because it is just so much fun.

Blanche Tyler(Barbara Harris)is a con artist posing as a medium. Blanche is hired by the wealthy Julia Rainbird(Cathleen Nesbitt)to help find the son of her dead sister. Julia will give Blanche $10,000 in reward. Blanche and her taxi driver boyfriend, George Lumley(Bruce Dern)jump at the chance to get some cash, so they start investigating and soon uncover something they will wish they hadn’t.

Meanwhile, across town, suave jeweller Arthur Adamson(William Devane) and his girlfriend Fran (Karen Black)are kidnapping wealthy people and asking for valuable diamonds as ransom. These two will soon cross paths with Blanche and George.

Harris is perfect as the kooky Blanche, she is a fake, but she acts like her abilities are real much to the amusement of George. Blanche is so loveable so we don’t hate despite the fact that she is conning people in her role as medium. Blanche comes across as someone it would be fun to know, she’s sweet, funny and life with her around wouldn’t be dull.

Bruce Dern is excellent as the cranky taxi driver who is happiest at home with Blanche, enjoying a bottle of beer in front of the TV. He is the Hitch everyman for the 1970’s, stressed from working hard and looking forward to his time off. As their investigation progresses, George pretends to be a Private Detective and he seems to have fun in this role/job change.  This is one of my favourite performances from Dern, and it’s a rare time where he gets to play a character who isn’t a villain or crazy.

William Devane is oily and overly charming. He makes Arthur a very two faced character and a real nasty piece of work. You know this is a guy who only cares about himself.

Karen Black has fun playing two roles. As Adamson’s girlfriend, she is bubbly and is only going along with his schemes to please him, she isn’t doing it because she is a bad person. As the black clad, blonde mystery woman who collects the ransom she is cool and determined.  In a way Fran reminds me of Madeleine/Judy in Vertigo; she is  a woman desperate to be loved, and who makes herself up to look like someone else because her man forces her to. Both Scottie and Arthur seem to have a thing about mystery blondes and ignore the real girl they are forcing to dress up.

Ed Lauter delivers strong support as garage owner Joseph Maloney. He may hold the key to the missing Rainbird heir.

Cathleen Nesbitt is moving as the elderly woman consumed with regret and remorse for her actions all those years ago.

The film also features a sadly much overlooked score by John Williams. The music works so well in the film, and for me is one of the most memorable scores for a Hitchcock film.

My favourite scenes are the following. George and Blanche bickering in the taxi on the way back from Julia Rainbird’s house. The entire sequence in the cemetery where George is looking at headstones. The first shot of Fran as she walks into the Police station dressed in black and wearing sunglasses. The brakes failing on George and Blanche’s car, leading to terrifying car journey. That wink at the end.

A playful and thrilling film. I consider this one a fitting tribute to all that came before in Hitch’s career.

I also always get a real craving for a burger after watching this. Why? Due to the scene where George and Blanche eat homemade burgers. Yum!

I wish with all my heart that more people would show some love to this film. Any other fans here?

 

Unsung Classics

Unsung Classics 4: They Might Be Giants (1971)

This is a film that really moves me like no other. In this film the lonely find companionship, the unloved find soulmates, the damaged find healing, and individuality is allowed a real chance to shine.

This is a film about what it means to be different. The characters individual natures and quirky behaviour set them apart from the so called norm, and in some cases this leads to the rest of society classing them as mad or dangerous.

Who is worse though? A man believing himself to be Holmes, or Rudolph Valentino? Or  someone who seems to take great pleasure in locking up people and threatening anyone who doesn’t do as they are told? As long as nobody is hurting anyone else, why do we all have to conform? Be yourself and just try and cope with the uncontrollable force that is life.

Plus, as the funny, but deeply frustrating telephone exchange scene demonstrates, there is plenty of madness already affecting the so called normal members of society.

Justin Playfair(George C. Scott)is a judge who retreats into the persona of Sherlock Holmes, after his beloved wife dies. Playfair believes he is Holmes, he has the detectives coldness and famed deduction and observation skills; yet retains Playfair’s obsession with stopping and punishing the evil people of the world.

Photo0074

Psychiatrist Mildred Watson(Joanne Woodward) is hired by Playfair’s brother to assess Justin, and if she deems it necessary insist he is committed to a mental hospital. At first Mildred sees him only as a sick man, but soon she gets caught up in his delusions. Holmes/Playfair believes that Moriarty is behind all the evil things happening in New York, from murder to injustice. The detective and the doctor set out to try and locate Moriarty(if indeed he even exists.)

Watson becomes as much of a friend to Holmes/Playfair, as John Watson was to the Holmes in Doyle’s stories. Both Holmes/Playfair and Watson are lonely and damaged in some way, yet each helps the other and finds salvation in their growing bond. Their growing romance is sweet to watch and the date night at Watson’s apartment is  touching, awkward, funny and sweet.

John Barry’s accompanying score is one of his very best. The music really touches your soul and fits the story perfectly.

George C. Scott is at his very best in the duel role of damaged patient and analytical detective. There are moments where he lets us catch a glimpse of Justin, and then the mask of Holmes descends once again as protection from the world.

Joanne Woodward is both funny and moving as the woman of reason drawn into a delusion, and possibly experiencing a break with reality herself.

My favourite scenes are the following. Holmes/Playfair correctly deducing about Watson’s life, the Rudolph Valentino scene, Holmes/Playfair teaching Watson how to walk like a detective, the elusive pimpernel scene between Holmes/Playfair and Peabody(Jack Gilford), Watson leaving and Holmes/Playfair mentioning that she went away in stockened feet, the “Mr. Rathbone” scene, and the hysterical cinema outing (especially when Watson says “good grief, I think they’re growing mushrooms!”)  🙂

Part human tragedy, and part comic look at the craziness that is life and humanity; They Might Be Giants is a very different kind of film than most.

Featuring many memorable performances, and an ending that can be seen in two ways and should lead to much discussion(just what is that light? Train lights? Moriarty actually appearing? Police torches?)

This is one that has long had a place in my heart. If you like Sherlock Holmes then do check this out. If you believe in individuality, then this is a film for you too.

I’ve always thought this plot would make a good series set in the modern day. Each week have Watson trying to help Playfair, and the pair also getting caught up in the real cases brought to Holmes/Playfair’s door through people hearing of his incredible deductive/detective skills. The bond between Watson and Holmes grows, but maybe Watson comes to realise that it would be more harmful to actually make Playfair return to himself.

I don’t think this film will be to the taste of everybody, it is very quirky and has quite an unusual storyline. Give it a go though if you like the actors, or like the sound of the film.

As ever, please share your thoughts below.

British Cinema, Musicals, Unsung Classics

Unsung Classics 3: It’s Great To Be Young! (1956)

I wonder how many of you have even heard of this one? I’m betting not very many at all, and that is why I wanted to write about it because it deserves to be better known.

I first saw this on TV many years ago, I missed the first few minutes of it, so I didn’t even know the title of what it was I was watching. I saw that John Mills was in it, and I found myself enjoying the story, so I kept right on watching. Over the years a scene in this stayed with me (the students locking themselves in the music studio refusing to come out)and every now and then I get to thinking about the film. I just wished I knew the film title so I could buy a copy.

It took me some time after this to find a list of John Mills films and read through the plot descriptions, but I kept on going until I discovered it had been called It’s Great To Be Young! A couple of years ago, I was thrilled to see this was available on DVD and I made sure I bought a copy.

This is a film that will bring a smile to your face, and a tear to your eye. Uplifting and touching with some cracking music(courtesy of jazz great, and radio comic genius, Humphrey Lyttelton),this is perfect to watch when you need cheering up.

Photo0062

Beloved music teacher, Mr.Dingle(John Mills)loves music, he loves playing music, teaching music and discussing music. His passion for his subject makes him a big hit with his students. He is easy-going and more of a friend to his pupils than just a teacher. He runs a jazz class for his students which is well received. When the school gets a new headmasterMr. Frome(Cecil Parker), Dingle finds himself being pressured to stop teaching jazz and having to just stick to the regular(boring)curriculum.

The dislike between Dingle and Frome escalates and soon Dingle’s career is on the line. It is up to his students to make a stand for the teacher they love.

John Mills is excellent as the energetic teacher who makes his lessons fun and listens to, and works with his students. Cecil Parker provides solid support as the stuffy headmaster who rigidly imposes his way of teaching on his new colleagues.

The child stars are all superb, with Dorothy Bromiley in particular making a strong impression as Paulette, who is falling in love for the first time in her life. I love the scene between her and John Mills, when Paulette asks him for advice on how to deal with her feelings.

This one makes you think of all those teachers who meant a great deal to you, and had a positive impact on your life. Who wouldn’t want a teacher like Dingle?

This may not be the greatest film out there (I doubt that was what it was aiming for), but is certainly a very enjoyable film. The outfits and hairstyles may be outdated now, but the music, and the issues that the characters are going through on screen will never age. If you need a light hearted film to bring a smile to your face this is it.

Any other fans of this? To the rest of you, this one comes highly recommended.

 

British Cinema, Romance, Unsung Classics

Unsung Classics 2: The Passionate Friends(1949)

 

Photo0449
Mary and Steven in Switzerland. Screenshot by me.

Continuing on with the unsung series. Today, I’m focusing on this British romantic drama, starring Trevor Howard, Claude Rains and Ann Todd. I find it so hard to choose just one film as my all time favourite, but if I had to choose just one, I really do think this might be it.

If you think that H.G Wells only wrote science fiction,  then you really need to think again. In 1913, his novel about adultery, called The Passionate Friends was published.

This film written by Eric Ambler and directed by David Lean is based upon Wells’s novel(I’ve never read the novel, but from the write up I’ve found online, I think I’d be better off sticking with the screen adaptation as the original story doesn’t actually sound like my cup of tea. I may check it out at some point if I ever come across it.)

Photo0451
Ann Todd as Mary. Screenshot by me.

Mary Justin(Ann Todd)is married to Howard Justin(Claude Rains), a much older man who is very wealthy. At a New Years Eve party Mary runs into her former lover Steven Stratton(Trevor Howard)and discovers that she still has feelings for him. The pair strike up a friendship but neither can deny their romantic attraction.

Howard discovers their affair and he puts an end to it, or at least he thinks he does. Nine years later in a Swiss hotel, Mary and Steven meet again and once again can’t deny their feelings. Mary has to choose which man she will stay with.

 

Not only is Mary torn between two different men, but she must also choose between two different types of love, the physical and the emotional. Steven is passionate, tender and expressive; whereas Howard is more reserved, gentle, and very set in his ways. Both men love her very much, but with which man (and type of love) does she find herself happiest?

Photo0450
Trevor Howard as Steven. Screenshot by me.

In many ways this film mirrors Lean’s earlier classic Brief Encounter. You could almost view this film as the sequel to that, with Howard appearing in both(and as a doctor in both), the dull but loving husband, and a woman torn between one life and another. Both films even contain a scene at a train station where a main character contemplates suicide. Both of these sequences contain a shot of a bright light glow on the face of the actor. 

Ann Todd is superb as the young woman struggling against her own feelings and not really wanting to hurt either of these men, but knowing whichever choice she makes will end up hurting one of them. Todd was married to David Lean and appeared in several of his films, she is an actress who deserved many more film roles.

She is a very expressive actress and in this film she doesn’t need words in most scenes as her face tells us all we need to know(particularly during the tube station finale.)

Photo0448
Claude Rains as Justin. Screenshot by me.

This features my favourite Claude Rains performance, as the man who knows what is going on under his nose, doesn’t like it but no matter what can’t give up the woman he loves. He makes us really feel for Justin and makes him likeable, which makes the situation even more poignant all round. I especially love him in the scene where he confronts Mary and Steven and they realise he knows about them; Claude owns that scene and makes it quite funny.

 

Howard is very good as the outgoing, earnest younger man, who is desperately trying to start again with the woman he loves. I love him in the scene where Steven and Howard have a confrontation at Howard’s home, and in the scenes in the Switzerland.

There is some gorgeous and interesting photography in this and beautiful scenes of the Swiss lakes and mountains.

My favourite scenes are the following. The New Year’s Eve party.  Justin’s outburst at Mary, which then leads us to the unforgettable finale. The entire sequence in Switzerland.

The ending isn’t one you forget in a hurry and it is very moving and suspenseful.

A film that deserves a great deal more attention. Highly recommended. If you happen to be a fan of this one, please do share your thoughts.

 

Romance, Unsung Classics

Unsung Classics 1: Paris When It Sizzles (1963)

I’d like to start a series of posts about classic films that I think deserve some more attention. I’m starting with this romantic comedy starring William Holden and Audrey Hepburn.

Quite simply, this is one of the best and funniest films out there about the filmmaking process. Focusing this time on the screenwriting process, this film takes a look at all the film clichés, at how quickly plot ideas can change, and how such ideas even come to be in the first place.

The film is also a very clever mix of genres. At one point it is a thriller, whilst another scene finds us firmly in horror territory. The film also features an hysterical cameo from Tony Curtis, as a young method actor featuring in several of the film scenarios. The film is basically one big in joke about the filmmaking process, and about the people who work in this industry.

Featuring some gorgeous photography in and around Paris, lots of humour and romance, and Holden and Hepburn having a great deal of fun, what’s not to like?

photo0040

Richard Benson (William Holden)is a cynical Hollywood screenwriter, a ladies man, who loves a drink or two, and is living in a Paris apartment. Hired months ago to write a new screenplay, he has in fact been spending his time having fun and hasn’t written a word! With his deadline fast approaching he hires secretary Gabrielle(Audrey Hepburn)to help him begin and finish on time.

As he comes up with possible scenarios we actually see his ideas as film scenes on screen, featuring Holden and Hepburn as the various main characters. While all this is going on, Benson is finding himself falling in love with Gabrielle, but does she return his feeling?

Holden has a ball playing various fictional adventurous leading men, and even a charming vampire! Hepburn shows a real gift for comedy as the secretary caught up in imagination, and as various fictional leading ladies.

The vampire grotto sequence is one of my favourites, as a romantic afternoon lunch suddenly takes a turn into the realms of darkness, when Holden’s charming playboy is revealed to be a vampire. It’s funny and ridiculous at the same time and just where is that beautiful waterfall/park they go into? It looks gorgeous, I also like the fountains featured in the final scene.

I also love the scene in the film studio featuring Audrey as a sexy woman of the streets taking a bubble bath on an exotic set.

Great fun, and highly recommended to fans of Holden and Hepburn. This flick deserves to be better known. Spread the word, folks!

If you’re already a fan of this one, please share your thoughts on the film.