Tag Archives: Fred Astaire

The Second Fred Astaire And Ginger Rogers Blogathon: A Tribute To Fred And Ginger

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Michaela at Love Letters To Old Hollywood, and Crystal at In The Good Old Days Of Classic Hollywood, are co-hosting their second blogathon devoted to all things Fred and Ginger. Be sure to visit their sites to read all of the entries, I can’t wait to read them all myself.  

Laurel and Hardy; Bogie and Bacall; Morecambe and Wise; Hope and Crosby; Pryor and Wilder; Tracy and Hepburn. There are some people who are just meant to be together. Fred Astaire and Ginger Rogers are another one of these special screen duos. I cannot imagine a world where these two had never been paired together and made all those wonderful musicals together. Fred and Ginger fit together perfectly and are quite rightly considered to be one of the most beloved and iconic film duos of all time. I also like how their screen partnership was equal, with neither one of them outshining the other in any way, or doing anything which could lead one of them to be considered as the “better” star of the two. 

Whenever I hear the names Fred Astaire and Ginger Rogers, the first words that immediately come into my mind are elegance, effortlessness, perfect timing, fun and style. Fred and Ginger had all of those things in spades. I especially love how they made everything they did on screen appear natural and effortless, even though you know full well that they rehearsed and practiced constantly to get their dance routines to look so spontaneous and effortless.

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Fred and Ginger in Top Hat. Image source IMDb.

I also love how Fred and Ginger always make you completely believe that their characters are falling for one another. I think their pairing works so well because of the way they both usually play their characters – Fred is all charm, playfulness and silliness, while Ginger is a fiercely independent type of gal who is more serious before she eventually falls for Fred’s charms.

Fred and Ginger’s films have become comfort films for me. If I’m not well or am going through a tough time, I know that putting on a Fred and Ginger film will always make me smile. I adore all ten of their films, but my favourites are Top Hat(the best of their films in my opinion), The Gay Divorcee(featuring the very romantic Night and Day sequence), The Story Of Vernon And Irene Castle(telling the moving story of the real life husband and wife dance team Vernon and Irene Castle), Carefree(featuring a lovely fantasy dance sequence on a giant Lillie pad) and Swing Time(featuring some of the best dancing ever put on film.) 

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Fred and Ginger having fun in Carefree. Image source IMDb.

I think Fred and Ginger’s films are the perfect blend of romance, comedy, drama and spectacle. Their films are also enchanting slices of pure escapism which offer us some truly wonderful sights to behold. They are also all films which the whole family can watch regardless of how young or old they may be. Everyone can find something to enjoy in a Fred and Ginger film. The heart and soul of these films are Fred and Ginger themselves. They are such an amazing team and you can totally see them bringing out the best in one another in each and every scene. Not only are they a great match as dancers, but I think they work wonderfully well together in the dramatic scenes as well. It also helped that they had the type of chemistry that just can’t be faked. 

My first introduction to Fred and Ginger came when I was around the age of 8 or 9, when I watched the musical documentary That’s Dancing. Some clips of the pair dancing together in The Gay Divorcee and Swing Time are included in the documentary and I absolutely loved what I saw of them in those clips. I knew that I wanted to see Fred and Ginger’s films and see more from them after this.  So you can imagine how over the moon I was when not long after this my parents bought me the video of Top Hat. I loved every minute of the film and it has gone on to become my favourite of all the Fred and Ginger films. You can read my Top Hat review here. 

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Fred and his sister Adele. Image source IMDb.

We have the marriage of Fred’s sister Adele to thank for Fred and Ginger ending up being paired together as screen partners. Fred Astaire was born Frederick Austerlitz on the 10th of May, 1899, in Omaha, Nebraska. His elder sister Adele, born on the 10th of September, 1896, showed a talent for dance from an early age and her parents enrolled her at local dance school to improve her skills. Fred was sent there too, in the hopes that dancing might help build up his strength, as he was quite a frail child. It soon became clear that Fred had the makings of a dancer too.

Fred, Adele, and their mother, Ann, moved to New York, where Fred and Adele were enrolled at the Alviene Master School Of The Theatre And Academy Of Cultural Arts. The siblings and their mother adopted the more American sounding surname of Astaire. In late 1905, the siblings dance instructor Charles Alvienne helped Adele and Fred develop a professional vaudeville act. Over the next 27 years Adele and Fred would work the vaudeville circuit, perform on Broadway, and would also travel over here to the UK to perform in London. The siblings fame and popularity grew throughout the 1920’s, and while it may seem a bit surprising to us today given how legendary Fred is, it was actually Adele who became the bigger star of the two when they were working together. Adele was charming and had great comic timing, she was also a far more outgoing person than her shy and workaholic brother was. Adele affectionately nicknamed Fred “Moaning Minnie” due to how worried he would get over everything. 

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Brother and sister hit the dance floor. Image source IMDb.

In 1932, Adele officially retired from the stage. She had met Lord Charles Cavendish, the second son of the 9th Duke of Devonshire, in 1927 and the pair had fallen in love. Adele had broken with tradition and proposed marriage to him! The couple married in May 1932, at the Cavendish family estate of Chatsworth. Sadly their marriage would become an unhappy one. Charles was an alcoholic who would sadly die in 1944 aged just 38. Adele became pregnant three times, but all of her pregnancies ended tragically. She gave birth to a premature daughter, who didn’t survive; then came twin boys who were stillborn; while her third and final pregnancy ended in a miscarriage. Adele married for a second time in 1947, this time to Colonel Kingman Douglass, the American chief of US Air Force Intelligence. The couple were married until his death in 1971. Adele remained close to her brother throughout their lives until her death in 1981. 

After Adele left their act, Fred went on to achieve great success on his own on stage in both London and America, in Cole Porter’s play The Gay Divorcee(which Fred would also later go on to star in the film version of). He then travelled to Hollywood in 1933 to make a screen test for the newest of the Hollywood Studios, RKO Studios, which had been founded in 1928. Fred was signed to RKO by David O’ Selznick.

The legend goes that on the basis of Fred’s test someone in Hollywood is supposed to have remarked “Can’t act; slightly bald; can dance a little”. This quote has always made me laugh given how ridiculous and untrue it is. If the quote really was said, then I hope that whoever uttered those words quickly regretted it once Fred and Ginger took Hollywood by storm and proved those words so wrong. Fred was a VERY multi-talented man indeed. Not only was he a fantastic dancer, singer and actor, but he had a real eye for choreography and he revolutionised the way dance was filmed. Fred made sure that the camera held dancers in full view at all times, and that dance sequences had as few a number of cuts as possible. 

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Fred and Ginger dance together for the first time in Flying Down To Rio. Image source IMDb.

Fred’s first film role saw him loaned out to MGM by Selznick, not to play someone fictional, but to play himself alongside Joan Crawford in Dancing Lady(1933). Fred’s second film would be the one that changed everything, and not only for him, but also for a young actress, singer and dancer called Ginger Rogers.

“I loved Fred so, and I mean that in the nicest, warmest way. I had such affection for him artistically. I think that experience with Fred was a divine blessing.”                                                          Ginger Rogers talking about Fred Astaire.

Fred was cast next in Flying Down To Rio to play one half of a dance act featured in the film. His partner was played by Ginger Rogers, who was replacing Dorothy Jordan in the role after Dorothy got married to famed director/producer/screenwriter, Merian C. Cooper. Ginger was a Hollywood veteran compared to Fred, with around 20 films under her belt at the time of starting work on this film. The film would also bring Fred and Choreographer/dancer Hermes Pan together for the first time. The pair would go on to work together on many of Fred’s musicals and all of the future Fred and Ginger films. Hermes and Fred would not only become professional collaborators, but would also become good friends too.

“I just want to pay tribute to Ginger,because we did so many pictures together and believe me it was a value to have that gal. Woo, she had it. She was just great.”                                                         Fred Astaire talking about Ginger Rogers.

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A lovely photo of Ginger. Image source IMDb.

Ginger Rogers was born on the 16th of July, 1911, in Missouri. Her birth name was Virginia Katherine McMath. Ginger was an only child and had quite an unsettling childhood to say the least. Her parents separated shortly after she was born, and her dad kidnapped her twice. Ginger was very close to her mum(who later starred alongside her daughter in the film The Major And The Minor)and her grandparents.

Winning a Charleston dance competition was Ginger’s first step on the road to fame. Her marriage to vaudevillian and singer Jack Pepper in 1929, saw the pair set up a vaudeville act of their own called Ginger and Pepper. The couple divorced in 1931. Being selected by George and Ira Gershwin to play Molly in the 1930 stage musical Girl Crazy, was what really turned Ginger into a star. She signed a contract with Paramount Pictures the same year.

Over the next few years Ginger made films for various studios before moving over to RKO Studios and eventually being cast in Flying Down To Rio. Like Fred, Ginger was also a very multi-talented performer, with a knack for comedy, drama and dance. She would become one of the most popular of the classic era actresses. Ginger would also go on to become an Oscar winner in 1941 for her performance in Kitty Foyle

Ginger and Fred’s roles were small in Flying Down To Rio and they were billed fourth and fifth respectively in the credits, with Ginger’s name appearing above Fred’s. The film was really a vehicle for actress Dolores Del Rio and her co-star Gene Raymond. When the film was released audiences went wild for Fred and Ginger dancing the Carioca. RKO could see that they had something in this dance partnership so they paired Ginger and Fred up again, this time in a screen version of Fred’s hit play The Gay Divorcee(1934). Fred had enjoyed working with Ginger and said he wouldn’t mind making another film with her, but he was initially very reluctant to begin working in a long term dance partnership again, but he soon changed his mind and the rest as they say is history. 

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The Night and Day sequence from The Gay Divorcee. Look at that dress! Image source IMDb.

I consider The Gay Divorcee to be the most important film of the ten which Fred and Ginger made together. It is the first film in which Fred and Ginger’s names receive star billing. It is also the film which really sets in stone the outline of so many of their future films. The film has the mistaken identity subplot; dance used as a form of wooing and to convey the growing romantic attraction and desire between the two; and it’s also the first to have the comic relief provided by the double act of Eric Blore and Edward Everett Horton, two gentlemen who both contributed massively to the Fred and Ginger films they appeared in. The film is also one of the best looking of the ten. The Gay Divorcee was nominated for five Oscars, including Best Picture, and it took home one for Best Song. Ginger was always lucky and got some beautiful clothes to wear in their films, but I really envy her for the extremely gorgeous dress she gets to wear in this film during the Night and Day sequence.

Between 1934 and 1949, Fred and Ginger would go on to make eight more films together – Roberta, Top Hat, Follow The Fleet, Swing Time, Shall We Dance?, Carefree, The Story Of Vernon And Irene Castle, The Barkleys Of Broadway(this final film was made at MGM rather than at RKO, and it was also the only colour film in the series. Fred and Ginger hadn’t worked together for ten years at this point and Ginger was only cast as a replacement for Judy Garland.) Fred and Ginger’s ten films together would be extremely profitable for the most part and were very popular indeed with audiences.

Left to right from top: Roberta, Swing Time, The Story Of Vernon And Irene Castle, Shall We Dance?, Follow The Fleet and The Barkleys Of Broadway. Image source IMDb.

Both stars wanted to move onto other things after they had made The Story Of Vernon And Irene Castle in 1939, and so the partnership came to an amicable end. Ginger would take on a lot more dramatic roles from then on, while Fred mainly stuck with musicals and became known as one of the greatest dancers of the 20th century. Fred also proved his talents as a dramatic actor when he played scientist Julian Osborn in the 1959 film On The Beach. I think that film features some of his best work as an actor, and I highly recommend it if you haven’t seen it before. 

I think that Ginger and Fred contributed so much to the Golden era of Hollywood in their individual careers, but nothing they did ever quite came close to their special film partnership. There is something so beautiful about their partnership and the ten films they made together. The quality of these films and the level of talent that Fred and Ginger bring to them is unsurpassed in my opinion. There has never been a partnership or film series quite like theirs. The Fred and Ginger film series is a real high point, not only of the Classic Film era, but of all cinema. 

While I think it’s fair to say that the two never became the best of friends, Fred and Ginger did enjoy working together and they always spoke fondly and respectfully of each other until the end of their lives. Ginger presented Fred with a special Oscar in 1950, and the two co-presented together at the 1967 Oscar ceremony. Fred died on the 22nd of June, 1987, and Ginger died on the 25th of April, 1995. They left behind them an incredible legacy. 

Are you a fan of Fred and Ginger? Share your thoughts on this couple and their films. 

 

The Fred Astaire and Ginger Rogers Blogathon: Top Hat (1935)

fred-and-gingerCrystal over at In The Good Old Days Of Classic Hollywood, and Michaela over at Love Letters To Old Hollywood are co-hosting this blogathon about Fred Astaire and Ginger Rogers. Be sure to visit their sites to read all of the entries, I can’t wait to read them all myself. 

Top Hat is my favourite Fred Astaire and Ginger Rogers film. I also really love The Gay Divorcee, Carefree, Swing Time and The Story Of Vernon and Irene Castle. Despite my great love for the majority of the films that Fred and Ginger starred in together, it is Top Hat which has found a very special place in my heart. 

I love Top Hat so much and I never get tired of watching it. The film is one of my go to comfort films due to it always being able to leave me in such a good mood. The film is also special to me because it is the first Fred and Ginger film that I ever saw, and it is the film which ended up making me a fan of their work and led me to check out their other films. Top Hat is also the first black and white film that I ever saw. I’ve been a fan a black and white films ever since.

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Fred and Ginger hit the dancefloor for Top Hat’s joyous finale.Image source IMDb.

Top Hat is a joyous, uplifting and very romantic film. I think the film features Fred and Ginger at their very best, both in terms of their acting performances and their dancing. The film also has some of the best and most memorable dance routines in Fred and Ginger’s entire screen partnership. 

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Dale and Jerry having fun at a dinner party. Screenshot by me.

Top Hat was Fred and Ginger’s fourth film together. By this time they had developed a very good screen chemistry, and they both seemed very comfortable being in these films and working with one another. I think that Top Hat is the film which made audiences finally start to sit up and take some real notice of these two.

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Dale and Jerry take a boat ride and have a talk. Screenshot by me.

 Top Hat is also an incredibly funny film. The comic parts and the mistaken identity storyline ensure that the film has a timeless quality about it. The funny reactions, silly situations and funny romantic games really haven’t dated at all in my opinion.

The other fabulous thing about this film is the set design and costumes, both of which are stunning and beautiful.You can see the hours of hard work which had been put into designing, building, and making the sets and costumes in every single scene of the film.  The Venice set in particular is a truly spectacular sight to behold.

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Part of the stunning Venice set. Image source IMDb. 

The impressive Venice set was three levels high and consisted of a canal, bridges, terraces, and balconies. The Venice set was so big that it was spread across two adjoining sound stages. The art director for the film was Carroll Clark, he oversaw all of the magnificent set and furniture design which we see in the film. The art direction for the film was nominated for an Academy Award. It was a well deserved nomination in my opinion. As well as all the fabulous visuals to gaze at and Fred and Ginger to enjoy, we also get the wonderful supporting performances of Edward Everett Horton, Helen Broderick, Erik Rhodes and Eric Blore.

                 Edward Everett Horton, Helen Broderick, Erik Rhodes and Eric Blore.  Screenshot by me.

These four actors were among the greatest American character actors of the classic film era. They are all comedy gold in this film. They steal all the scenes they are all in, and the comic bickering between them all is priceless. I think that they all add so much to this film.  Top Hat became one of the most popular and profitable films of the 1930’s, and it has also since become the most successful and best remembered of all the Fred and Ginger films. 

The film is directed by Marc Sandrich, who was the director of several of the Fred and Ginger films. Acclaimed American tap dancer, Jerry Travers(Fred Astaire) has arrived in London to take the lead in a stage show that is being produced by his friend, Horace Hardwick(Edward Everett Horton).

                                  Jerry dancing and waking up Dale. Screenshot by me.

Jerry is demonstrating a tap routine to Horace in his hotel suite one night, when his loud tap dancing disturbs the sleep of Dale Tremont(Ginger Rogers), who is staying in the suite below. Dale complains about the noise and Jerry says sorry to her. It’s clear to us that there is an instant attraction developing between the two. Dale and Jerry fall in love but she has mistaken Jerry for Horace, as the film goes on this case of mistaken identity gets even funnier and more complicated. This mistaken identity also prevents Dale and Jerry from being able to get together as quickly as they should be able to.

When Dale discovers that Horace is married to her friend Madge(Helen Broderick), Dale is shocked that he is romancing her and attempting to begin an affair with her which would mean he would be cheating on Madge. Dale is even more shocked when Madge seems to not to mind, shows she has a very open mind about love and flirting, and seems very amused by Dale telling her that Horace got romantic with her.

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Horace, Jerry and Madge discuss Dale mistaking Jerry for Horace. Screenshot by me.

Dale goes on holiday to Venice with Madge. Dale is romanced there by dress designer Alberto Beddini(Erik Rhodes), things get complicated when both Jerry and Horace show up, along with Horace’s hysterical and meddling valet, Bates (a scene stealing Eric Blore). Can Dale and Jerry set things straight and get the happy romantic ending they deserve?

In addition to the characters and the romance story, there are also lots of dance sequences for us to enjoy. The highlight of the film for me is Fred and Ginger’s Cheek To Cheek dance sequence. The dance caused many problems at first, due to what happened with the feathers on Ginger’s ostrich feather gown. 

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The Cheek To Cheek sequence. Image source IMDb.

The feathers sewn onto the dress flew off in clouds whenever Ginger and Fred started dancing during early takes. Filming was stopped, the dress was altered slightly, and dancing resumed. Although feathers can still be seen falling off during the completed sequence, the shedding of feathers is not as noticeable as it had been initially. 

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The Cheek To Cheek sequence. Image source IMDb. 

The Cheek To Cheek sequence is so beautiful to watch. The dance is very graceful and expertly choreographed. This elegant, graceful and effortless sequence is the epitome to me of what Fred and Ginger were all about. 

The other standout dance sequence in the film is the Top Hat stage routine. This scene is part of Jerry’s stage show.Fred gets to do some terrific solo tapping in this sequence, and he gets superb support from a large group of backing dancers. The dancing, the stage design and that brilliant song and music by Irving Berlin all help to make this a stunning sequence.

The Top Hat sequence. Image source IMDb.

I think there is something here for everyone to enjoy in this film. You will also be sure to be tapping your toes right along with Fred and Ginger. I also love that for a film which is clearly all about fantasy and which is set in a very artificial world, the plot and characters somehow manage to feel very authentic and believable.

The film makes you care about Dale and Jerry and you want them to be together by the end. Top Hat is an uplifting and delightful fantasy that can cheer you up if you are feeling down. I always feel happy after spending some time watching this one. Fred is at his most charming and loveable in this film. Ginger is equally lovable and she also gets to prove to us how much comic talent she had too. I love Ginger’s shocked and bemused expressions during the scenes where she is telling Madge about Horace flirting with her. I also think she and Fred are so funny in the scene where she pretends to be someone else and acts as though they used to be lovers.

For a film made during the time of the infamous Production Code, I think that this film is also rather risque in its subject matter. Madge’s reaction to the news that Horace (we know it’s really Jerry that Dale is talking about but Madge doesn’t)has been flirting with Dale and wants to have a relationship with her, is not a response that you may expect to find in a 1930’s Code film.

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Madge and Dale talk about men. Screenshot by me.

Madge makes it very clear that she doesn’t care if he cheats on her or not. Madge’s response also seems to imply that the couple may well have an open relationship. I’m surprised the Code people passed this scene discussing affairs involving a married person, when they famously didn’t even allow characters who were married couples to be shown sleeping together in the same bed!

Madge is another reason why I love this film so much. She is a middle aged woman who you expect to be very reluctant to discuss her marriage and her husband’s fidelity, but Madge is just the opposite, she is very open and she comes across as being a very modern woman in her attitudes towards marriage, and she is also a very fun person too.

Madge is very open when she talks about Horace’s flirting and fooling around, she also tells Dale that you can never really stop men looking at other women and desiring them. The banter between Madge and Horace is hilarious, and I think that both Helen Broderick and Edward Everett Horton work together so well in this film.

My favourite scenes are the following. Jerry tap dancing to shock the boring old men at Horace’s club. The Cheek To Cheek dance. Dale trying to tell Madge about Horace being in love with her. The scene where Dale pranks Jerry and acts as though she thinks they had an affair in France years ago. The Piccolino dance finale. Jerry waking Dale up with his dancing. 

Anyone else here love Top Hat as much as I do?

On The Beach (1959)

What would you do if you knew that the world was coming to an end? How would you react to such news? How would you cope with having this new fact in your life?Stanley Kramer’s 1959 film, On The Beach, tackles all these questions and many more as well. It is a powerful, moving and very unsettling film experience. You will also never be able to hear the tune Waltzing Matilda without remembering moments from this film once you’ve seen this. That tune is used as the theme of the film. 

The film is filled with haunting scenes that are hard to shake off once you’ve finished watching the film. Scenes such as Peter and Mary having a conversation about suicide pills. The sailor leaving the submarine and going ashore to the radiation filled mainland of America, so that he can die at home in surroundings he knows and loves. That same crewman’s description of finding his parents dead. Chilling stuff for sure.

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Dwight and Moira comfort one another. Screenshot by me.

On The Beach is an adaptation of the 1957 novel of the same name, which was written by Nevil Shute. At the time of the films release there was great public fear of Atomic and Nuclear weapons. I’m sure this film chilled many viewers to the bone at the time, particularly due to its unflinching look at the aftermath of one of these weapons being used. The film is scary and thought provoking. Almost sixty years later and this film still remains a frightening and powerful film experience. Sadly the film still remains relevant as mankind is still intent on having these weapons around.

I like how the film captures how many different reactions various people have to the news of the end of mankind. Some can’t handle it and escape into a bottle of booze, some go to extremes to feel and experience life while it still exists, and some simply refuse to accept that there is no hope of survival whatsoever. It always makes me think how I would react in such a situation.

On The Beach poster

The film is set in Australia. The entire population(apart from people in Australia)have died due to radiation sickness following a Nuclear war. The radiation is being spread on the winds, and it is estimated to arrive in Australia in around five months time. The citizens there are trying to come to terms with the war, and with the fact of their own impending fate. An American submarine, the U.S.S. Sawfish, surfaces off the coast of Australia. It was submerged when the war began, and therefore the crew were not exposed to the radiation spreading across the surface of the planet.

The submarine has been travelling around the globe and briefly surfacing at various countries, only to find no sign of life. Captain Dwight Towers (Gregory Peck)and his crew dock in Australia and come ashore. Despite Dwight’s wife and children having been killed in the war, he just cannot accept that painful fact and still acts as though they are living. While the crew are ashore, Dwight befriends the guilt ridden scientist Julian Osborn (Fred Astaire) and the outgoing and boozy Moira (Ava Gardner). Dwight and Moira slowly fall in love with one another. Dwight however cannot permit himself to act on his feelings though because he still considers himself married.

Dwight and his crew are joined by Julian and Lt. Peter Holmes (Anthony Perkins)after a Morse signal is picked up coming from America. The crew must travel there and try and find out if anyone has somehow managed to survive. While all this is going on, the countdown to human extinction has begun and the clock is ticking fast.

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Peter and Mary have a difficult discussion about the suicide pills. Screenshot by me.

This is an extremely bleak film and I don’t find it to be an easy watch at all. The performances of the cast make it a must see though. I find it to be extremely moving and I think that it captures so well the horror and tragedy such an event would bring about in reality. I find the human stories to be the main reason to return to this one again and again. It’s both fascinating and moving watching the different characters and how they react to their approaching deaths.

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Gregory Peck as Dwight. Screenshot by me.

Gregory Peck is completely heartbreaking as a man trying to appear to be in control of his emotions. Inside though Dwight is anything but in control of his emotions. Dwight is consumed with a grief that he cannot display publically. Gregory shows us his tough façade cracking a few times though.

Thanks to Gregory’s superb performance we see Dwight really struggling to stay in control and we also see him wrestling with his conscience in regards to his developing and undeniable feelings for Moira. 

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Fred Astaire as Julian. Screenshot by me.

Fred Astaire is best remembered today for his incredible dancing skills, but he was also a very fine dramatic actor. His performance here as Julian Osborn is one of the best he ever gave in my opinion. Julian was a Nuclear scientist and he feels tremendous guilt that something he helped to build is now ending up destroying humanity.  

Fred steals every scene he is in with just a look. In many scenes he is in the background but you keep your focus on him to see how he is reacting at certain moments. I also like the look on his face in scenes where Julian watches Dwight and Moira, he seems to know before they do that they are falling in love. I think Julian knows that their time together will be very bittersweet and he pities them because of that. I think that Fred is especially excellent in the scene where the Sawfish crew ask Julian to try and explain how the war started in the first place. 

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Ava Gardner as Moira. Screenshot by me.

Ava Gardner touches my heart as Moira. She conveys the sadness and fear that Moira is struggling with perfectly. Moira is such a tragic figure because she has so much love to give, and she wants to spend her final days being happy with Dwight.

Ava perfectly conveys this woman’s inner turmoil, as she struggles to blot out the pain of the present by consuming booze and how at the same time she finds in Dwight a reason to stay alive and sober to savour every moment they have left. I think Ava delivers one of her most underrated performances in this film. She makes you want to hug Moira because she is so vulnerable and loveable. 

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Anthony Perkins as Peter. Screenshot by me.

Anthony Perkins is excellent as the young Lt. Peter Holmes. I’ve never been much of a fan of Perkins, but I really do like him in this film. Peter and his wife have recently had a baby, and his wife is really struggling to accept the truth of what is about to happen to everyone. Anthony perfectly captures the emotional and moral distress Peter is in.

When Peter has to decide if he and his young family will take the government issued suicide pills or not, Anthony really lets you see how much of a difficult decision that is for Peter. It is the kind of decision that nobody should ever have to make, but the film forces you to think what you would do in his place. Would you accept the slow, painful and deeply unpleasant death caused by radiation? Or would you have one last beautiful day surrounded by those you love, still being healthy and in control of your life, and then take the pill and peacefully slip away? 

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Donna Anderson as Mary. Screenshot by me.

Donna Anderson breaks my heart every time I watch this. Donna plays Peter’s wife, Mary. This woman is terrified of the truth about the end of the world but she won’t accept it or even talk about it. She too must decide how to meet her end.

I think many people would react like Mary, still holding out for hope even when faced with the opposite reality. Donna portrays Mary’s hysteria and terror very well indeed. 

John Tate is Admiral Bridie. John only appears in a few scenes but he is excellent when he does show up. I really like how he subtly conveys his love for his much younger secretary, Lt. Hosgood (Lola Brooks). Those feelings are there in the way he looks at her. The way Hosgood looks back at the Admiral also gives me the impression that they both felt the same way. Watch them carefully in their scenes together.

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Bridie and Hosgood share a drink. Screenshot by me.

I especially love their final scene together where they share a drink. That scene moves me each time I watch it. The scene is beautifully played by both actors. I also love the weight of what is inferred between them but how it is never said, it makes for a very powerful and touching moment.

If you are among the few people on the planet who actually believe we should have Nuclear weapons, then I would seriously hope that this film (particularly the final ten minutes, and the famous final shot)would make you change your opinion. I would also recommend you watch the film Fail-Safe and the TV miniseries Threads and The Day AfterJust having one of these terrible weapons in the world is one too many. These films and series show what will happen to us if we ever use them. It annoys me so much that some members of our species are intent on creating ways of bringing about our destruction. We should learn to love each other, because at the end of the day we are all the same, we are all human and will all die one day. Why can’t our time on earth be filled with happiness instead of war and hate?

As bleak as this film is, it also does have some happy moments and it also focuses on the many good points about humanity. We see characters give and receive love. We see compassion, friendship and kindness. It makes you think that you should really value your life because you could lose it at any time. I also like that the film ends on a plea that could be seen as being directed straight at us in the audience. That plea is “There is still time… Brother”. Nuclear destruction is not Science Fiction, it is a terrifying real life possibility, but we do have it within our power to stop it from becoming an horrific reality.

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The plea aimed directly at us. Don’t let our world end like this. Screenshot by me.

I’m sure that audiences back in 1959 cannot have found the final shot of the plea to make for comfortable viewing. After all this final shot would have reminded them that the horror they’ve just seen wasn’t fiction. At the height of the cold war this film cannot have been an easy one to watch. Given the state of our world right now, I’m afraid that this  film sadly remains very relevant and chilling for us to watch today. Will we ever come to our senses and get rid of these weapons and our hate? I hope we will get rid of them.

My favourite scenes are the following. Julian and Peter’s conversation on the submarine. Dwight trying to explain to Moira at the train station how he feels about his dead family. The young sailor leaving the submarine and going ashore in San Francisco, he chooses to die there (his home city)but he will do so alone. Julian trying to explain how the Nuclear war started. Bridie and Hosgood sharing a drink and an important conversation. The scene during the boat race between Dwight and Moira. Moira watching the submarine submerge. Moira and Julian’s conversation in his garage. The final scene.

This is a powerful film and is one with an equally powerful message to deliver. Strong performances from all the cast and a beautiful score to enjoy . Be sure to see this one on Blu-ray to see it looking its best. I highly recommend the novel too. It goes into more detail about how the war started. It also graphically describes the symptoms of radiation sickness, while the film only hints at those horrors.
Any other fans of this one? Please leave your thoughts below.