I consider Rear Window to be one of Alfred Hitchcock’s cleverest and most absorbing films. Few films can claim to be perfect, but I think this is one of the few that can be considered such.
This is one of Hitchcock’s best films (and that is saying something)and his attention to even the smallest of details is very evident in every scene. The film is the perfect package and it contains something in it for everyone to enjoy.
The way Hitchcock directs this film makes his audience become voyeurs just like James Stewart’s character is. The more of the film we watch, the more it seems like we are right there in that apartment with him looking out at the neighbouring apartments and focusing on what is happening inside them.
I always feel quite uncomfortable whenever I watch this one because it feels like I’m being nosy and am actually looking in on all these peoples lives. I felt like I have become James Stewart’s character in a way.
Rear Window is a very dark and thrilling film which tackles issues of obsession, curiosity, romance, murder and voyeurism. The film features glamourous clothes, black comedy, fascinating characters, plenty of suspense and one of the most realistic film sets in American film history. The film also shows that sometimes being nosy and suspicious isn’t a bad thing.
I really like how we are not entirely sure whether to accept the suspicions of Jeff or not. Even though we see and hear the same things he does, we don’t really know what incidents are worth being concerned about. At some points we are not entirely clear about what we’ve actually just witnessed.
Photographer L.B. Jefferies (James Stewart)is wheelchair bound at home during a heatwave after he breaks his leg.
Jeff lives in an apartment complex and he starts looking out of his window at his neighbours because he needs something to do to help him pass the time when he can’t sleep because of the heat. However what begins as a casual curiosity, soon develops into an obsession when he can’t stop looking at what’s going on in the neighbouring apartments.
Jeff’s glamourous girlfriend, Lisa Fremont (Grace Kelly)loves him dearly, but the two are complete opposites in background, life and society. Lisa begins to get concerned about Jeff’s obsession with the neighbours and she tries to get him to focus on her instead.
Soon Lisa gets drawn into his obsession when the pair begin to suspect neighbour Lars Thorwald (a menacing Raymond Burr)of having murdered his invalid wife and taken her body out of their apartment late at night.
Jeff and Lisa begin their own investigations into the possibility of foul play having been committed. They are helped in their investigations by Jeff’s nurse, Stella (Thelma Ritter) and Jeff’s detective friend Doyle (Wendell Corey). Hitchcock keeps us guessing as to whether Thorwald is innocent or guilty right up to the end of the film. We even begin to wonder at points in the film whether Jeff is correct in his suspicions or not.
I love the apartment complex set because it looks so realistic. How it’s set up works for the story as Jeff’s window has a clear view of all of the other apartments opposite and around his own. All the apartment sets were also designed inside, with furniture etc added to the interiors which could be seen through the windows. I also love the excellent sound work heard during the apartment complex sequences where we hear conversations, music, and other sounds at various different levels, just as you would in reality.
The one thing about this set up that always makes me laugh is how everyone in all the apartments has their windows open with the lights on and nobody (apart from the newlyweds)ever has their curtains or blinds drawn. This seems to be a recurring thing in American, Swedish and Danish films and series; here in the UK, once it’s evening the curtains and blinds are firmly shut, we’d never dream of having the lights on so that everyone outside could see in. Do none of the characters in this film value their privacy? Do they not think that someone across the courtyard could be seeing everything they’re doing?
Not only is the film suspenseful and thrilling, but it is also a terrific character piece with a great deal of character development occurring throughout. Even Jeff’s briefly glimpsed neighbours come across as very real people with all their various quirks and flaws.
I don’t know about you but the action taking place in the individual apartments is as intriguing to me as the main story of Jeff obsessing over Lars Thorwald. I’m most fascinated by the Miss Lonelyheart story. This woman is single and is depressed because she doesn’t have anyone in her life. This storyline is so well conveyed that I find myself really feeling for this woman and wanting to comfort her.
I also like seeing how Jeff slowly comes to see what a treasure he has in Lisa. As the film goes on he is more focused on what is going on in the other apartments to be able to properly focus on his own life. Lisa and Jeff genuinely do love each other, but they each have such different lives and interests that their relationship isn’t easy. Lisa also wants them to get married but Jeff doesn’t want that.
By the end of the film though, Jeff realises that he does love Lisa very much. He finds that he can’t be without her, and he starts to see that she is a resourceful and brave woman. Grace Kelly is as glamorous and beautiful as ever but she gets to show there is more to her character than her physical appearance. Lisa ends up becoming one of the bravest characters in the film. Grace also shows us Lisa’s vulnerable side and her desperation for Jeff to fully accept her in his life.
James Stewart portrays Jeff as a man who is very set in his ways, but who slowly comes to realise that there is room for Lisa in his life after all. James does such a good job of conveying Jeff’s growing fascination and obsession with the mystery in the apartment opposite his. James again goes to some dark places for Hitch as he plays a character obsessed with murder and someone who seems to be at his happiest watching the lives of others. In this film he delivers one of his finest performances.
Thelma Ritter provides comic support as the sassy and no-nonsense Stella. She also thinks Jeff needs to stop watching, but then she and Lisa begin to think he may be right after all. Thelma was one of the greatest character actresses and she steals every scene she is in here.
Raymond Burr is almost unrecognisable in this as Lars Thorwald. I love Raymond when he plays good guys like Ironside, but he was superb when playing dubious and evil characters. He really keeps you guessing about Thorwald right up to the final scene.
This is a thrilling film that keeps you on the edge of your seat throughout. It also makes you see just how easy it is to slip into obsession. Excellent performances throughout and skilled direction from Hitch make this a must see.
My favourite scenes are the following. Lisa sneaking into Thorwald’s apartment. Our first introduction to Lisa. Doyle seeing that Lisa is going to spend the night with Jeff. The opening sequence of the apartment complex. The entire final sequence involving the camera flash.
What do you think of Rear Window?