Blogathons, Tributes To Classic Stars

The Ida Lupino Centenary Blogathon

 

Ida banner 1This year is the 100th anniversary of the birth of Ida Lupino. Ida was a hugely talented director, writer, actress and producer who worked during the classic film era in Hollywood.

I wanted to honour this very talented lady by holding a blogathon, so that we could all remember her and get together to discuss her work and legacy.

Twelve wonderful bloggers were kind enough to sign up to take part. I’m very happy to announce that the big day has finally arrived! Stop by throughout the day to read the articles being submitted about Ida. 

Message to none WordPress bloggers: For months now, I’ve not been able to leave any comments on none WordPress sites. So unless your comments sections are set up to accept anonymous comments, I’m afraid that I can’t leave you any comments. 😦  Please check back to this post where I will leave comments for the entries written by those of you not on WordPress. Sorry about this. Thanks for understanding.  

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The Entries

Down These Mean Streets discusses Ida’s sexy and sultry performance in Private Hell 36

 

Caftan Woman discusses the time Ida acted alongside Jean Gabin and Claude Rains in Moontide. 

Hi Paddy. How have I never seen this film before?! Your fine review has me desperate  to check this one out. Gabin, Lupino and Rains were masters of their craft, and I am interested to see how Ida got along performing alongside those two brilliant actors. From what you say she did just fine and was perfectly at home in this role. I like films that are a mix of genres, and this one sounds like a good example of one such film. Ida and the rest of the cast are ensuring that I’m going to try and track this down. Thanks so much for taking part and celebrating Ida. 

 

Realweegiemidgetreviews shares her views on Ida’s poignant performance in The Twilight Zone episode The Sixteen Millimeter Shrine.

 

MovieMovieBlogBlog tells us about the times that Ida went directing on Gilligan’s Island. 

 

The Midnite Drive-In takes a trip with Ida into The Twilight Zone.

Hi Quiggy. I loved your reviews of Ida’s two TZ episodes. The Sixteen Millimeter Shrine is such a poignant episode, and it has become a great favourite of mine. Such a shame it is often overlooked by some fans of the series. Glad to see you also picked up on the similarities between this episode and Sunset Blvd. Ida sure does a terrific job of conveying Barbara’s sadness, loneliness and desperate desire to be living again in her past, surrounded by friends she loved. We all at some point long to be back in our past, at least Barbara got the chance to return. The Masks is excellent. I love seeing those selfish and nasty people get what is coming to them. In real life shallow, and cruel people often hide behind a mask of being an upstanding person; the reality is usually very different, and in this episode such people are forced to wear their real faces. Ida did a brilliant job directing this.  

 

Old Hollywood Films discusses a film Ida directed, the funny and poignant The Trouble With Angels.

Hi Amanda.Your fine review of one of my favourite films has put me right in the mood to watch this again. Ida did a terrific job directing this one, and I really like the equal balance of comedy and poignancy she managed to achieve as the film goes on. When I watch this again, I will be sure to study Hayley’s performance to see if I detect any similarity to Ida herself as you have (very interesting observation). The Jerry Goldsmith score is beautiful and I never get tired of hearing it. Thanks so much for joining me to celebrate Ida.

 

Classic For A Reason discusses Ida’s role as a determined sister and surrogate mother in The Hard Way

 

PortraitsbyJenni tells us about an Ida Lupino film that made her a fan of classic era cinema. That film is Deep Valley.

 

Taking Up Room discusses Ida’s unforgettable performance in They Drive By Night. 

 

I share my thoughts on one of Ida’s finest directorial efforts The Hitch-Hiker.

 

 

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Blogathons, Films I Love

The Ida Lupino Centenary Blogathon: The Hitch-Hiker (1953)

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This is my entry for my Ida Lupino Centenary Blogathon being held on the 12th of May. There is still time to join if you haven’t already. Click here to sign up and see who is writing about what.

I’m writing about The Hitch-Hiker. This is a film which I consider to be one of Ida Lupino’s finest directorial efforts. I will even go so far as to say I think it may well be the best film that she ever directed.

Ida Lupino was one of the finest actresses of the 1940’s. Ida excelled at playing tough and sexy dames on screen, and she was always a perfect fit in Noir films and thrillers.  By the end of that decade she also proved that she had a great amount of talent behind the camera as well. She branched out and became a producer and a writer.

In 1949 she sat in the directors chair for the first time, after she stepped in to replace the director Elmer Clifton on the film Not Wanted. Clifton had become ill and couldn’t continue working on the film. Ida finished off the film for him, but out of respect to him she didn’t take a directors screen credit. Her first official film as a director was Never Fear(1950). Between 1950 and 1953, Ida directed three films including Outrage; this is a very powerful drama about a woman dealing with the aftermath of being raped. 

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Gilbert and Roy before their nightmare begins. Screenshot by me.

In 1953, Ida turned her attention to true crime and made The Hitch-Hiker. The film is actually classed as a Noir, but I personally don’t consider it to be a Noir film. I’d class it instead as a crime thriller. I always end up on the edge of my seat whenever I watch this film. Ida made sure that this film was crammed with plenty of tension and suspense. It’s a gritty and suspenseful film featuring memorable performances from three of the finest American character actors of this era.

The film also has quite a timeless look about it. The film is mainly shot in a car, and is also shot on location out in the middle of nowhere. I think this helps to give the audience a sense that this event we’re witnessing could happen anywhere, at any time, and in any era. Show this film at the cinema today, and I am sure it would still work for younger viewers and deliver suspense and thrills. The film also serves as a warning to be very wary of who you pick up on the road. I also like how the film denotes the passing of the days by having the men grow stubble and look sweaty and weary.

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Myers. Screenshot by me.

The film is based upon the real life hitchhiker kill spree of Billy Cook(named Myers in the film). Between 1950 and 1951, Billy Cook murdered six people(including an entire family) between Missouri and California. He was eventually caught and received the death penalty for his crimes. The film was produced through Ida’s production company Filmmakers Inc, which she had set up with her ex-husband, the producer and writer, Collier Young.  As well as directing this film, Ida also co-wrote the screenplay along with Collier Young and Robert L. Joseph.   

Emmett Myers (William Talman)is a sadistic and dangerous man. He has been going around the country hitching rides and then killing the people who pick him up. He then steals their cars and possessions and heads across country. The film begins with us seeing him murder a young couple in their car. We only see his legs and the murders are not depicted graphically, and yet they come across as real and disturbing. We then see him hitch a lift with a lone man. Next we see that man’s dead body dragged to a roadside.

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No escape from Myers. Screenshot by me.

We then meet the heroes and victims of the film. Friends, Gilbert Bowman(Frank Lovejoy)and Roy Collins(Edmond O’Brien, a regular face in Ida’s films)are heading to Mexico for a fishing trip, and maybe a little fun time with ladies of the night. Picking up Myers after he pretends his car had broken down, the pair soon realise that they should have drove straight past him. Once he’s in the car, he pulls a gun on the pair and controls their every move from then on. 

The rest of the film focuses on Gilbert and Roy’s attempts to get away from Myers or try and overpower him and escape. The Police are on the look out for Myers and unbeknown to the three men in the car, the Police are succeeding in getting close to tracking them down. 

The story is a cracking one, but it is the performances from the three leads that linger most in the memory when the film is over.

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Talman. Screenshot by me.

Talman is so frightening as the psychotic Myers. He has a deranged and dead look in his eyes and makes you believe he is a seasoned killer with no remorse for the horrific crimes he commits.

There is a scene where he talks about what led him to be the way he is, and this scene shows us that people are not usually born this way; they become evil and hardhearted due to abuse and mistreatment in their childhood. Myers got a rough hand dealt to him growing up and he snapped and became the way we see him.

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Lovejoy. Screenshot by me.

Lovejoy is excellent as Gilbert. Watch his face because you can see he is conveying his character trying to think up ways to overpower Myers.

I love his reaction when he nearly gets shot in the head but is spared because the gun misfired; the mixed look of fear, relief and disbelief he shows on his face makes for a powerful moment.

 

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O’Brien. Screenshot by me.

O’Brien is equally good as Roy, and I like that he is a bit more openly afraid of what is going on than Gilbert (who it is mentioned had come out of the army, so perhaps his military experience allows him a better control of his fear) is at times. I love the scene where he is told to stand with the can while Myers shoots at him.

There is some interesting photography in this film too. Nicholas Musuraca was the man behind the camera, he did wonders with shadows and lighting in films including The Spiral Staircase and Cat People. Most of the scenes in The Hitch-Hiker take place in the car, with the three men shot in a mid shot (either seen from the front or from behind) throughout, this style of shooting makes these scenes come across as being very claustrophobic. In the scene where Myers forces Gilbert to shoot at Roy, there is also a terrific point of view shot looking down the barrel of a gun that I think looks awesome. 

My favourite scenes are the following. Myers explaining about his eye which never shuts(seriously creepy). The can shooting scene. The opening murders. The scene in the store between Gilbert and the little girl. Myers taking Gilbert and Roy hostage. Roy and Gilbert making a run for it at night.

The film received somewhat mixed reviews upon its release. Now it is rightly regarded as an effective thriller, and is recognised as being a real highpoint in Ida Lupino’s career. Despite all that though I don’t think it has still achieved the praise and fame it actually deserves.  

Ida would continue on as a director throughout the next three decades. She would mainly work in TV (and she became the only woman to direct an episode of The Twilight Zone, an episode called The Masks). She was a woman well ahead of her time and her hard work helped pave the way for future women directors. Such a shame that she didn’t get to direct more films in her career.  

Sadly as of 2018, there are still too few women sitting in the director’s chair on film sets. I can also think of none off the top of my head who multitask in the industry and work as actresses, writers, directors and producers like Ida did. She was a very multi-talented woman, and she proved that she could more than hold her own in a very male dominated industry. The Hitch-Hiker stands as a reminder of her varied skills behind the camera.

What are your thoughts on this film?

 

Blogathons, Tributes To Classic Stars

Announcing The Ida Lupino Centenary Blogathon 2018

Hi everyone. I think it’s high time we had another blogathon. This year would have been the 100th birthday of the actress, director, writer and producer, Ida Lupino. I’d like to invite you all to join me in celebrating her centenary. 

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Ida in The Bigamist. Screenshot by me.

Ida was born in London, in 1918, she went on to make quite a name for herself in Hollywood. She became an actress, producer, writer and a director too.

She was a tough and determined woman. She had equal amounts of talent both before and behind the camera. I admire her for being a groundbreaking woman in a very male dominated industry. She really helped to pave the way for future generations of female directors.

I am hosting this blogathon to mark Ida’s centenary. I do hope you will all be able to join me to celebrate her life and career. You can write about Ida as an actress, director, producer or as a writer. You can also write about her entire career if you would like to.

You can enter more than one post if you wish to do so. I am allowing duplicates for the films she directed, but no more than two duplicates please for films that she starred in. Previously published posts you’ve written about Ida will also be accepted for this blogathon. 

The blogathon will be held for one day only on the 12th of May, 2018.  

Simply let me know what you would like to write about and leave me a link to your blog. Take one of the banners below and put it on your site somewhere to help spread the word. You can view the list of who is writing about what below. 

Most importantly have fun writing! Let’s do Ida proud. Lets honour her talents and also the great contribution she made to the classic film era. 

 

Participation List

Maddylovesherclassicfilms :The Hitch-Hiker

Movie Movie Blog Blog  :Ida directing four episodes of Gilligan’s Island

Realweegiemidgetreviews :The Sixteen Millimetre Shrine (Twilight Zone episode)

Musings Of A Classic Film Addict :The Sea Wolf

Taking Up Room : They Drive By Night

Old Hollywood Films : The Trouble With Angels

Classic For A Reason : The Hard Way

Down These Mean Streets : Private Hell 36

In the Good Old Day’s Of Classic Hollywood : While The City Sleeps

The Midnite Drive-In: Ida and The Twilight Zone

Caftan Woman: Moontide

B Noir Detour: Outrage

     Portraitsbyjennie : Deep Valley

 

 

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