This is my own entry for my Stewart Granger blogathon. I can’t wait to read all of your entries in a few days time.
I’m writing about Caravan, which is one of my favourite Stewart Granger films. Caravan is another fabulous romantic melodrama from British film studio Gainsborough Pictures.
Stewart’s performances in the Gainsborough films of the 1940’s were what first made him a star here in the UK. He is wonderful to watch in these films as the romantic hero. He also has the added benefit of having a bearing and face that makes him look like he is someone who lived in the 18th or 19th century. He never looks out of place in these period films.
I have always liked Stewart Granger. I became a fan of his from the first time that I ever saw him in a film. My introduction to him was the film King Solomon’s Mines.I like Stewart because he has an intensity and a charm about him. He also has that ability to dominate a scene when he is in it. I especially love how effortlessly he was able to switch between playing the romantic leading man and playing more roguish and tough characters.
Stewart convinces as the sweet romantic hero and as a far tougher and darker man too. Screenshots by me.
Caravan provides him with a character who is a perfect blend of both of those character types. His character Richard Darrell is certainly a sweet natured man most of the time, but he is also incredibly tough, and can become violent when necessary. You wouldn’t want to get on the wrong side of Richard if you could help it, and he is someone who you would certainly want as a friend.
What is very noticeable about the Gainsborough films is that they were usually very female focused. These films offered extremely strong roles for the actresses of the classic film era. Caravan slightly departs from this tradition of female focus by focusing more upon on Stewart’s character, but the film still gives us two very memorable lead female characters to enjoy as well.
Jean Kent delivers the standout female performance in my opinion. She steals every scene she appears in as the feisty and fiercely loyal Gypsy dancer, Rosal.
Jean and Stewart have lovely chemistry and sparks clearly fly between them when they share a scene.
Jean makes it clear to us how independent and passionate Rosalis, we can’t help but like her as much as Richard does. Rosal is a strong willed, kind and fearless lady.
Anne Crawford (a much underrated actress, whose life was cut tragically short when she died of Leukaemia, aged just 35)has the seemingly somewhat dull role of the heartbroken woman who pines for her man.
Anne however manages to make the character very sympathetic and far more fleshed out than she at first seems to be. Anne’s character Oriana is really the heart of the film. She is so gentle and kind that you can’t help but like her.
I also like watching Oriana discover an inner strength as the film goes on. Oriana is such a lovely person, and because of that, I for one always feel torn about which lady Richard should end up with at the end of the film.
Caravan is at heart a film about a love triangle. The thing is though that we cannot take sides in this triangle, because we like all three of the people caught up in it. The fact that both ladies genuinely love Richard, and that he genuinely loves them both in return, makes it very difficult to prefer one couple over the other when you watch this one. Well it does for me anyway.
Richard with the two loves of his life. Screenshots by me.
The film is directed by Arthur Crabtree, who had worked as the cinematographer on several Gainsborough films, and who would also direct Madonna Of The Seven Moons, another one starring Stewart Granger. The film is based on the 1943 novel of the same name by Lady Eleanor Smith. Lady Smith had also written The Man In Grey, which had also been adapted for the screen by Gainsborough in 1943 and had become one of their most successful and famous films. The screenplay for Caravan was by Roland Pertwee(The Spy In Black,Pimpernel Smith), who was the father of Jon Pertwee and the grandfather of Sean Pertwee.
The film begins in late 19th century London. An elderly gentleman is attacked and robbed in the street. He is rescued by the passing Richard Darrell(Stewart Granger).
After Richard helps this man back to his home, he accidentally leaves the manuscript for his novel behind at the man’s home. He returns for it the next day and is encouraged by the gentleman to talk about himself. The gentleman also says he will help publish the novel for Richard.
We learn in flashback that Richard has long been in love with his childhood friend Oriana(Ann Crawford). The pair are now engaged and are planning to marry, much to the anger and jealousy of the slimy Francis (Dennis Price), who has long hated Richard, and long desired Oriana. Francis is the sort of bully who would dissolve into tears if you gave them a dose of their own medicine in return.
Francis is a cruel and vengeful man and he arranges for Richard to be killed while he is travelling in Spain on business. Francis orders Wycroft (a scene stealing Robert Helpmann)to follow Richard and kill him. This leads to an hilarious scene on the boat trip to Spain where nothing goes right for Wycroft in his attempts to be rid of Richard.
Rosal’s dance. Screenshots by me.
On arrival in Spain, Richard catches the eye of local gypsy dancer, Rosal(Jean Kent), while she performs her dance act at a local tavern. Richard is later brutally assaulted by a group of men under Wycroft’s command and left for dead due to the horrendous nature of his injuries.
Rosal saves him and slowly nurses him back to health. When he wakes he is suffering from amnesia. He and Rosal fall in love. Very slowly his memory of the past starts to return to him.
Back in England Oriana has been told by Francis that Richard has been killed. In a deep despair over the loss of Richard, and also the recent death of her father, she reluctantly agrees to marry Francis for financial security. Francis treats her abominably and she never forgets Richard.
Will Richard get justice for what has happened to him? Will he remember Oriana? Which lady will he end up with? You will have to watch and find out.
All the actors do a terrific job here. The costumes and sets are all very beautiful too. I especially love Anne Crawford’s dresses, and I envy her for getting to wear such lovely outfits.
The two romances at the heart of the film are both very different; one is a relationship based on passion and shared experiences; the other is the love of soulmates. I love that both of the romantic relationships are equally affecting.This isn’t just a romance film though, there is also quite a bit of action and many dark and violent moments in this too. The finale in the swamp is very violent and brutal.
The awful marriage between Francis and Oriana isn’t sugar coated for us either. Francis is clearly mentally and physically abusive towards his wife and she is often powerless against him. There is a scene where Francis forcibly carries her up to their room and forces himself upon her, and this brings to my mind the scene of Rhett carrying Scarlett in Gone With The Wind. We are left in no doubt as to how unpleasant this marriage is.
The plot is highly melodramatic and it does involve more than a few coincidences occurring to make certain things happen, but the film is so much fun that most viewers should be able to forgive that and just enjoy the film. If you love a good costume drama and are a fan of Stewart Granger, then this is one that I highly recommend to you.
I’m writing about Footsteps In the Fog. This is quite an underrated film and contains one of my favourite Jean Simmons performances. This is the film that actually ended up making me a fan of Jean Simmons. I love the film very much. I hope that this post will encourage anyone who hasn’t seen it yet to check it out.
The film is based upon the short story The Interruption by William Wymark Jacobs, which was published in 1925. The story focuses on a cook, who blackmails her master after she discovers that he has killed his wife.
The film was directed by Arthur Lubin(best known as an Abbott and Costello director and as director of the Francis The Talking Mule films).
The film initially had a screenplay by Arthur Pierson, which was then rewritten by Lenore Coffee (a noted screenwriter who was twice nominated for an Academy Award) and Dorothy Reid(screenwriter,director and actress. Dorothy had also been the wife of the actor Wallace Reid, who had died in 1923 after becoming addicted to the morphine prescribed to him when he was injured in a train accident).
The final film script stays quite close to Jacobs story. New storylines added for the film include a second murder, the romantic element between Lily and Stephen, a second love triangle which involves Stephen, Elizabeth and David, and much more emphasis on Lily’s character. Originally titled Deadlock and then later on Rebound, the film would finally receive the title of Footsteps In The Fog.
Footsteps In the Fog is an absolutely fascinating film for so many different reasons. For starters it was one of the last of the Gothic drama films to be made, and it was released at at time when these sorts of films were no longer really in fashion.
It is also notable for having been filmed in Technicolor, rather than Black and White, as was usually the case with films of this genre.I personally think that Black and White photography works best for Gothic films. I think that Black and White photography heightens the atmosphere,and that it somehow makes you feel the eerie and oppressive atmosphere present in so many of these Gothic films. I have to say though that the colour photography works very well for this film. I for one love being able to actually see the colours of the period furnishings and clothes featured in the film.
The film is also notable and unusual due to the behaviour of Lily, who is played superbly by Jean Simmons.
In other Gothic films the female characters are often the ones in peril and become victims, or they become emotionally manipulated and tricked by men.
In this film the female lead is no victim. It is actually Lily who manipulates and controls her situation. Lily is a very strong and determined character, and she also seems to get a weird thrill in staying with the man who wants her dead.
The film is also interesting because of the complicated characters played by Jean and Stewart Granger. Stephen and Lily are both extremely complex and intriguing people. Both characters have two very different sides to their respective personalities, and both do some very surprising things as the film goes on. Many scenes between Stephen and Lily are quite sexually charged, the pair hate each other with a passion, but they also greatly desire one another too. Lily in particular seems to thrive on this twisted relationship, as well as on the risk that comes along with it.
We see that Stephen is a cold and callous killer, and yet he also has our pity at certain moments of the film. Stephen can also be tender,warm,devoted and he is capable of great remorse. Our impressions and opinions of this man change several times throughout the film.
At the start of the film we see that Lily is a shy, innocent, vulnerable and bullied young woman. Lily dreams of becoming more than just a maid and kitchen assistant.
When Lily discovers Stephen’s dark secret she chooses not to run to the Police and report it, but instead to use that secret to her advantage. Lily blackmails Stephen and in return for her silence gets something she wants from him.
As the film goes on Lily becomes strong and dominant, she gains a position of authority, and she also gains power over Stephen. Lily is a tragic figure though because she starts to develop genuine romantic feelings for this killer. Jean does such a good job of conveying Lily’s changing emotional state and her feelings and desires.
The film is set in Edwardian London. The story focuses on Lily(Jean Simmons)a young maid and kitchen assistant working in the home of Stephen Lowry(Stewart Granger).
Stephen’s wife tragically dies from Gastroenteritis, or at least that’s what the doctor believed when he gave a cause of death.
Lily however knows that her mistress didn’t die of natural causes.Mrs. Lowry was actually poisoned by her husband. Lily saw Stephen do the deed and hide the bottle of poison he used. Lily goes to Stephen and tells him that she knows what he did.
In return for her silence, Lily tells Stephen to make her housekeeper and to allow her to keep Mrs Lowry’s jewels. Stephen agrees to her demands, but starts to form a plan of his own to kill Lily.
Lily meanwhile is actually starting to fall in love with Stephen, in some scenes it seems to us as though he may be starting to care for her too, but the reality is that he wants her dead so that he can pursue Elizabeth(Belinda Lee)the daughter of his friend. Stephen’s plans to kill Lily go terribly wrong during a suspenseful sequence set outside in the thick, creeping fog that is drifting through the London streets. I’m afraid that I can’t say any more about the plot without spoiling the twists and turns that the plot takes from this scene on.
Jean and Stewart both deliver terrific performances and have a good chemistry. Their shared scenes are exciting and suspenseful. I like how some moments between them are played quite tenderly as the characters begin to develop some genuine affection for one another at times.
Left to right: Belinda Lee and Bill Travers as Elizabeth and David. Belinda Lee as Eizabeth and Stewart Granger as Stephen.
Both Jean and Stewart are lent solid support by Marjorie Rhodes as the bullying cook. William Hartnell as Lily’s brother in-law. Bill Travers as the solicitor, David, who is also in love with Elizabeth. Belinda Lee(an up and coming British actress, who would tragically be killed in a car crash in 1961, aged just 25 years old)as the beautiful and gentle Elizabeth who is the real object of Stephen’s affections.
The costumes and sets are all beautiful, the cinematography is stunning, and the atmosphere and tone of the film are suitably dark.
In a decade when Gothic drama wasn’t really the sort of film drawing in the big crowds, Footsteps In The Fog may well have seemed like something of an odd film to release. This film proved that such films had lost none of their power to shock and grip audiences.
I think this film is one of the best films in the entire Gothic film genre. It is atmospheric and very suspenseful. The sequence at night in the fog is very hard to forget because it is done so well, it makes you feel as though you are right there with Stephen on those dark, fog filled streets. The film brings to my mind the likes of The Man In The Attic, The Spiral Staircase, The Lodger and Gaslight(1940).
I highly recommend this film to any fan of Jean Simmons, Stewart Granger and Gothic films. Have you seen this film? What did you think of the film and Jean’s performance?
Happy New Year to you all. I would like to invite you all to join me this April to celebrate Stewart Granger. Stewart Granger was born James Lablache Stewart, in Kensington, London, on the 6th of May 1913.Changing his name(we can’t have two Jimmy Stewart’s)to Stewart Granger, he would go on to become one of the biggest film stars of the 1940’s, 50’s and 60’s.
Stewart was one of the most intense and handsome leading men of the classic film era. With that distinctive voice of his, coupled with his smouldering good looks and intense presence, Stewart Granger is someone who you don’t forget in a hurry.
Stewart worked in his native Britain for much of his career. Gainsborough melodramas were the films in which he first gained fame.
He would go on to become a big star in America too. He could play gentle and romantic men, as well as brooding and dark villains or troubled men. He was married to Jean Simmons for ten years.
For this blogathon you can write about any of Stewart’s films or TV appearances. You can write about the films he made with Jean Simmons. You can focus on his British or his American film career. You can write a tribute to him. If you ever met or corresponded with him you can write about that experience too. If you have never seen one of his films before, why not take this opportunity to finally do so?
The blogathon will be held on the 13th and 14th of April, 2019. Please post your entries on or before those dates. I will accept just the two duplicates per screen title. You may post up to three entries each if you wish to do so.
Take one of the banners below to place on your site to help promote the event. Let me know what you want to write about below. Check the participation list below to see which titles have been claimed. Have fun writing about Stewart and watching his films.
The Participation List
Maddy Loves Her Classic Films: Caravan
Pale Writer: Love Story and Footsteps In The Fog
Pleasant Street: The Man In Grey
Realweegiemidgetreviews: The Wild Geese
The Stop Button: Moonfleet
Mikestakeonthemovies: The Secret Invasion
Dubsism: King Solomon’s Mines
Catftan Woman: The Last Hunt
MovieRob: Sodom And Gomorrah and The Secret Invasion
The Midnite Drive-In: North To Alaska
Poppity: Scaramouche and Fanny By Gaslight
Critica Retro: Salome
In The Good Old Days Of Classic Hollywood: The Little Hut
It’s time to take a look at another unsung classic film. This is one that I love a great deal. It really annoys me that so few people ever discuss, or even seem to know about this one today.
King Solomon’s Mines has a perfect blend of adventure, action, romance and mystery. It was mostly filmed on location. It also features Stewart Granger and Deborah Kerr, who were two of the classic film eras biggest stars. There is plenty to enjoy about this film.
I will never forget the first time that I saw this film. I was in High School and in history class we were studying the Suffragettes.
We had an exam coming up in a few weeks, and our teacher said that if any of us wanted to do so, we could borrow a video tape from her to take home for a night to watch.
On thetape there was a documentary about the Suffragette movement. The documentary would help us as a part of our exam revision. I was one of those who borrowed the tape.
I finished watching the documentary and was about to turn the tape off, when the tape cut back to what had originally been recorded on it. It cut to this film. The film was a few minutes in, starting at the scene where Elizabeth first meets Allan at his house. Seeing Deborah Kerr was in it, I carried right on watching. I was very glad that I did. I loved this film. As I had missed the title, I then spent some time checking out Deborah’s film information until I found out that the film I had just seen was King Solomon’s Mines.
I couldn’t tell you a thing about that Suffragette documentary now, but I can tell you that I was very happy indeed to have found this film on that tape.
I wasn’t familiar with Stewart Granger at this time and he certainly made quite an impression on me in this film. I have been a fan of his ever since and this is one of my favourite films that he ever made.
I love Stewart’s performance in this as the fearless, experienced, and smouldering adventurer, Allan Quatermain. It was a role he was well suited to playing I think. He’s got the tough guy of very few words persona down perfectly in this. It also doesn’t hurt that Stewart was one of the manliest and sexiest men who ever did live. 😉
Deborah Kerr does a fantastic job of playing a woman unaccustomed to the struggle and danger of going on their expedition. Allan is convinced that Elizabeth will not last long and will beg him to turn back. She finds the journey difficult to endure, but she stubbornly refuses to give in and put an end to her misery and exhaustion.
Deborah does her best with a role that is essentially nothing more than a damsel in distress, she really tries to put across her characters determination and emotional distress. I think she succeeds quite well at this.
For a large part of the film Deborah sadly doesn’t get much to do apart from scream as animals scare her or try to attack her. These sequences lead to lots of moments of Allan rescuing Elizabeth, and at the moment of rescue the pair gaze into each others eyes and their growing bond and desire is ever more evident to us.
Stewart Granger and Deborah Kerr have some incredible chemistry going on in this film. The sexual tension between them is the thing I remember the most about this film. It is so evident and adds something extra to the film.
From the way Stewart and Deborah both look at each other (swoon)to their body language, they very clearly convey to us their characters growing feelings for one another.
Richard Carlson (who I love in The Creature From The Black Lagoon)lends good support as Elizabeth’s brother. He can see before his sister can, that she and Allan are falling in love. He also knows the real reason (which we don’t learn until later on)why she is pushing herself so hard to find her husband. Carlson is an actor who I think given the right material could have become a much bigger star, sadly that wasn’t to be.
The film is directed by Compton Bennett and Andrew Marton. It is based upon the 1885 novel of the same name written by H. Rider Haggard.
This was not the first adaptation of the novel, the story had been filmed before in 1937. That earlier adaptation starred Cedric Hardwicke as Quatermain. Several other adaptions would follow over the decades.
The 1950 film is not an accurate adaption of the novel. In the novel Deborah Kerr’s character doesn’t exist, and the missing man being searched for is the brother of a man in Quatermain’s expedition party.
Personally I think that adding the character of Elizabeth helped the film as the growing relationship between Elizabeth and Allen is possibly the most memorable part of the film. I also liked seeing how Elizabeth coped in a hostile environment and how she doesn’t want to be seen as weak or helpless by Quatermain and the others.
Elizabeth Curtis (Deborah Kerr)and her brother, John (Richard Carlson)hire the experienced hunter and guide, Allan Quatermain (Stewart Granger). They hire him to take them in search of Elizabeth’s missing husband, Mr. Curtis,who was searching for the legendary King Solomon’s Mines, and who hasn’t been seen since setting out on his adventure.
Allan accepts the job, but he warns the siblings that it will be dangerous, difficult, and it will be unlikely that they will find Mr. Curtis. The trio set out, along with a number of native guides and bearers. Along the way they are joined by the exiled (and very tall)native king Umbopa(Siriaque).
The group encounter danger from tribesmen, from oppressive heatwaves and from some wildlife. Allan and Elizabeth start off disliking each other, but over the weeks that follow they both realise they are developing feelings for one another.
The film also features one of the best examples of an only in the movies moment that I can think of. Elizabeth’s long hair proves to be a real bother to her during the trek, so she takes the scissors to it and cuts it off. After a quick wash in a rock pool by a waterfall, she emerges to sunbathe on the rocks. The next time we see her, she now has a perfectly styled (and blow dried) new hairdo. See my screenshots below to enjoy this transformation. Ah, the magic of film. 😉
The film is great fun and I highly recommend it. My only issue is that there are several scenes where animals are killed for no reason other than they scared Elizabeth. I can’t stand to see animals killed or hurt, and I really hate people who hunt animals. To see these animals killed (even though the animals may not actually have been harmed for real)really annoys me.
Also the whole thing with Elizabeth screaming every single time she comes across an animal is very annoying. Does she not know that she in these creatures natural habitats, and that she will be very likely to encounter them at some point?
Anyway, I hope I’ve convinced you to give this film a watch if you’ve never seen it before. If you watch it for no other reason, then at least watch it to see Stewart and Deborah’s chemistry.
Are there any other fans of this one out there? Somebody please tell me I am not alone in my love for this film!